jacket hotline miami Π±ΠΈΠΎΠ³ΡΠ°ΡΠΈΡ
ΠΠΆΠ΅ΠΊΠ΅Ρ
ΠΠΆΠ΅ΠΊΠ΅Ρ
ΠΠ½ΡΠΎΡΠΌΠ°ΡΠΈΡ
ΠΠΎΠ·ΡΠ°ΡΡ
ΠΡΠΎΡΠ΅ΡΡΠΈΡ
Π‘ΡΠ°ΡΡΡ
Π€ΡΠ°ΠΊΡΠΈΡ
ΠΠ°ΡΠΊΠ°
Π‘ΠΏΠΎΡΠΎΠ±Π½ΠΎΡΡΠΈ
Π£ΡΠΎΠ²Π½ΠΈ
ΠΠΆΠ΅ΠΊΠ΅Ρ (Π°Π½Π³Π». Jacket) β ΠΏΡΠΎΡΠ°Π³ΠΎΠ½ΠΈΡΡ Β«Hotline MiamiΒ» ΠΈ Π²ΡΠΎΡΠΎΡΡΠ΅ΠΏΠ΅Π½Π½ΡΠΉ ΠΏΠ΅ΡΡΠΎΠ½Π°ΠΆ Π² Β«Hotline Miami 2Β». Π€Π°Π½Π°ΡΡ ΠΈΠΌΠ΅Π½ΠΎΠ²Π°Π»ΠΈ ΠΏΠ΅ΡΡΠΎΠ½Π°ΠΆΠ° Π·Π° ΡΡΡΠ΄Π΅Π½ΡΠ΅ΡΠΊΡΡ ΠΊΡΡΡΠΊΡ, ΠΊΠΎΡΠΎΡΡΡ ΠΎΠ½ Π½ΠΎΡΠΈΡ Π½Π° ΠΏΡΠΎΡΡΠΆΠ΅Π½ΠΈΠΈ ΠΈΠ³ΡΡ. ΠΠΈ ΠΎΠ΄ΠΈΠ½ ΠΈΠ· ΠΏΠ΅ΡΡΠΎΠ½Π°ΠΆΠ΅ΠΉ Π½Π΅ Π½Π°Π·ΡΠ²Π°Π΅Ρ Π΅Π³ΠΎ Π½Π°ΡΡΠΎΡΡΠ΅Π³ΠΎ ΠΈΠΌΠ΅Π½ΠΈ. ΠΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎ, Π΅Π³ΠΎ Π·ΠΎΠ²ΡΡ Π ΠΈΡΠ°ΡΠ΄ (Π°Π½Π³Π». Richard), ΡΠ°ΠΊ ΠΊΠ°ΠΊ Ρ ΠΊΠ°ΠΆΠ΄ΠΎΠ³ΠΎ ΠΎΠΏΠ΅ΡΠ°ΡΠΎΡΠ° Π΅ΡΡΡ ΠΌΠ°ΡΠΊΠ° ΡΠ²ΠΎΠ΅Π³ΠΎ ΠΈΠΌΠ΅Π½ΠΈ. ΠΠ΅Π½Π½ΠΈΡ ΠΠ΅Π΄ΠΈΠ½ Π²ΠΎΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π»ΡΡ ΡΡΠΈΠΌ ΠΈΠΌΠ΅Π½Π΅ΠΌ Π² ΡΠ°Π·Π»ΠΈΡΠ½ΡΡ ΠΈΠ½ΡΠ΅ΡΠ²ΡΡ, Π° Π² Β«Hotline Miami 2Β» Π²ΡΠ΅ ΡΠ²ΡΠ·Π°Π½Π½ΡΠ΅ Ρ Π½ΠΈΠΌ ΡΠΎΠ±ΡΡΠΈΡ ΠΎΡΠ½ΠΎΡΡΡΡΡ ΠΊ Π½Π΅ΠΌΡ ΠΊΠ°ΠΊ ΠΊ ΠΠΆΠ΅ΠΊΠ΅ΡΡ.
ΠΠ° ΠΏΡΠΎΡΡΠΆΠ΅Π½ΠΈΠΈ ΠΏΠ΅ΡΠ²ΠΎΠΉ ΡΠ°ΡΡΠΈ ΠΈΠ³ΡΡ ΠΎΠ½ ΠΏΡΠΈΠΌΠ΅ΡΡΠ΅Ρ ΡΠ°Π·Π»ΠΈΡΠ½ΡΠ΅ ΠΌΠ°ΡΠΊΠΈ ΠΆΠΈΠ²ΠΎΡΠ½ΡΡ (Π΄Π°ΡΡΠΈΠ΅ ΡΠ°Π·Π½ΡΠ΅ ΡΠΏΠΎΡΠΎΠ±Π½ΠΎΡΡΠΈ ΠΈ ΠΎΡΠΎΠ±ΡΠ°ΠΆΠ°ΡΡΠΈΠ΅ ΠΏΡΠ΅Π²Π΄ΠΎΠ½ΠΈΠΌΡ ΠΎΠΏΠ΅ΡΠ°ΡΠΎΡΠΎΠ²) ΠΈ ΡΠΎΠ²Π΅ΡΡΠ°Π΅Ρ ΡΡΠ΄ Π·Π²Π΅ΡΡΠΊΠΈΡ ΡΠ±ΠΈΠΉΡΡΠ², ΡΠ»Π΅Π΄ΡΡ Π·Π°Π³Π°Π΄ΠΎΡΠ½ΡΠΌ ΡΠΎΠΎΠ±ΡΠ΅Π½ΠΈΡΠΌ, ΠΎΡΡΠ°Π²Π»Π΅Π½Π½ΡΠΌ Π½Π° Π°Π²ΡΠΎΠΎΡΠ²Π΅ΡΡΠΈΠΊΠ΅.
Π‘ΠΎΠ΄Π΅ΡΠΆΠ°Π½ΠΈΠ΅
Π‘ΡΠΆΠ΅Ρ
Π‘ΠΎΠ²Π΅ΡΡΠΊΠΎ-Π°ΠΌΠ΅ΡΠΈΠΊΠ°Π½ΡΠΊΠ°Ρ Π²ΠΎΠΉΠ½Π°
ΠΠΎ Π²ΡΠ΅ΠΌΡ Π‘ΠΎΠ²Π΅ΡΡΠΊΠΎ-Π°ΠΌΠ΅ΡΠΈΠΊΠ°Π½ΡΠΊΠΎΠΉ Π²ΠΎΠΉΠ½Ρ ΠΠΆΠ΅ΠΊΠ΅Ρ ΡΠΎΡΡΠΎΡΠ» Π² ΡΠ»ΠΈΡΠ½ΠΎΠΌ ΠΎΡΡΡΠ΄Π΅, Π³Π΄Π΅ Π΅Π³ΠΎ Π½Π°ΠΏΠ°ΡΠ½ΠΈΠΊΠΎΠΌ Π±ΡΠ» ΠΊΠΎΠΌΠ°Π½Π΄ΠΈΡ Π²ΡΠ΅Π³ΠΎ ΠΎΡΡΡΠ΄Π° ΠΠΎΡΠΎΠ΄Π°. Π ΡΡΠΎ Π²ΡΠ΅ΠΌΡ ΠΎΠ½, ΠΊΠ°ΠΊ ΠΈ Π΄ΡΡΠ³ΠΈΠ΅ Π»ΡΠ΄ΠΈ Π² ΠΎΡΡΡΠ΄Π΅, ΠΏΠΎΠΌΠΎΠ³Π°Π» ΠΊΠΎΠΌΠ°Π½Π΄ΠΈΡΡ Π² Π²ΡΠΏΠΎΠ»Π½Π΅Π½ΠΈΠΈ ΡΠ°Π·Π½ΠΎΠΎΠ±ΡΠ°Π·Π½ΡΡ ΠΏΠΎΡΡΡΠ΅Π½ΠΈΠΉ ΠΏΠΎΠ»ΠΊΠΎΠ²Π½ΠΈΠΊΠ°.
30 Π°ΠΏΡΠ΅Π»Ρ 1985 Π³ΠΎΠ΄Π° ΠΠΆΠ΅ΠΊΠ΅Ρ ΠΏΠΎΠ»ΡΡΠΈΠ» ΡΠ°Π½Π΅Π½ΠΈΠ΅ ΠΈΠ·-Π·Π° Π²Π·ΡΡΠ²Π° Π»ΠΈΡΡΠ°, Π½ΠΎ ΠΠΎΡΠΎΠ΄Π° ΡΠΏΠ°Ρ Π΅Π³ΠΎ ΠΆΠΈΠ·Π½Ρ, ΠΏΠΎΡΠ»Π΅ ΡΠ΅Π³ΠΎ ΠΎΠ½ΠΈ ΠΎΡΡΠ°Π»ΠΈΡΡ Π±Π»ΠΈΠ·ΠΊΠΈΠΌΠΈ Π΄ΡΡΠ·ΡΡΠΌΠΈ, Π½Π΅ΡΠΌΠΎΡΡΡ Π½Π° ΡΠΎ, ΡΡΠΎ ΠΆΠΈΠ»ΠΈ Π² ΡΠ°Π·Π½ΡΡ Π³ΠΎΡΠΎΠ΄Π°Ρ .
Π’Π΅Π»Π΅ΡΠΎΠ½Π½ΡΠ΅ Π·Π²ΠΎΠ½ΠΊΠΈ
ΠΠ΅Π²ΡΡΠΊΠ° Π² ΡΠΈΠ½Π΅ΠΌ ΠΎΡΠ²Π΅ΡΠ΅Π½ΠΈΠΈ Π² ΠΌΠ°ΡΠΊΠ΅ Π»ΠΎΡΠ°Π΄ΠΈ (ΠΠΎΠ½ ΠΡΠ°Π½) ΡΠ°Π΄ΡΡΠ½ΠΎ ΠΏΡΠΈΠ²Π΅ΡΡΡΠ²ΡΠ΅Ρ ΠΠΆΠ΅ΠΊΠ΅ΡΠ°, ΠΏΠΎΠ½ΠΈΠΌΠ°Ρ, ΡΡΠΎ ΠΎΠ½ Π½ΠΈΡΠ΅Π³ΠΎ Π½Π΅ Π·Π½Π°Π΅Ρ ΠΎ ΡΠ΅Π±Π΅ ΠΈ ΠΊΠΎΠΌΠΌΠ΅Π½ΡΠΈΡΡΠ΅Ρ, ΡΡΠΎ Π»ΡΡΡΠ΅ ΠΎΡΡΠ°Π²ΠΈΡΡ Π²ΡΠ΅ ΠΊΠ°ΠΊ Π΅ΡΡΡ, ΠΏΠΎΡΠΊΠΎΠ»ΡΠΊΡ ΠΎΠ½ ΡΠΎΡΠ²ΠΎΡΠΈΠ» ΡΠΆΠ°ΡΠ½ΡΠ΅ Π²Π΅ΡΠΈ. Π§Π΅Π»ΠΎΠ²Π΅ΠΊ Π² ΠΊΡΠ°ΡΠ½ΠΎΠΌ ΠΎΡΠ²Π΅ΡΠ΅Π½ΠΈΠΈ Π² ΠΌΠ°ΡΠΊΠ΅ ΡΠΎΠ²Ρ (Π Π°ΡΠΌΡΡ), ΠΎΠ΄Π΅ΡΡΠΉ Π² ΠΎΠ΄Π΅ΠΆΠ΄Ρ ΠΌΠ°ΡΠΈΠΎΠ·ΠΈ, Π³ΠΎΠ²ΠΎΡΠΈΡ, ΡΡΠΎ Π½Π΅ Π·Π½Π°Π΅Ρ Π΅Π³ΠΎ ΠΈ Π²ΡΠ°ΠΆΠ΄Π΅Π±Π½ΠΎ ΠΊ Π½Π΅ΠΌΡ ΠΎΡΠ½ΠΎΡΠΈΡΡΡ. Π¦Π΅Π½ΡΡΠ°Π»ΡΠ½Π°Ρ ΡΠΈΠ³ΡΡΠ° Π² ΡΡΡΠΊΠ»ΠΎΠΌ ΠΆΡΠ»ΡΠΎΠΌ ΡΠ²Π΅ΡΠ΅, Π²ΡΠ³Π»ΡΠ΄ΡΡΠ°Ρ Π² ΡΠΎΡΠ½ΠΎΡΡΠΈ ΠΊΠ°ΠΊ ΠΠΆΠ΅ΠΊΠ΅Ρ Π·Π° ΠΈΡΠΊΠ»ΡΡΠ΅Π½ΠΈΠ΅ΠΌ ΠΌΠ°ΡΠΊΠΈ ΠΏΠ΅ΡΡΡ Π° (Π ΠΈΡΠ°ΡΠ΄) Π³ΠΎΠ²ΠΎΡΠΈΡ Π³Π΅ΡΠΎΡ, ΡΡΠΎ Π·Π½Π°Π΅Ρ Π΅Π³ΠΎ ΠΈ ΠΎΠ½ΠΈ Π²ΡΡΡΠ΅ΡΠ°Π»ΠΈΡΡ ΡΠ°Π½ΡΡΠ΅, ΡΠΏΠΎΠΌΠΈΠ½Π°Ρ 3 Π°ΠΏΡΠ΅Π»Ρ 1989 Π³ΠΎΠ΄Π° (ΠΏΠ΅ΡΠ²ΡΠ΅ ΡΠ±ΠΈΠΉΡΡΠ²Π° Π³Π»Π°Π²Π½ΠΎΠ³ΠΎ Π³Π΅ΡΠΎΡ Π² ΠΌΠ°ΡΠΊΠ΅ ΠΈ Π±ΠΎΠΌΠ±Π°ΡΠ΄ΠΈΡΠΎΠ²ΠΊΠ° Π² Π‘Π°Π½-Π€ΡΠ°Π½ΡΠΈΡΠΊΠΎ 1986 Π³ΠΎΠ΄Π°). Π ΠΈΡΠ°ΡΠ΄ Π²ΠΈΠ΄ΠΈΡ, ΡΡΠΎ ΠΠΆΠ΅ΠΊΠ΅Ρ Π½Π°ΡΠΈΠ½Π°Π΅Ρ ΡΡΠΎ-ΡΠΎ Π²ΡΠΏΠΎΠΌΠΈΠ½Π°ΡΡ, Π·Π°ΡΠ΅ΠΌ Π³Π΅ΡΠΎΡ ΠΏΠ΅ΡΠ΅Π½ΠΎΡΠΈΡ Π² Π΅Π³ΠΎ Π΄ΠΎΠΌ.
ΠΠΏΡΠ΅Π»Ρ, 1989 Π³ΠΎΠ΄
ΠΠΆΠ΅ΠΊΠ΅Ρ ΠΏΡΠΎΡΡΠΏΠ°Π΅ΡΡΡ Π² Π³ΡΡΠ·Π½ΠΎΠΉ Π΄Π²ΡΡΠΏΠ°Π»ΡΠ½ΠΎΠΉ ΠΊΡΠΎΠ²Π°ΡΠΈ 3-Π³ΠΎ Π°ΠΏΡΠ΅Π»Ρ 1989 Π³ΠΎΠ΄Π°. Π Π°Π²ΡΠΎΠΎΡΠ²Π΅ΡΡΠΈΠΊΠ΅ Π±ΡΠ»ΠΎ ΡΠΎΠΎΠ±ΡΠ΅Π½ΠΈΠ΅ ΠΎΡ Β«Π’ΠΎΠΌΠ°Β» Ρ ΠΏΠ΅ΠΊΠ°ΡΠ½ΠΈ. ΠΠ½ ΠΎΡΠΏΡΠ°Π²ΠΈΠ» ΠΠΆΠ΅ΠΊΠ΅ΡΡ ΠΏΠ°ΠΊΠ΅Ρ ΠΈΠ½Π³ΡΠ΅Π΄ΠΈΠ΅Π½ΡΠΎΠ². Π£ Π²ΡΡ ΠΎΠ΄Π° Π΅Π³ΠΎ ΠΆΠ΄Π°Π»Π° ΠΊΠΎΡΠΎΠ±ΠΊΠ° Ρ ΠΌΠ°ΡΠΊΠΎΠΉ ΠΏΠ΅ΡΡΡ Π° ΠΈ Π΄Π°Π»ΡΠ½Π΅ΠΉΡΠ΅ΠΉ ΠΈΠ½ΡΡΡΡΠΊΡΠΈΠ΅ΠΉ. Π Π½Π΅ΠΉ ΡΠΊΠ°Π·Π°Π½ΠΎ, ΡΡΠΎ Π½ΡΠΆΠ½ΠΎ Π·Π°Π±ΡΠ°ΡΡ ΠΊΠ΅ΠΉΡ ΠΈ Π΄ΠΎΡΡΠ°Π²ΠΈΡΡ ΠΊ ΡΠΎΡΠΊΠ΅ F-32. Π ΠΌΠ΅ΡΡΠΎ ΠΠΆΠ΅ΠΊΠ΅Ρ Π²ΠΏΠ΅ΡΠ²ΡΠ΅ ΡΡΠ°Π»ΠΊΠΈΠ²Π°Π΅ΡΡΡ Ρ ΡΡΡΡΠΊΠΎΠΉ ΠΌΠ°ΡΠΈΠ΅ΠΉ ΠΈ Π·Π°ΡΠΈΡΠ°Π΅Ρ Π»ΠΎΠΊΠ°ΡΠΈΡ. ΠΠ° ΡΠ»Π΅Π΄ΡΡΡΠ΅ΠΌ ΡΡΠ°ΠΆΠ΅ ΠΎΠ½ ΡΠ±ΠΈΠ²Π°Π΅Ρ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠ° Ρ ΡΠ΅ΠΌΠΎΠ΄Π°Π½ΠΎΠΌ. Π£ Π²ΡΡ ΠΎΠ΄Π° Π΅Π³ΠΎ ΠΆΠ΄Π°Π»ΠΈ Π΅ΡΠ΅ ΡΡΡΡΠΊΠΈΠ΅ Π±Π°Π½Π΄ΠΈΡΡ, Π½ΠΎ ΡΠ°Π·ΠΎΠ±ΡΠ°ΡΡΡΡ Ρ Π½ΠΈΠΌΠΈ Π½Π΅ ΡΠΎΡΡΠ°Π²Π»ΡΠ΅Ρ ΡΡΡΠ΄Π°. ΠΠΆΠ΅ΠΊΠ΅Ρ ΠΏΡΠΈΠ±ΡΠ²Π°Π΅Ρ Π½Π° ΡΠΊΠ°Π·Π°Π½Π½ΡΡ ΡΠΎΡΠΊΡ, Π³Π΄Π΅ Π³Π»Π°Π²Π½ΡΠΉ Π³Π΅ΡΠΎΠΉ ΡΡΠ°Π»ΠΊΠΈΠ²Π°Π΅ΡΡΡ Ρ ΡΠ΅ΠΌ ΡΠ°ΠΌΡΠΌ Π±ΠΎΠΌΠΆΠΎΠΌ Π² ΠΊΡΡΡΠΊΠ΅ Π²Π΅ΡΠ΅ΡΠ°Π½Π°, ΡΡΠΎ Π±ΡΠ» Π² ΠΎΠ±ΡΡΠ΅Π½ΠΈΠΈ. ΠΠΎΠΌΠΆ Π½Π°ΠΏΠ°Π΄Π°Π΅Ρ Π½Π° ΠΠΆΠ΅ΠΊΠ΅ΡΠ° Π·Π° ΡΠΎ, ΡΡΠΎ ΠΎΠ½ Π»Π°Π·ΠΈΠ» Π² ΠΌΡΡΠΎΡΠ½ΠΎΠΌ Π±Π°ΠΊΠ΅. ΠΠ»Π°Π²Π½ΡΠΉ Π³Π΅ΡΠΎΠΉ Ρ Π»Π΅Π³ΠΊΠΎΡΡΡΡ ΡΠ±ΠΈΠ²Π°Π΅Ρ ΠΏΡΠΎΡΠΈΠ²Π½ΠΈΠΊΠ°. ΠΡΠΎ Π²ΡΠ·Π²Π°Π»ΠΎ ΡΠΎΡΠ½ΠΎΡΡ Ρ ΠΠΆΠ΅ΠΊΠ΅ΡΠ°.
ΠΠΆΠ΅ΠΊΠ΅Ρ Π΅Π΄Π΅Ρ Π² ΠΌΠ΅ΡΡΠ½ΡΠΉ ΠΌΠ°Π³Π°Π·ΠΈΠ½, Π³Π΄Π΅ ΠΠΎΡΠΎΠ΄Π° ΡΠ²Π»ΡΠ΅ΡΡΡ ΠΊΠ°ΡΡΠΈΡΠΎΠΌ. ΠΠΎΡΠΎΠ΄Π° ΠΏΡΠΈΠ²Π΅ΡΡΡΠ²ΡΠ΅Ρ Π΅Π³ΠΎ, ΡΠΏΠΎΠΌΠΈΠ½Π°Ρ ΠΊΠ°ΠΊ Π΄Π°Π²Π½ΠΎ ΠΎΠ½ΠΈ Π½Π΅ Π²ΠΈΠ΄Π΅Π»ΠΈΡΡ ΠΈ ΠΊΠΎΠΌΠΌΠ΅Π½ΡΠΈΡΡΠ΅Ρ ΠΏΠΎΡΠ»Π΅Π΄Π½ΠΈΠΉ Π΄ΠΈΠ°Π»ΠΎΠ³. ΠΠ°ΡΠ΅ΠΌ ΠΎΠ½ ΠΌΠ΅Π½ΡΠ΅Ρ ΡΠ΅ΠΌΡ, ΠΏΡΠΎΠ±ΠΈΠ²Π°Π΅Ρ ΡΠΎΠ²Π°Ρ Π·Π° ΡΡΡΡ Π·Π°Π²Π΅Π΄Π΅Π½ΠΈΡ ΠΈ ΠΠΆΠ΅ΠΊΠ΅Ρ Π΅Π΄Π΅Ρ Π΄ΠΎΠΌΠΎΠΉ.
8 Π°ΠΏΡΠ΅Π»Ρ Π½Π° ΡΡΠΎΠ»Π΅ ΠΊΡΡ Π½ΠΈ ΠΠΆΠ΅ΠΊΠ΅ΡΠ° ΡΠ°Π·ΠΌΠ΅ΡΠ΅Π½ΠΎ Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΎ ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΠΎΠ½Π½ΡΡ Π±ΡΠ»Π»Π΅ΡΠ΅Π½Π΅ΠΉ ΠΎΡ 50 ΠΠ»Π°Π³ΠΎΡΠ»ΠΎΠ²Π΅Π½ΠΈΠΉ β ΠΏΠ°ΡΡΠΈΠΎΡΠΈΡΠ΅ΡΠΊΠΎΠΉ ΠΎΡΠ³Π°Π½ΠΈΠ·Π°ΡΠΈΠΈ, Π½Π° ΠΊΠΎΡΠΎΡΡΡ ΠΏΠΎΠ΄ΠΏΠΈΡΠ°Π»ΡΡ ΠΠΆΠ΅ΠΊΠ΅Ρ. Π‘Π»Π΅Π΄ΡΡΡΠ΅Π΅ ΡΠΎΠΎΠ±ΡΠ΅Π½ΠΈΠ΅ Π±ΡΠ»ΠΎ ΠΎΡ Β«ΠΠΈΠ½Π΄ΡΒ» β ΠΠΆΠ΅ΠΊΠ΅ΡΡ ΠΏΠΎΡΡΡΠΈΠ»ΠΈ Π΄ΠΈΡΡΠΈΠΏΠ»ΠΈΠ½ΠΈΡΠΎΠ²Π°ΡΡ Β«Π½Π΅ΠΏΠΎΡΠ»ΡΡΠ½ΡΡ Π΄Π΅ΡΠ΅ΠΉΒ». ΠΠ½ ΠΏΡΠΈΠ±ΡΠ²Π°Π΅Ρ ΠΏΠΎ Π°Π΄ΡΠ΅ΡΡ, Π³Π΄Π΅ ΡΡΡΡΠΊΠΈΠ΅ ΠΌΠ°ΡΠΈΠΎΠ·ΠΈ ΡΡΡΡΠΎΠΈΠ»ΠΈ ΡΡΡΠΎΠ²ΠΊΡ, ΠΈ ΡΠ±ΠΈΠ²Π°Π΅Ρ ΠΈΡ Π²ΡΠ΅Ρ . ΠΠΎΡΠ»Π΅ Π·Π°Π΄Π°Π½ΠΈΡ Π΅Π΄Π΅Ρ Π² ΠΏΠΈΡΡΠ΅ΡΠΈΡ. ΠΠΎΡΠΎΠ΄Π° ΠΈ ΡΠ°ΠΌ ΡΠΎΠΆΠ΅ ΡΠ°Π±ΠΎΡΠ°Π» ΠΊΠ°ΡΡΠΈΡΠΎΠΌ. ΠΠ½ ΠΏΡΠΈΠ²Π΅ΡΡΡΠ²ΡΠ΅Ρ Π΄ΡΡΠ³Π° ΠΈ ΠΎΡΠ΄Π°ΡΡ ΠΏΠΈΡΡΡ Π·Π° ΡΡΡΡ Π·Π°Π²Π΅Π΄Π΅Π½ΠΈΡ. ΠΠΆΠ΅ΠΊΠ΅Ρ Π·Π°Π±ΠΈΡΠ°Π΅Ρ ΠΏΠΈΡΡΡ ΠΈ Π΅Π΄Π΅Ρ Π΄ΠΎΠΌΠΎΠΉ.
13 Π°ΠΏΡΠ΅Π»Ρ Π² ΠΊΠ²Π°ΡΡΠΈΡΠ΅ ΠΠΆΠ΅ΠΊΠ΅ΡΠ° Π΅ΡΡΡ Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΎ Π²ΡΡΠ΅Π·ΠΎΠΊ Ρ Π³Π°Π·Π΅Ρ Π² ΠΊΠ°ΡΠ΅ΡΡΠ²Π΅ ΡΡΠ²Π΅Π½ΠΈΡΠ° ΠΈΠ»ΠΈ ΡΡΠΎΡΠ΅Ρ, Π·Π° ΠΏΠΎΡΠ»Π΅Π΄Π½ΠΈΠ΅ ΡΠ±ΠΈΠΉΡΡΠ²Π° ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠ° Π² ΠΌΠ°ΡΠΊΠ΅. «Π’ΠΎΠΌΠ°Ρ» ΠΈΠ· ΠΊΠ»ΠΈΠ½ΠΈΠΊΠΈ Π·Π°ΠΏΠΈΡΠ°Π» ΠΏΠ°ΡΠ½Ρ Π½Π° ΠΏΡΠΈΡΠΌ ΠΏΠΎ ΡΠΊΠ°Π·Π°Π½Π½ΠΎΠΌΡ Π°Π΄ΡΠ΅ΡΡ. ΠΠΆΠ΅ΠΊΠ΅Ρ ΡΠ½ΠΎΠ²Π° ΠΏΡΠΈΠ±ΡΠ²Π°Π΅Ρ Π² Π»ΠΎΠ³ΠΎΠ²ΠΎ ΡΡΡΡΠΊΠΎΠΉ ΠΌΠ°ΡΠΈΠΈ, Π³Π΄Π΅ Π²ΡΠ΅Ρ ΠΈ ΡΠ±ΠΈΠ²Π°Π΅Ρ. ΠΡΠΎΠΌΠ΅ ΡΠΎΠ³ΠΎ, ΡΠ°ΠΌ ΠΎΠ½ Π½Π°Ρ ΠΎΠ΄ΠΈΡ ΠΌΡΡΡΠ²ΠΎΠ³ΠΎ ΠΡΠ»Π°, ΡΠ±ΠΈΡΠΎΠ³ΠΎ Π²ΠΎ Π²ΡΠ΅ΠΌΡ Π΄ΠΎΠΏΡΠΎΡΠ°.
ΠΠ°ΡΠ΅Π½Ρ ΠΏΠΎΡΠ΅ΡΠ°Π΅Ρ ΠΌΠ΅ΡΡΠ½ΡΠΉ ΠΌΠ°Π³Π°Π·ΠΈΠ½ Π²ΠΈΠ΄Π΅ΠΎΠΏΡΠΎΠΊΠ°ΡΠ° VHS. ΠΠΎΡΠΎΠ΄Π° Π²Π½ΠΎΠ²Ρ Π²ΡΡΡΠ΅ΡΠ°Π΅Ρ ΡΡΠ°ΡΠΎΠ³ΠΎ Π΄ΡΡΠ³Π°. ΠΠ½ ΡΠ°ΡΡΠΊΠ°Π·ΡΠ²Π°Π΅Ρ ΠΏΡΠΎ ΠΏΠΎΡΠ»Π΅Π΄Π½ΠΈΠ΅ ΡΠ±ΠΈΠΉΡΡΠ²Π° Π² Π³ΠΎΡΠΎΠ΄Π΅ ΠΈ ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅Ρ ΠΎΡΠ»ΠΈΡΠ½ΡΠΉ ΡΠΈΠ»ΡΠΌ Π² ΠΆΠ°Π½ΡΠ΅ ΡΠ»ΡΡΠ΅Ρ. ΠΠΆΠ΅ΠΊΠ΅Ρ ΡΠ°Π΄ΠΈΡΡΡ Π² ΠΌΠ°ΡΠΈΠ½Ρ ΠΈ Π΅Π΄Π΅Ρ ΠΎΠ±ΡΠ°ΡΠ½ΠΎ Π² ΠΊΠ²Π°ΡΡΠΈΡΡ.
ΠΠΆΠ΅ΠΊΠ΅Ρ Π΅Π΄Π΅Ρ Π² Π±Π°Ρ, Π³Π΄Π΅ ΠΠΎΡΠΎΠ΄Π° ΡΠ°Π±ΠΎΡΠ°Π» Π±Π°ΡΠΌΠ΅Π½ΠΎΠΌ. Π ΡΠΆΠΈΠΉ ΡΠΎΠ²Π°ΡΠΈΡ Π·Π°ΠΌΠ΅ΡΠ°Π΅Ρ, ΡΡΠΎ ΠΏΠ°ΡΠ΅Π½Ρ Π²ΡΠ³Π»ΡΠ΄ΠΈΡ Π±Π»Π΅Π΄Π½ΡΠΌ ΠΈ Π±Π΅ΡΠΏΠ»Π°ΡΠ½ΠΎ ΠΎΡΠ΄Π°ΡΡ Π·Π°ΠΊΠ°Π·Π°Π½Π½ΡΠΉ Π½Π°ΠΏΠΈΡΠΎΠΊ.
ΠΠΎΡΠ΅ΡΠ΅Π½ΠΈΡ
ΠΠΆΠ΅ΠΊΠ΅Ρ Π²ΠΎΠ·Π²ΡΠ°ΡΠ°Π΅ΡΡΡ Π² Π³ΡΡΠ·Π½ΡΡ Π³ΠΎΡΡΠΈΠ½ΡΡ ΠΊΠΎΠΌΠ½Π°ΡΡ, Π½ΠΎ Π±ΠΎΠ»Π΅Π΅ Π·Π°ΠΌΡΡΠΎΡΠ΅Π½Π½ΡΡ ΠΈ Ρ ΠΏΠΎΠ»ΠΎΠΌΠ°Π½Π½ΡΠΌΠΈ Π²Π΅ΡΠ°ΠΌΠΈ. ΠΠΎΠ½ ΠΡΠ°Π½ Π·Π°ΠΌΠ΅ΡΠ°Π΅Ρ, ΡΡΠΎ ΠΊΠ°ΡΡΠΈΠ½Π° Π½Π°ΡΠΈΠ½Π°Π΅Ρ ΠΏΠΎΡΡΠ΅ΠΏΠ΅Π½Π½ΠΎ ΠΏΡΠΎΡΡΠ½ΡΡΡΡΡ, ΡΡΠΎ Π΅ΠΉ ΠΈ Π½Π΅ Π½ΡΠ°Π²ΠΈΡΡΡ. Π Π°ΡΠΌΡΡ ΡΡΠ³Π°Π΅Ρ ΠΠΆΠ΅ΠΊΠ΅ΡΠ° Π·Π° ΡΠΎ, ΡΡΠΎ ΠΎΠ½ ΡΠ½ΠΎΠ²Π° Π²Π΅ΡΠ½ΡΠ»ΡΡ ΡΡΠ΄Π°, Π½Π°Π·ΡΠ²Π°Π΅Ρ Π΅Π³ΠΎ ΠΏΠ»ΠΎΡ ΠΈΠΌ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠΎΠΌ. ΠΡΠΆΡΠΈΠ½Ρ Π² ΠΊΠΎΡΡΡΠΌΠ΅ ΡΠΎΡΠ½ΠΈΡ ΠΎΡ Π΅Π³ΠΎ ΠΏΡΠΈΡΡΡΡΡΠ²ΠΈΡ. Π ΠΈΡΠ°ΡΠ΄ ΠΆΠ΅ Π²ΠΈΠ΄ΠΈΡ, ΡΡΠΎ ΠΠΆΠ΅ΠΊΠ΅Ρ Π½Π΅ ΠΏΠΎΠ½ΠΈΠΌΠ°Π΅Ρ Π΅Π³ΠΎ ΡΠ²ΡΠ·ΠΈ Ρ Π ΠΈΡΠ°ΡΠ΄ΠΎΠΌ ΠΈ Π·Π°Π΄Π°Π΅Ρ ΡΠ΅ΡΡΡΠ΅ Π²ΠΎΠΏΡΠΎΡΠ°:
ΠΠ° ΡΡΠΎΠΌ ΡΡΠ°ΠΏΠ΅ ΠΠΆΠ΅ΠΊΠ΅Ρ Π½Π΅ ΡΠΌΠΎΠΆΠ΅Ρ ΡΡΠ°Π·Ρ Π΄Π°ΡΡ ΠΎΡΠ²Π΅ΡΡ Π½Π° Π²ΠΎΠΏΡΠΎΡΡ, Π½ΠΎ Π²ΡΠ΅ ΠΆΠ΅:
ΠΠ°ΠΉ, 1989 Π³ΠΎΠ΄
5 ΠΌΠ°Ρ, Π² ΠΊΠ²Π°ΡΡΠΈΡΠ΅ ΠΠΆΠ΅ΠΊΠ΅ΡΠ° ΠΏΠΎΡΠ²ΠΈΠ»ΠΈΡΡ Π½ΠΎΠ²ΡΠ΅ Π³Π°Π·Π΅ΡΠ½ΡΠ΅ Π²ΡΡΠ΅Π·ΠΊΠΈ, Π² ΠΊΠΎΡΠΎΡΡΡ ΡΠΏΠΎΠΌΠΈΠ½Π°Π΅ΡΡΡ ΡΠ±ΠΈΠΉΡΡΠ²ΠΎ ΠΡΠΎΠ΄ΡΡΠ΅ΡΠ° Π½Π° Π²ΠΈΠ»Π»Π΅. ΠΠ΅Π²ΡΡΠΊΠ° Π»Π΅ΠΆΠΈΡ Π½Π° Π΄ΠΈΠ²Π°Π½Π΅, ΡΡΠ΄ΠΎΠΌ Π²Π΅Π΄ΡΠΎ Ρ ΡΠ²ΠΎΡΠ½ΡΠΌΠΈ ΠΌΠ°ΡΡΠ°ΠΌΠΈ. ΠΠΎΠ²ΠΎΠ΅ ΡΠΎΠΎΠ±ΡΠ΅Π½ΠΈΠ΅ ΠΎΡ «ΠΠ»ΡΠΉΠΊΠ°», ΠΏΡΠ΅Π΄Π»Π°Π³Π°ΡΡΠ΅Π³ΠΎ ΡΠ°Π±ΠΎΡΡ. ΠΡΠΆΠ½ΠΎ ΡΠ°Π·ΠΎΠ±ΡΠ°ΡΡΡΡ Ρ ΠΏΠ΅ΡΠ΅Π±ΠΎΡΠΌΠΈ Π² ΡΠ»Π΅ΠΊΡΡΠΈΡΠ΅ΡΡΠ²Π΅ ΠΏΠΎ ΡΠΊΠ°Π·Π°Π½Π½ΠΎΠΉ ΡΠ»ΠΈΡΠ΅. ΠΠ°ΡΠ΅Π½Ρ Π½Π°ΠΏΡΠ°Π²Π»ΡΠ΅ΡΡΡ Π·Π°ΡΠΈΡΡΠΈΡΡ ΠΏΡΠΈΡΠΎΠ½ ΡΡΡΡΠΊΠΎΠΉ ΠΌΠ°ΡΠΈΠΈ, Π³Π΄Π΅ ΠΎΠ½ΠΈ Π΄ΠΎΠΏΡΠ°ΡΠΈΠ²Π°Π»ΠΈ Π΅ΡΠ΅ ΠΎΠ΄Π½ΠΎΠ³ΠΎ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠ° Π² ΠΌΠ°ΡΠΊΠ΅ ΡΠΈΠ³ΡΠ°. ΠΠ΄Π½Π°ΠΊΠΎ ΠΏΠΎΡΠ»Π΅ Π²Π·ΡΡΠ²Π° ΠΎΠ½ ΠΏΠΎΠ³ΠΈΠ±Π°Π΅Ρ.
ΠΠΆΠ΅ΠΊΠ΅Ρ ΠΏΠΎΡΠ΅ΡΠ°Π΅Ρ ΠΠΎΡΠΎΠ΄Ρ Π² ΠΌΠ°Π³Π°Π·ΠΈΠ½Π΅, Π³Π΄Π΅ ΠΎΠ½ Π±Π΅ΡΠΏΠ»Π°ΡΠ½ΠΎ ΠΏΡΠΎΠ±ΠΈΠ²Π°Π΅Ρ ΠΏΠ°ΡΠΊΡ ΡΠΈΠΏΡΠΎΠ². Π£ Π²ΡΡ ΠΎΠ΄Π° ΡΡΡΡΠΊΠΈΠ΅ Π΄ΠΎ ΡΠΌΠ΅ΡΡΠΈ ΠΈΠ·Π±ΠΈΠ»ΠΈ ΠΏΠ°ΡΠ½Ρ Π² ΠΌΠ°ΡΠΊΠ΅ Π²ΠΎΠ»ΠΊΠ°. ΠΠΎΡΠΎΠ΄Π° ΠΆΠ΅ ΡΠ°ΡΡΠΊΠ°Π·ΡΠ²Π°Π΅Ρ, ΡΡΠΎ ΡΠ»ΠΈΡΡ Π½Π΅Π±Π΅Π·ΠΎΠΏΠ°ΡΠ½Ρ ΠΈ Π±Π΅ΡΠΏΠΎΠΊΠΎΠΈΡΡΡ ΠΎ ΠΠΆΠ΅ΠΊΠ΅ΡΠ΅.
11 ΠΌΠ°Ρ, ΡΠ½ΠΎΠ²Π° Π½ΠΎΠ²ΡΠ΅ Π²ΡΡΠ΅Π·ΠΊΠΈ Ρ Π³Π°Π·Π΅Ρ ΠΈ ΠΏΡΡΡΡΠ΅ ΠΊΠΎΡΠΎΠ±ΠΊΠΈ ΠΎΡ ΠΏΠΈΡΡΡ Π±ΡΠ»ΠΈ Π²ΡΠ½Π΅ΡΠ΅Π½Ρ, ΠΊΠ°ΠΊ ΠΈ Π²Π΅Π΄ΡΠΎ Ρ ΡΠ²ΠΎΡΠ½ΠΎΠΉ ΠΌΠ°ΡΡΠΎΠΉ. ΠΠ΅Π²ΡΡΠΊΠ° Π±ΡΠ»Π° Π² Π²Π°Π½Π½ΠΎΠΉ. «ΠΡΠΉΠ²» ΠΈΠ· ΡΠ»ΡΠΆΠ±Ρ ΠΏΠΎ Π±ΠΎΡΡΠ±Π΅ Ρ Π²ΡΠ΅Π΄ΠΈΡΠ΅Π»ΡΠΌΠΈ ΠΎΡΠΏΡΠ°Π²Π»ΡΠ΅Ρ ΠΠΆΠ΅ΠΊΠ΅ΡΠ° Π² Π½ΠΎΠ²ΠΎΠ΅ Π»ΠΎΠ³ΠΎΠ²ΠΎ ΡΡΡΡΠΊΠΎΠΉ ΠΌΠ°ΡΠΈΠΈ. Π£Π±ΠΈΠ² ΠΈΡ Π²ΡΠ΅Ρ , ΠΎΠ½ Π²ΡΠΊΡΡΠ²Π°Π΅Ρ ΠΌΠΎΠ½ΡΠΈΡΠΎΠ²ΠΊΠΎΠΉ Π»ΡΠΊ, Π³Π΄Π΅ ΠΎΠ±Π½Π°ΡΡΠΆΠΈΠ²Π°Π΅Ρ Π΅ΡΠ΅ ΠΎΠ΄Π½ΠΎΠ³ΠΎ ΡΠ±ΠΈΠΉΡΡ Π² ΠΌΠ°ΡΠΊΠ΅ ΠΊΡΠΎΠΊΠΎΠ΄ΠΈΠ»Π° ΠΏΠΎ ΠΈΠΌΠ΅Π½ΠΈ ΠΠΆΠΎΠ½Ρ. ΠΠ½ Π³ΠΎΠ²ΠΎΡΠΈΡ, ΡΡΠΎ Π²ΡΡ ΡΡΠΎ Π½Π° ΡΠ°ΠΌΠΎΠΌ Π΄Π΅Π»Π΅ ΡΠΎΠ½, ΠΈ ΡΠΌΠΈΡΠ°Π΅Ρ.
ΠΠΆΠ΅ΠΊΠ΅Ρ ΠΏΠΎΡΠ΅ΡΠ°Π΅Ρ ΠΏΠΈΡΡΠ΅ΡΠΈΡ. ΠΠΎΡΠΎΠ΄Π° Π·Π°ΠΌΠ΅ΡΠ°Π΅Ρ, ΡΡΠΎ ΠΏΠ°ΡΠ΅Π½Ρ Π²ΡΠ³Π»ΡΠ΄ΠΈΡ Π½Π΅ΠΌΠ½ΠΎΠ³ΠΎ ΡΠ°ΡΡΠ΅ΡΠ½Π½ΡΠΌ. ΠΠ°ΡΠ΅ΠΌ ΡΠ°ΡΡΠΊΠ°Π·ΡΠ²Π°Π΅Ρ, ΡΡΠΎ Π½Π°ΡΡΡΠΏΠΈΠ»ΠΈ ΡΡΠΆΠ΅Π»ΡΠ΅ Π²ΡΠ΅ΠΌΠ΅Π½Π°, Ρ ΡΡΠΆΠ΅Π³ΠΎ ΠΏΡΠΎΠ΄Π°Π²ΡΠ° Π±ΡΠ»ΠΎ ΡΠ±ΠΈΡΠΎ ΠΌΠ½ΠΎΠ³ΠΎ ΠΊΠ»ΠΈΠ΅Π½ΡΠΎΠ², ΠΈΠ·-Π·Π° ΡΠ΅Π³ΠΎ ΠΎΠ½ ΠΏΠ»Π°Π½ΠΈΡΡΠ΅Ρ Π·Π°ΠΊΡΡΡΡ Π·Π°Π²Π΅Π΄Π΅Π½ΠΈΠ΅. ΠΠΆΠ΅ΠΊΠ΅Ρ Π·Π°Π±ΠΈΡΠ°Π΅Ρ ΠΏΠΈΡΡΡ ΠΈ Π΅Π΄Π΅Ρ Π΄ΠΎΠΌΠΎΠΉ.
13 ΠΌΠ°Ρ, Π΄Π΅Π²ΡΡΠΊΠ° ΠΏΡΠΈΠ½ΠΈΠΌΠ°Π΅Ρ Π²Π°Π½Π½Ρ, ΠΠΆΠ΅ΠΊΠ΅Ρ ΠΏΡΠΎΠ΄ΠΎΠ»ΠΆΠ°Π΅Ρ ΠΊΠΎΠ»Π»Π΅ΠΊΡΠΈΠΎΠ½ΠΈΡΠΎΠ²Π°ΡΡ Π²ΡΡΠ΅Π·ΠΊΠΈ ΠΈΠ· Π³Π°Π·Π΅Ρ, Π½Π΅ΠΊΠΎΡΠΎΡΡΠ΅ ΡΠΎΡ ΡΠ°Π½ΡΡ Π½Π° Π·Π°ΠΏΠ°ΡΠ½ΠΎΠΉ ΠΊΡΠΎΠ²Π°ΡΠΈ. «ΠΠΎΠ½» ΠΈΠ· «ΠΠ»Ρ» ΠΎΡΠ΅Π»Ρ ΡΡΠ΅Π±ΡΠ΅Ρ Π΅Π³ΠΎ ΠΏΠΎΠΌΠΎΡΠΈ, ΡΠ°ΠΊ ΠΊΠ°ΠΊ ΡΠΎΡΡΡΠ΄Π½ΠΈΠΊ Ρ ΡΠ΅ΡΠ΅ΠΏΡΠ΅Π½Π° ΠΎΡΠΏΡΠΎΡΠΈΠ»ΡΡ ΠΈΠ·-Π·Π° Π±ΠΎΠ»ΠΈ Π² ΠΆΠ΅Π»ΡΠ΄ΠΊΠ΅ (ΡΡΡΠ»Π°ΡΡΡ Π½Π° ΠΎΡΠΊΠ°Π· ΠΠ°ΠΉΠΊΠ΅ΡΠ°: Π½Π° ΡΠ°ΠΌΠΎΠΌ Π΄Π΅Π»Π΅ ΡΡΠΎΠ³ΠΎ ΠΆΠ΅ ΡΠΈΡΠ»Π° ΠΎΠ½ Π²Π΅Π» ΡΠ°ΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΠ΅, ΠΎΡΠΊΡΠ΄Π° ΠΌΠΎΠ³Π»ΠΈ ΠΈΠ΄ΡΠΈ ΡΠ΅Π»Π΅ΡΠΎΠ½Π½ΡΠ΅ Π·Π²ΠΎΠ½ΠΊΠΈ Π½Π° ΡΡΠΎΠ²Π½Π΅ «Safehouse»). Π‘ΠΏΡΡΠΊΠ°ΡΡΡ Π²Π½ΠΈΠ·, ΠΏΠ°ΡΠ΅Π½Ρ Π²ΠΈΠ΄ΠΈΡ ΠΏΠΎΠ΄ΠΎΠ·ΡΠΈΡΠ΅Π»ΡΠ½ΠΎΠ³ΠΎ ΡΠ±ΠΎΡΡΠΈΠΊΠ°.
Π ΠΎΡΠ΅Π»Π΅ Π½Π°Ρ ΠΎΠ΄ΡΡΡΡ Π²ΠΎΠΎΡΡΠΆΡΠ½Π½ΡΠ΅ ΠΎΡΠΈΡΠΈΠ°Π½ΡΡ ΠΈ ΡΡΡΡΠΊΠ°Ρ ΠΌΠ°ΡΠΈΡ, ΠΊΠΎΡΠΎΡΡΡ ΠΏΠΎΡΠΎΠΌ ΡΠ±ΠΈΠ²Π°Π΅Ρ ΠΠΆΠ΅ΠΊΠ΅Ρ. Π’Π°ΠΌ ΠΆΠ΅ ΠΎΠ½ Π²ΡΡΡΠ΅ΡΠ°Π΅Ρ Π΅ΡΡ ΠΎΠ΄Π½ΠΎΠ³ΠΎ ΠΏΠΎΠ΄ΠΎΠ·ΡΠΈΡΠ΅Π»ΡΠ½ΠΎΠ³ΠΎ ΡΠ±ΠΎΡΡΠΈΠΊΠ°. ΠΠ°ΡΠ΅Π½Ρ Π΅Π΄Π΅Ρ Π² VHS Palace (ΡΠ°Π»ΠΎΠ½ Π²ΠΈΠ΄Π΅ΠΎΠΏΡΠΎΠΊΠ°ΡΠ°). ΠΠΎΡΠΎΠ΄Π° ΡΠ°ΡΡΠΊΠ°Π·ΡΠ²Π°Π΅Ρ Π³Π΅ΡΠΎΡ ΠΏΡΠΎ Π²ΠΎΠ»Π½Ρ ΡΠ±ΠΈΠΉΡΡΠ² Π² ΠΠ°ΠΉΠ°ΠΌΠΈ, Π³ΠΎΠ²ΠΎΡΡ, ΡΡΠΎ ΡΠ·Π½Π°Π» ΠΎΠ± ΡΡΠΎΠΌ ΠΎΡ Π΄ΡΡΠ³Π° ΠΈΠ· ΠΏΠΎΠ»ΠΈΡΠΈΠΈ. Π₯ΠΎΠ΄ΠΈΡ ΡΠ»ΡΡ , ΡΡΠΎ ΡΡΠΎ Π΄Π΅Π»ΠΎ ΡΡΠΊ ΠΎΠ΄Π½ΠΎΠ³ΠΎ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠ° ΠΈΠ»ΠΈ ΡΠ΅Π»ΠΎΠΉ Π±Π°Π½Π΄Ρ, ΡΠ±ΠΈΠ²Π°ΡΡΠ΅ΠΉ ΡΡΡΡΠΊΡΡ ΠΌΠ°ΡΠΈΡ. ΠΠΎΠ΄ ΠΊΠΎΠ½Π΅Ρ ΠΎΠ½ ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅Ρ Π²Π·ΡΡΡ ΡΠΈΠ»ΡΠΌ Π½Π° ΡΠ²ΠΎΠΉ Π²ΠΊΡΡ Π·Π° ΡΡΡΡ Π·Π°Π²Π΅Π΄Π΅Π½ΠΈΡ, Π²Π΅Π΄Ρ «Π΄ΡΡΠ·ΡΡ Π΄Π»Ρ ΡΠΎΠ³ΠΎ ΠΈ ΡΡΡΠ΅ΡΡΠ²ΡΡΡ». ΠΠΆΠ΅ΠΊΠ΅Ρ Π±Π΅ΡΡΡ ΡΠΈΠ»ΡΠΌ ΠΈ Π΅Π΄Π΅Ρ Π΄ΠΎΠΌΠΎΠΉ.
23 ΠΌΠ°Ρ, Π²Π΅ΡΡ Π±Π΅ΡΠΏΠΎΡΡΠ΄ΠΎΠΊ Π½Π° ΠΊΡΡ Π½Π΅ Π±ΡΠ» ΡΠ±ΡΠ°Π½, Π° Π³Π°Π·Π΅ΡΠ½ΡΠ΅ Π²ΡΡΠ΅Π·ΠΊΠΈ ΠΏΠ΅ΡΠ΅ΠΌΠ΅ΡΡΠΈΠ»ΠΈΡΡ Π½Π° Π·Π°ΠΏΠ°ΡΠ½ΡΡ ΠΊΡΠΎΠ²Π°ΡΡ. ΠΠ΅Π²ΡΡΠΊΠ° ΡΠΈΠ΄ΠΈΡ Π½Π° Π΄ΠΈΠ²Π°Π½Π΅. «ΠΠ°ΡΡΠΈ» ΠΈΠ· ΡΡΠΊΠΎΠ²ΠΎΠ΄ΡΡΠ²Π° Π³ΠΎΠ²ΠΎΡΠΈΡ, ΡΡΠΎ ΡΡΡΠ±Π° Π·Π°Π»ΠΈΠ²Π°Π΅Ρ ΠΆΠΈΠ»ΡΡΠΎΠ² ΠΈ ΡΡΠ΅Π±ΡΠ΅ΡΡΡ ΠΏΠΎΠΌΠΎΡΡ. ΠΠΆΠ΅ΠΊΠ΅Ρ ΠΏΡΠΈΠ΅Π·ΠΆΠ°Π΅Ρ ΠΏΠΎ ΡΠΊΠ°Π·Π°Π½Π½ΠΎΠΉ ΡΠ»ΠΈΡΠ΅, Π³Π΄Π΅ Π·Π°ΡΠΈΡΠ°Π΅Ρ ΠΊΠ²Π°ΡΡΠΈΡΡ ΠΎΡ ΡΡΡΡΠΊΠΎΠΉ ΠΌΠ°ΡΠΈΠΈ. ΠΠ° ΠΏΠΎΡΠ»Π΅Π΄Π½Π΅ΠΌ Π·Π°ΡΠΈΡΠ΅Π½Π½ΠΎΠΌ ΡΡΠ°ΠΆΠ΅ Π·Π²ΠΎΠ½ΠΈΡ ΡΠ΅Π»Π΅ΡΠΎΠ½, ΠΈΠ½ΡΠΎΡΠΌΠΈΡΡΡ ΠΎ ΠΏΡΠΎΠ±Π»Π΅ΠΌΠ°Ρ Π² ΡΠ΅Π»Π΅ΡΠΎΠ½Π½ΠΎΠΉ ΠΊΠΎΠΌΠΏΠ°Π½ΠΈΠΈ. ΠΠΆΠ΅ΠΊΠ΅Ρ ΠΎΡΠΏΡΠ°Π²Π»ΡΠ΅ΡΡΡ Π² Phone Hom, Π³Π΄Π΅ Π·Π°ΡΡΠ°ΡΡ ΡΡΡΠΏΡ ΡΠ±ΠΈΡΡΡ ΡΠΎΡΡΡΠ΄Π½ΠΈΠΊΠΎΠ². Π‘Π½Π°ΡΡΠΆΠΈ Π±ΡΠ» ΠΏΡΠΈΠΏΠ°ΡΠΊΠΎΠ²Π°Π½ ΠΌΠΎΡΠΎΡΠΈΠΊΠ». Π ΠΎΡΠΈΡΠ΅ ΠΌΠ΅Π½Π΅Π΄ΠΆΠ΅ΡΠ° ΠΠΆΠ΅ΠΊΠ΅Ρ ΡΡΠ°Π»ΠΊΠΈΠ²Π°Π΅ΡΡΡ Ρ ΠΠ°ΠΉΠΊΠ΅ΡΠΎΠΌ. ΠΠ½ ΠΏΡΡΠ°Π»ΡΡ Π²Π·Π»ΠΎΠΌΠ°ΡΡ ΠΊΠΎΠΌΠΏΡΡΡΠ΅Ρ Π² ΠΎΡΠΈΡΠ΅, Π½ΠΎ ΠΏΠ°ΡΠ΅Π½Ρ Π² ΠΌΠ°ΡΠΊΠ΅ ΠΏΡΠ΅ΡΡΠ²Π°Π΅Ρ ΡΡΠΎΡ ΠΏΡΠΎΡΠ΅ΡΡ. ΠΠ°ΠΉΠΊΠ΅Ρ Π°ΡΠ°ΠΊΡΠ΅Ρ ΠΠΆΠ΅ΠΊΠ΅ΡΠ°, Π½ΠΎ ΠΏΡΠΎΠΈΠ³ΡΡΠ²Π°Π΅Ρ ΡΠΎ ΡΠ»ΠΎΠ²Π°ΠΌΠΈ: «ΠΠ’ΠΠΠ ΠΠ ΠΠΠΠΠ’ ΠΠ«Π’Π¬, Π― ΠΠ«Π Π’ΠΠ ΠΠΠΠΠΠ!». ΠΠΆΠ΅ΠΊΠ΅Ρ, ΡΠ°Π·ΠΌΠΎΠ·ΠΆΠΈΠ² Π΅Π³ΠΎ Π³ΠΎΠ»ΠΎΠ²Ρ ΠΊΠ»ΡΡΠΊΠΎΠΉ Π΄Π»Ρ Π³ΠΎΠ»ΡΡΠ°, ΠΏΠΎΠΊΠΈΠ΄Π°Π΅Ρ ΡΠ΅Π»Π΅ΡΠΎΠ½Π½ΡΡ ΠΊΠΎΠΌΠΏΠ°Π½ΠΈΡ.
ΠΠΎΡΠ΅ΡΠ΅Π½ΠΈΡ
ΠΠΆΠ΅ΠΊΠ΅Ρ Π²ΡΡ ΠΎΠ΄ΠΈΡ ΠΈΠ· Π²Π°Π½Π½Ρ. ΠΠ° ΠΏΠΎΠ»Ρ ΠΌΠ½ΠΎΠ³ΠΎ ΠΊΡΠΎΠ²ΠΈ. ΠΠ±ΡΡΠ°Π½ΠΎΠ²ΠΊΠ° Π² Π³ΠΎΡΡΠΈΠ½ΠΎΠΉ ΠΌΠ΅Π½ΡΠ΅ΡΡΡ Π² Ρ ΡΠ΄ΡΡΡ ΡΡΠΎΡΠΎΠ½Ρ. ΠΠΎΠ½ ΠΡΠ°Π½ Π·Π°ΠΌΠ΅ΡΠ°Π΅Ρ, ΡΡΠΎ ΠΠΆΠ΅ΠΊΠ΅Ρ Π²ΡΠ³Π»ΡΠ΄ΠΈΡ Π½Π΅Π²Π°ΠΆΠ½ΠΎ ΠΈ ΡΠΎΠ²Π΅ΡΡΠ΅Ρ Π΅ΠΌΡ ΠΎΠ±ΡΠ°ΡΠΈΡΡΡΡ ΠΊ Π΄ΠΎΠΊΡΠΎΡΡ ΠΈ ΠΎΡΠ΄ΠΎΡ Π½ΡΡΡ. Π Π°ΡΠΌΡΡ Π½Π΅ ΡΠ°Π΄ Π²ΠΎΠ·Π²ΡΠ°ΡΠ΅Π½ΠΈΡ ΠΠΆΠ΅ΠΊΠ΅ΡΠ° ΠΈ ΠΎΠ±Π΅ΡΠ°Π΅Ρ, ΡΡΠΎ Π΅ΡΠ»ΠΈ ΠΎΠ½ ΡΠ½ΠΎΠ²Π° Π²Π΅ΡΠ½Π΅ΡΡΡ, Π Π°ΡΠΌΡΡ ΡΠΉΠ΄Π΅Ρ. Π ΠΈΡΠ°ΡΠ΄ Π½Π΅ ΡΠΎΠ±ΠΈΡΠ°Π»ΡΡ Π΄Π°Π²Π°ΡΡ ΠΎΡΠ²Π΅ΡΡ Π½Π° ΠΏΠΎΡΡΠ°Π²Π»Π΅Π½Π½ΡΠ΅ ΡΠ°Π½Π΅Π΅ Π²ΠΎΠΏΡΠΎΡΡ ΠΈ ΡΠ»Π΅Π΄ΡΡΡΠ°Ρ ΠΈΡ Π²ΡΡΡΠ΅ΡΠ° Π±ΡΠ΄Π΅Ρ ΠΏΠΎΡΠ»Π΅Π΄Π½Π΅ΠΉ. ΠΠ°ΠΏΠΎΡΠ»Π΅Π΄ΠΎΠΊ Π ΠΈΡΠ°ΡΠ΄ Π³ΠΎΠ²ΠΎΡΠΈΡ ΡΡΠΈ ΠΏΡΠ΅Π΄ΡΠΊΠ°Π·Π°Π½ΠΈΡ:
ΠΠ° ΡΡΠΎΠΉ ΡΡΠ°Π΄ΠΈΠΈ Ρ ΠΠΆΠ΅ΠΊΠ΅ΡΠ° Π±ΡΠ»ΠΈ ΠΏΠΎΠ΄ΠΎΠ·ΡΠ΅Π½ΠΈΡ, ΡΡΠΎ Π ΠΈΡ ΡΠ΅Ρ ΠΏΠΎΠ΄ΡΠΈΠ½ΡΠ΅ΡΡΡ ΡΡΡΡΠΊΠΎΠΉ ΠΌΠ°ΡΠΈΠΈ. ΠΠΎ ΠΏΠΎΡΠΎΠΌ ΠΏΠΎΠ½ΠΈΠΌΠ°Π΅Ρ, ΡΡΠΎ Π ΠΈΡ ΡΠ΅Ρ ΡΠ°ΠΊΠΎΠΉ ΠΆΠ΅ ΡΠ±ΠΈΠΉΡΠ° Π² ΠΌΠ°ΡΠΊΠ΅, ΠΊΠ°ΠΊΠΈΠΌ ΡΠ²Π»ΡΠ΅ΡΡΡ ΠΈ ΡΠ°ΠΌ ΠΠΆΠ΅ΠΊΠ΅Ρ, ΠΈ Π²ΡΠ΅Π³ΠΎ Π»ΠΈΡΡ ΠΏΠ΅ΡΠΊΠ° Π² ΡΡΠΊΠ°Ρ ΡΠ°ΠΈΠ½ΡΡΠ²Π΅Π½Π½ΠΎΠΉ ΠΎΡΠ³Π°Π½ΠΈΠ·Π°ΡΠΈΠΈ.
ΠΠΎΠ½Π΅Ρ ΠΌΠ°Ρ β Π½Π°ΡΠ°Π»ΠΎ ΠΈΡΠ½Ρ 1989
27 ΠΌΠ°Ρ Π² ΠΊΠ²Π°ΡΡΠΈΡΠ΅ ΠΠΆΠ΅ΠΊΠ΅ΡΠ° Π±ΠΎΠ»ΡΡΠ΅ Π½Π΅ ΠΎΡΡΠ°Π»ΠΎΡΡ ΠΊΠΎΡΠΎΠ±ΠΎΠΊ ΠΎΡ ΠΏΠΈΡΡΡ ΠΈ Π³Π°Π·Π΅ΡΠ½ΡΡ Π²ΡΡΠ΅Π·ΠΎΠΊ. ΠΠ΅Π²ΡΡΠΊΠ° ΠΏΠ΅ΡΠ΅Π±ΡΠ°Π»Π°ΡΡ Π½Π° Π·Π°ΠΏΠ°ΡΠ½ΡΡ ΠΊΡΠΎΠ²Π°ΡΡ Π²ΠΌΠ΅ΡΡΠΎ Π΄ΠΈΠ²Π°Π½Π°. «ΠΡΡ» ΠΈΠ· ΠΊΠ»ΡΠ±Π° ΠΏΡΠΎΡΠΈΡ ΠΠΆΠ΅ΠΊΠ΅ΡΠ° ΠΏΠΎΠ΄ΠΌΠ΅Π½ΠΈΡΡ Π΄ΠΈ-Π΄ΠΆΠ΅Ρ. Π£Π±ΠΈΠΉΡΠ° Π² ΠΌΠ°ΡΠΊΠ΅ ΠΏΡΠΈΠ΅Π·ΠΆΠ°Π΅Ρ Π² ΠΊΠ»ΡΠ±, Π³Π΄Π΅ Π½Π°Ρ ΠΎΠ΄ΠΈΡ ΠΠ°ΡΠ»Π° ΠΈ ΡΡΡΡΠΊΠΈΡ Π±Π°Π½Π΄ΠΈΡΠΎΠ², Ρ ΠΎΠ΄Π½ΠΎΠ³ΠΎ ΠΈΠ· ΠΊΠΎΡΠΎΡΡΡ Π±ΡΠ» ΠΏΡΠΈ ΡΠ΅Π±Π΅ ΡΠ΅Π»Π΅ΡΠΎΠ½.
ΠΠΎΡΠ»Π΅ Π·Π°Π²Π΅ΡΡΠ΅Π½ΠΈΡ ΠΌΠΈΡΡΠΈΠΈ ΠΠΆΠ΅ΠΊΠ΅Ρ Π΅Π΄Π΅Ρ Π² ΠΌΠ°Π³Π°Π·ΠΈΠ½. ΠΠΎΡΠΎΠ΄Π° Π³ΠΎΠ²ΠΎΡΠΈΡ, ΡΡΠΎ Π²ΡΠ΅ Π΄Π΅ΠΉΡΡΠ²ΠΈΡ ΠΏΡΠΎΠΈΡΡ ΠΎΠ΄ΡΡ Π½Π΅ Π½Π° ΡΠ°ΠΌΠΎΠΌ Π΄Π΅Π»Π΅ ΠΈ ΡΠΊΠ°Π·ΡΠ²Π°Π΅Ρ Π½Π° Π΅ΡΠ΅ ΠΆΠΈΠ²ΠΎΠΉ ΡΡΡΠΏ ΠΠ°ΠΉΠΊΠ΅ΡΠ°. ΠΠ°ΡΠ΅ΠΌ ΠΏΡΠΎΠΈΡΡ ΠΎΠ΄ΡΡ ΠΏΠΎΠΌΠ΅Ρ ΠΈ ΠΈ ΠΠΎΡΠΎΠ΄Π° ΠΌΠ΅Π½ΡΠ΅Ρ ΡΠ΅ΠΌΡ. ΠΠ½ ΡΠ½ΠΎΠ²Π° ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅Ρ Π·Π° ΡΡΡΡ Π·Π°Π²Π΅Π΄Π΅Π½ΠΈΡ Π²Π·ΡΡΡ ΡΡΠΎ-Π½ΠΈΠ±ΡΠ΄Ρ. Π Π²Π°Π½Π½ΠΎΠΉ ΠΊΠΎΠΌΠ½Π°ΡΠ΅ Π½Π°Ρ ΠΎΠ΄ΠΈΡΡΡ Π ΠΈΡ ΡΠ΅Ρ ΠΈ ΠΌΠ΅ΡΠΊΠ° 50 ΠΠ»Π°Π³ΠΎΡΠ»ΠΎΠ²Π΅Π½ΠΈΠΉ. ΠΠΆΠ΅ΠΊΠ΅Ρ Π±Π΅ΡΡΡ ΡΠΎΠ²Π°Ρ ΠΈ Π΅Π΄Π΅Ρ Π΄ΠΎΠΌΠΎΠΉ.
31 ΠΌΠ°Ρ. ΠΠ΅Π²ΡΡΠΊΡ Π½ΠΈΠ³Π΄Π΅ Π½Π΅ Π²ΠΈΠ΄Π½ΠΎ. ΠΠ° ΡΡΠΎΠ»Π΅ ΠΊΡΡ Π½ΠΈ Π½ΠΎΠ²Π°Ρ ΡΠΊΠ°ΡΠ΅ΡΡΡ. ΠΡΠΈΡΡΠ°Π²ΠΊΠ° ΠΈΡΡΠ΅Π·Π»Π°, Π° ΡΠ΅Π»Π΅Π²ΠΈΠ·ΠΎΡ ΠΏΠ΅ΡΠ΅ΠΌΠ΅ΡΡΠ½ Π² Π·Π°Π». «Π ΠΈΠΊ» ΠΈΠ· ΡΠΈΡΠ»ΡΠΎΡΡΠΊΠΎΠΉ ΠΊΠΎΠ½ΡΠΎΡΡ ΠΏΠΎΠΊΠ°Π·ΡΠ²Π°Π΅Ρ ΠΎΠ΄Π½Ρ Π½ΠΎΠ²ΡΡ ΠΊΠ²Π°ΡΡΠΈΡΡ ΠΈ ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅Ρ Π΅Ρ ΠΏΠΎΡΠΌΠΎΡΡΠ΅ΡΡ. ΠΠΆΠ΅ΠΊΠ΅Ρ ΠΏΡΠΈΠ±ΡΠ²Π°Π΅Ρ ΡΡΠ΄Π°, Π·Π°ΡΠΈΡΠ°Ρ Π½ΠΎΠ²ΠΎΠ΅ ΠΏΠΎΠΌΠ΅ΡΠ΅Π½ΠΈΠ΅ ΠΎΡ ΡΡΡΡΠΊΠΈΡ . ΠΠΎΡΠ»Π΅ ΡΠ±ΠΈΠΉΡΡΠ²Π° Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΈΡ Π±Π°Π½Π΄ΠΈΡΠΎΠ² Π½Π° ΠΏΠΎΡΠ»Π΅Π΄Π½Π΅ΠΌ ΡΡΠ°ΠΆΠ΅, Π½Π° ΠΌΠ΅ΡΡΠΎ ΠΏΡΠΈΠ±ΡΠ²Π°Π΅Ρ SWAT. ΠΠ°Π·Π΅ΡΠ½ΡΠ΅ ΠΏΡΠΈΡΠ΅Π»Ρ ΡΠ½Π°ΠΉΠΏΠ΅ΡΠΎΠ² ΠΏΡΠΎΡΠ²Π΅ΡΠΈΠ²Π°Π»ΠΈΡΡ ΡΠΊΠ²ΠΎΠ·Ρ ΠΎΠΊΠ½Π°, Π½ΠΎ ΡΠ±ΠΈΠΉΡΠ΅ Π² ΠΌΠ°ΡΠΊΠ΅ ΡΠ΄Π°Π»ΠΎΡΡ ΠΏΡΠΎΠ±ΡΠ°ΡΡΡΡ ΡΠ΅ΡΠ΅Π· ΡΠ½Π°ΠΉΠΏΠ΅ΡΠΎΠ² ΠΈ ΡΠΏΠ΅ΡΠ½Π°Π·.
ΠΠΆΠ΅ΠΊΠ΅Ρ ΠΏΡΠΈΠ΅Π·ΠΆΠ°Π΅Ρ Π² ΠΏΠΈΡΡΠ΅ΡΠΈΡ, Π³Π΄Π΅ ΠΎΠ±Π½Π°ΡΡΠΆΠΈΠ²Π°Π΅Ρ Π½Π΅ ΡΠΎΠ»ΡΠΊΠΎ Π·ΠΎΠΌΠ±ΠΈ-ΡΡΡΡΠΊΠΎΠ³ΠΎ ΠΈ Π΅Π³ΠΎ ΡΠΎΠ±Π°ΠΊΡ, Π½ΠΎ ΠΈ Π ΠΈΡ ΡΠ΅ΡΠ° Π²ΠΌΠ΅ΡΡΠΎ ΠΠΎΡΠΎΠ΄Ρ. ΠΠ½ ΠΏΡΠΎΡΠΈΡ ΠΠΆΠ΅ΠΊΠ΅ΡΠ° ΠΏΠΎΡΠΎΡΠΎΠΏΠΈΡΡΡΡ, ΡΠ°ΠΊ ΠΊΠ°ΠΊ ΠΏΠΈΡΡΠ΅ΡΠΈΡ ΡΠΊΠΎΡΠΎ Π·Π°ΠΊΡΠΎΠ΅ΡΡΡ. Π ΡΠ΄ΠΎΠΌ Π»Π΅ΠΆΠ°Π» ΡΡΡΠΏ ΠΠΎΡΠΎΠ΄Ρ. ΠΡΠ»ΠΈ ΠΏΠΎΠ΄ΠΎΠΉΡΠΈ ΠΊ Π½Π΅ΠΌΡ, Π·ΠΎΠΌΠ±ΠΈ-ΡΡΡΡΠΊΠΈΠΉ ΡΠΊΠ°ΠΆΠ΅Ρ, ΡΡΠΎ Π½Π΅ Π»ΡΠ±ΠΈΡ ΠΏΠΎΡΡΠΎΡΠΎΠ½Π½ΠΈΡ . Π‘ΠΎΠ±Π°ΠΊΠ° Π·Π°ΡΡΡΠΈΡ Π² ΠΎΡΠ²Π΅Ρ. ΠΠΆΠ΅ΠΊΠ΅Ρ Π΅Π΄Π΅Ρ Π΄ΠΎΠΌΠΎΠΉ.
3 ΠΈΡΠ½Ρ. ΠΠ΅Π²ΡΡΠΊΡ ΡΠ½ΠΎΠ²Π° Π½ΠΈΠ³Π΄Π΅ Π½Π΅ Π²ΠΈΠ΄Π½ΠΎ, Π½Π° ΠΏΠΎΠ΄ΡΡΠΊΠΈ Π½Π°Π΄Π΅ΡΡ Π½ΠΎΠ²ΡΠ΅ Π½Π°Π²ΠΎΠ»ΠΎΡΠΊΠΈ, Π²ΠΎΠ·Π»Π΅ ΡΠ΅Π»Π΅Π²ΠΈΠ·ΠΎΡΠ° ΡΠ°Π·ΠΌΠ΅ΡΡΠ½ Π³ΠΎΡΡΠΎΠΊ Ρ ΡΠ°ΡΡΠ΅Π½ΠΈΠ΅ΠΌ. «Π’ΠΎΠΌΠ°Ρ» ΠΈΠ· «Π¦Π΅Π½ΡΡΠ° Π Π΅Π»Π°ΠΊΡΠ°ΡΠΈΠΈ» ΠΏΡΠΎΡΠΈΡ Π΅Π³ΠΎ ΠΏΠΎΠ΄ΠΌΠ΅Π½ΠΈΡΡ Π½Π° ΡΠ΅ΡΠ΅ΠΏΡΠ΅Π½Π΅, ΡΠ°ΠΊ ΠΊΠ°ΠΊ ΠΎΠ΄ΠΈΠ½ ΠΈΠ· ΡΠΎΡΡΡΠ΄Π½ΠΈΠΊΠΎΠ² ΡΡΠ΅Π» Π½Π° Π±ΠΎΠ»ΡΠ½ΠΈΡΠ½ΡΠΉ, ΡΡΡΠ»Π°ΡΡΡ Π½Π° ΠΏΠΎΠ³ΠΈΠ±ΡΠ΅Π³ΠΎ ΠΠΆΠ΅ΠΉΠΊΠ°. ΠΠΆΠ΅ΠΊΠ΅Ρ ΠΏΡΠΈΠ΅Π·ΠΆΠ°Π΅Ρ Π² ΡΠΏΠ°-ΡΠ΅Π½ΡΡ, Π³Π΄Π΅ ΠΏΠ΅ΡΠ΅Π±ΠΈΠ²Π°Π΅Ρ ΡΡΡΡΠΊΠΈΡ Π³Π°Π½Π³ΡΡΠ΅ΡΠΎΠ². Π ΠΎΠ΄Π½ΠΎΠΉ ΠΈΠ· ΠΊΠΎΠΌΠ½Π°Ρ Π½Π° ΠΏΠΎΡΠ»Π΅Π΄Π½Π΅ΠΌ ΡΡΠ°ΠΆΠ΅ ΠΌΠΎΠΆΠ½ΠΎ Π½Π°ΠΉΡΠΈ ΡΡΡΠΏ ΠΠΆΠ΅ΠΉΠΊΠ°. ΠΠΎΡΠ»Π΅ Π·Π°Π΄Π°Π½ΠΈΡ ΠΠΆΠ΅ΠΊΠ΅Ρ Π΅Π΄Π΅Ρ Π² ΠΌΠ°Π³Π°Π·ΠΈΠ½ VHS ΠΠΎΡΠΎΠ΄Ρ, Π½ΠΎ Π²ΠΌΠ΅ΡΡΠΎ Π½Π΅Π³ΠΎ Π±ΡΠ» Π ΠΈΡ ΡΠ΅Ρ. Π’ΡΡΠΏ ΡΡΠΆΠ΅Π³ΠΎ ΠΌΡΠΆΡΠΈΠ½Ρ Π±ΡΠ» Π·Π° ΡΡΠΎΠΉΠΊΠΎΠΉ, ΡΡΠ΄ΠΎΠΌ Ρ ΡΠ±ΠΈΠΉΡΠ΅ΠΉ. Π ΠΈΡ ΡΠ΅Ρ Π΄Π΅ΡΠΆΠΈΡ Π² ΡΡΠΊΠ°Ρ ΠΌΠΎΠ»ΠΎΡΠΎΠΊ, ΠΊΠΎΡΠΎΡΡΠΌ, Π²Π΅ΡΠΎΡΡΠ½Π΅Π΅ Π²ΡΠ΅Π³ΠΎ, ΡΠ°Π·ΠΌΠΎΠ·ΠΆΠΈΠ» ΡΠ΅ΡΠ΅ΠΏΠ½ΡΡ ΠΊΠΎΡΠΎΠ±ΠΊΡ ΠΠΎΡΠΎΠ΄Ρ. ΠΠ½ Π³ΡΡΠ±ΠΎ ΡΠΏΡΠ°ΡΠΈΠ²Π°Π΅Ρ, ΡΡΠΎ ΠΠΆΠ΅ΠΊΠ΅Ρ Π·Π΄Π΅ΡΡ ΠΈΡΠ΅Ρ ΠΈ Π³ΠΎΠ²ΠΎΡΠΈΡ, ΡΡΠΎ Π³Π΄Π΅-ΡΠΎ Π΅Π³ΠΎ Π²ΠΈΠ΄Π΅Π». ΠΠΆΠ΅ΠΊΠ΅Ρ Π²ΡΡ ΠΎΠ΄ΠΈΡ ΠΈΠ· ΠΌΠ°Π³Π°Π·ΠΈΠ½Π° ΠΈ Π΅Π΄Π΅Ρ Π΄ΠΎΠΌΠΎΠΉ.
Π‘Π²ΡΠ·ΠΈ
ΠΠΆΠ΅ΠΊΠ΅Ρ Π²ΠΎΠ·Π²ΡΠ°ΡΠ°Π΅ΡΡΡ Π΄ΠΎΠΌΠΎΠΉ ΠΏΠΎΡΠ»Π΅ ΡΠ²ΠΎΠ΅ΠΉ ΡΠ°Π±ΠΎΡΡ 8 ΠΈΡΠ½Ρ, Π³Π΄Π΅ ΠΎΠ±Π½Π°ΡΡΠΆΠΈΠ²Π°Π΅Ρ ΡΠ΅Π»ΠΎ ΠΠ΅Π²ΡΡΠΊΠΈ Π² ΠΊΡΠΎΠ²Π°Π²ΡΡ ΡΠ»Π΅Π΄Π°Ρ ΠΎΡ ΠΏΡΠ»Ρ. ΠΠ½ Π²Ρ ΠΎΠ΄ΠΈΡ Π² Π³ΠΎΡΡΠΈΠ½ΡΡ, Π³Π΄Π΅ ΠΏΠ°ΡΠ½Ρ ΡΠΆΠ΅ ΠΆΠ΄ΡΡ Π ΠΈΡ ΡΠ΅Ρ, ΠΊΠΎΡΠΎΡΡΠΉ ΡΠΌΠΎΡΡΠΈΡ ΡΠ΅Π»Π΅Π²ΠΈΠ·ΠΎΡ ΠΈ Π΄Π΅ΡΠΆΠΈΡ Π£Π·ΠΈ Ρ Π³Π»ΡΡΠΈΡΠ΅Π»Π΅ΠΌ Ρ ΠΊΠΎΠ»Π΅Π½Π΅ΠΉ. ΠΠ΄Π΅ΡΡ ΠΎΠ½ Π²ΠΏΠ΅ΡΠ²ΡΠ΅ Π½ΠΎΡΠΈΡ ΠΌΠ°ΡΠΊΡ ΠΆΠΈΠ²ΠΎΡΠ½ΠΎΠ³ΠΎ: ΡΡΠΎ ΠΎΠ·Π½Π°ΡΠ°Π΅Ρ, ΡΡΠΎ ΠΎΠ½ ΡΠ°ΠΊΠΎΠΉ ΠΆΠ΅ ΡΠ±ΠΈΠΉΡΠ° Π² ΠΌΠ°ΡΠΊΠ΅, ΠΊΠ°ΠΊ ΠΈ ΠΠΆΠ΅ΠΊΠ΅Ρ. Π ΠΈΡ ΡΠ΅Ρ ΡΡΡΠ΅Π»ΡΠ΅Ρ Π² ΠΠΆΠ΅ΠΊΠ΅ΡΠ° ΡΠΎ ΡΠ»ΠΎΠ²Π°ΠΌΠΈ: «ΠΠ°Π²Π°ΠΉ ΡΠΆΠ΅ ΠΏΠΎΠΊΠΎΠ½ΡΠΈΠΌ Ρ ΡΡΠΈΠΌ. «.
21 ΠΈΡΠ»Ρ ΠΈ 23 ΠΈΡΠ»Ρ
Π ΠΊΠ°ΠΊΠΎΠΉ-ΡΠΎ ΠΏΠ΅ΡΠΈΠΎΠ΄ ΠΏΡΠ΅Π±ΡΠ²Π°Π½ΠΈΡ Π² ΠΊΠΎΠΌΠ΅, ΠΠΆΠ΅ΠΊΠ΅Ρ ΠΏΠΎΠ΄ΡΠ»ΡΡΠΈΠ²Π°Π΅Ρ Π΄ΠΈΠ°Π»ΠΎΠ³ Π΄ΠΎΠΊΡΠΎΡΠ° ΠΈ ΠΏΠΎΠ»ΠΈΡΠ΅ΠΉΡΠΊΠΎΠ³ΠΎ. ΠΡΡ ΠΎΠ΄Ρ ΠΈΠ· Π΄ΠΈΠ°Π»ΠΎΠ³Π° ΠΌΠΎΠΆΠ½ΠΎ Π²ΡΡΡΠ½ΠΈΡΡ, ΡΡΠΎ ΠΠΆΠ΅ΠΊΠ΅Ρ Π²ΡΠΆΠΈΠ», Π΅ΠΌΡ ΠΏΡΠΎΠ²Π΅Π»ΠΈ ΠΎΠΏΠ΅ΡΠ°ΡΠΈΡ, Π΄Π΅Π²ΡΡΠΊΡ ΡΠΏΠ°ΡΡΠΈ Π½Π΅ ΡΠ΄Π°Π»ΠΎΡΡ, Π° Π ΠΈΡ ΡΠ΅Ρ ΡΠ²Π»ΡΠ΅ΡΡΡ Π³Π»Π°Π²Π½ΡΠΌ ΠΏΠΎΠ΄ΠΎΠ·ΡΠ΅Π²Π°Π΅ΠΌΡΠΌ Π² ΡΠ΅ΡΠΈΡΡ ΡΠ±ΠΈΠΉΡΡΠ² ΠΈ Π½Π°Ρ ΠΎΠ΄ΠΈΡΡΡ Π² ΠΌΠ΅ΡΡΠ½ΠΎΠΌ ΠΏΠΎΠ»ΠΈΡΠ΅ΠΉΡΠΊΠΎΠΌ ΡΡΠ°ΡΡΠΊΠ΅, Π½ΠΎ ΠΎΡΠΊΠ°Π·ΡΠ²Π°Π΅ΡΡΡ Π΄Π°Π²Π°ΡΡ ΠΏΠΎΠΊΠ°Π·Π°Π½ΠΈΡ.
21 ΠΈΡΠ»Ρ. ΠΠΆΠ΅ΠΊΠ΅Ρ ΠΏΡΠΎΡΡΠΏΠ°Π΅ΡΡΡ Π² Π±ΠΎΠ»ΡΠ½ΠΈΡΠ½ΠΎΠΉ ΠΏΠ°Π»Π°ΡΠ΅. ΠΠ½ Π²ΡΡ ΠΎΠ΄ΠΈΡ ΡΠ΅ΡΠ΅Π· ΠΎΠΊΠ½ΠΎ, ΠΏΠ΅ΡΠ΅ΠΌΠ΅ΡΠ°ΡΡΡ Π² Π΄ΡΡΠ³ΡΡ ΠΏΠ°Π»Π°ΡΡ ΠΈ, ΡΠΊΠ»ΠΎΠ½ΡΡΡΡ ΠΎΡ Π·ΡΠΈΡΠ΅Π»ΡΠ½ΠΎΠ³ΠΎ ΠΊΠΎΠ½ΡΠ°ΠΊΡΠ° Π΄ΠΎΠΊΡΠΎΡΠΎΠ² ΠΈ ΠΏΠΎΠ»ΠΈΡΠ΅ΠΉΡΠΊΠΈΡ , ΡΠ±Π΅Π³Π°Π΅Ρ ΠΈΠ· Π±ΠΎΠ»ΡΠ½ΠΈΡΡ. ΠΠΆΠ΅ΠΊΠ΅Ρ Π² Π²ΡΠ»ΠΎΠΌ ΡΠΎΡΡΠΎΡΠ½ΠΈΠΈ Π²ΠΎΠ·Π²ΡΠ°ΡΠ°Π΅ΡΡΡ Π΄ΠΎΠΌΠΎΠΉ, Π³Π΄Π΅ ΠΎΠ±Π½Π°ΡΡΠΆΠΈΠ²Π°Π΅Ρ ΠΏΠΎΠ»ΠΎΠΌΠ°Π½Π½ΡΡ ΠΈ ΡΠ°Π·ΡΠΈΡΠΎΠ²Π°Π½Π½ΡΡ ΠΌΠ°ΡΠΈΠ½Ρ. Π‘Π°ΠΌΠ° ΠΊΠ²Π°ΡΡΠΈΡΠ° ΠΏΠΎΠΌΠ΅ΡΠ΅Π½Π° ΠΊΡΠ°ΡΠ½ΡΠΌ ΡΠΈΠΌΠ²ΠΎΠ»ΠΎΠΌ, Π° Π²Ρ ΠΎΠ΄Π½Π°Ρ Π΄Π²Π΅ΡΡ ΠΎΠ³ΡΠ°ΠΆΠ΄Π΅Π½Π° ΠΆΡΠ»ΡΠΎΠΉ ΠΏΠΎΠ»ΠΈΡΠ΅ΠΉΡΠΊΠΎΠΉ Π»Π΅Π½ΡΠΎΠΉ. ΠΠΆΠ΅ΠΊΠ΅Ρ ΡΡΡΠ²Π°Π΅Ρ Π»Π΅Π½ΡΡ ΠΈ Π·Π°Ρ ΠΎΠ΄ΠΈΡ Π²Π½ΡΡΡΡ. Π’Π°ΠΌ Π²ΡΡ Π²ΡΠ³Π»ΡΠ΄Π΅Π»ΠΎ ΠΏΠΎ-Π΄ΡΡΠ³ΠΎΠΌΡ: Π²ΠΎΠΊΡΡΠ³ Π±Π°ΡΠ΄Π°ΠΊ, Π½Π° ΠΊΡΡ ΠΎΠ½Π½ΠΎΠΌ ΠΏΡΠΈΠ»Π°Π²ΠΊΠ΅ ΠΏΡΡΡΡΠ΅ Π±ΡΡΡΠ»ΠΊΠΈ ΠΈΠ·-ΠΏΠΎΠ΄ ΠΏΠΈΠ²Π°, ΠΊΠΎΡΠ΅ΠΉΠ½ΡΠΉ ΡΡΠΎΠ»ΠΈΠΊ Π±ΡΠ» ΡΠ»ΠΎΠΌΠ°Π½, ΡΠ΅Π»Π΅Π²ΠΈΠ·ΠΎΡ ΡΠΊΡΠ°Π»ΠΈ, Ρ ΠΎΠ»ΠΎΠ΄ΠΈΠ»ΡΠ½ΠΈΠΊ ΠΏΠΎΠΊΡΡΡ ΠΊΡΠΎΠ²ΡΡ: Π²Π΅ΡΠΎΡΡΠ½ΠΎ, ΠΈΠ·-Π·Π° ΡΠΎΠ³ΠΎ, ΡΡΠΎ ΠΠΆΠ΅ΠΊΠ΅Ρ Π·Π°Π³Π»ΡΠ½ΡΠ» ΡΡΠ΄Π°, Π»ΠΈΠ±ΠΎ Π ΠΈΡ ΡΠ΅Ρ ΠΏΠ΅ΡΠ΅ΡΠ°ΡΠΈΠ» Π΅Π³ΠΎ ΡΡΠ΄Π° ΠΏΠΎΡΠ»Π΅ Π²ΡΡΡΡΠ΅Π»Π° Π² Π³ΠΎΠ»ΠΎΠ²Ρ, ΡΠ΅ΠΌ ΡΠ°ΠΌΡΠΌ ΠΎΠ±ΡΡΡΠ½ΡΡ ΠΏΠΎΡΠ²Π»Π΅Π½ΠΈΠ΅ Π·ΠΎΠΌΠ±ΠΈ Ρ Ρ ΠΎΠ»ΠΎΠ΄ΠΈΠ»ΡΠ½ΠΈΠΊΠ° 8 ΠΈΡΠ½Ρ. ΠΠ΅Π»ΡΠΌ ΠΊΠΎΠ½ΡΡΡΠΎΠΌ ΠΎΠ±ΠΎΠ·Π½Π°ΡΠ΅Π½ΠΎ ΠΌΠ΅ΡΡΠΎ ΡΠΌΠ΅ΡΡΠΈ Π΄Π΅Π²ΡΡΠΊΠΈ. ΠΠΆΠ΅ΠΊΠ΅Ρ Π·Π°Ρ ΠΎΠ΄ΠΈΡ Π² Π²Π°Π½Π½ΡΡ. ΠΠΎΠ΄ ΡΠΎΠΏΡΠΎΠ²ΠΎΠΆΠ΄Π΅Π½ΠΈΠ΅ΠΌ ΠΏΠΎΠΌΠ΅Ρ Π±ΡΡΡΡΠΎ ΠΏΠ΅ΡΠ΅ΠΎΠ΄Π΅Π²Π°Π΅ΡΡΡ Π² Π΄ΡΡΠ³ΡΡ ΠΎΠ΄Π΅ΠΆΠ΄Ρ ΠΈ Π²ΡΠ΅ΠΌΡ ΠΏΠ΅ΡΠ΅Π²ΠΎΠ΄ΠΈΡΡΡ Π½Π° ΡΠ»Π΅Π΄ΡΡΡΠΈΠΉ Π΄Π΅Π½Ρ, ΡΡΠΎ ΠΌΠΎΠ³Π»ΠΎ ΠΎΠ·Π½Π°ΡΠ°ΡΡ, Π»ΠΈΠ±ΠΎ ΠΠΆΠ΅ΠΊΠ΅Ρ Π·Π°ΡΠ½ΡΠ», Π»ΠΈΠ±ΠΎ ΠΏΠΎΡΠ΅ΡΡΠ» ΡΠΎΠ·Π½Π°Π½ΠΈΠ΅. ΠΠΎΡΠ»Π΅ ΡΡΠΎΠ³ΠΎ ΠΠΆΠ΅ΠΊΠ΅Ρ ΡΠ°Π΄ΠΈΡΡΡ Π² ΠΌΠ°ΡΠΈΠ½Ρ ΠΈ Π΅Π΄Π΅Ρ Π² ΠΏΠΎΠ»ΠΈΡΠ΅ΠΉΡΠΊΠΈΠΉ ΡΡΠ°ΡΡΠΎΠΊ. Π’Π°ΠΌ ΠΎΠ½ ΡΠ±ΠΈΠ²Π°Π΅Ρ ΠΏΠΎΡΡΠ΄ΠΊΠ° ΠΎΠΊΠΎΠ»ΠΎ ΡΡΠΈΠ΄ΡΠ°ΡΠΈ ΠΏΠΎΠ»ΠΈΡΠ΅ΠΉΡΠΊΠΈΡ , ΡΡΠΎΠ±Ρ Π΄ΠΎΠ±ΡΠ°ΡΡΡΡ Π΄ΠΎ Π ΠΈΡ ΡΠ΅ΡΠ° ΠΈ ΠΊΠΎΠΌΠ½Π°ΡΡ ΠΏΠΎΠΊΠ°Π·Π°Π½ΠΈΠΉ.
Π ΠΈΡ ΡΠ΅Ρ ΠΏΠΎΠ΄ΡΠ²Π΅ΡΠΆΠ΄Π°Π΅Ρ ΡΠΎΡ ΡΠ°ΠΊΡ, ΡΡΠΎ ΠΏΡΠΈΠ½ΠΈΠΌΠ°Π» ΠΏΡΠΈΠΊΠ°Π·Ρ ΠΎΡ ΠΏΠΎΡ ΠΎΠΆΠΈΡ Π·Π°Π³Π°Π΄ΠΎΡΠ½ΡΡ Π·Π²ΠΎΠ½ΠΊΠΎΠ², ΠΏΠΎΠ±ΡΠΆΠ΄Π°Ρ ΠΠΆΠ΅ΠΊΠ΅ΡΠ° ΠΏΠΎΡΠ°Π΄ΠΈΡΡ Π΅Π³ΠΎ. ΠΠΎΠ»ΠΈΡΠΈΡ ΠΏΡΠΎΡΠ»Π΅Π΄ΠΈΠ»Π° Π½Π΅ΠΊΠΎΡΠΎΡΡΠ΅ Π·Π²ΠΎΠ½ΠΊΠΈ Ρ ΠΊΠ»ΡΠ±Π°, ΠΏΠΎΠ΄ΠΎΠ·ΡΠ΅Π²Π°Π΅ΠΌΠΎΠ³ΠΎ Π² ΡΠ²ΡΠ·ΡΡ Ρ ΡΡΡΡΠΊΠΎΠΉ ΠΌΠ°ΡΠΈΠ΅ΠΉ (Golden Truck Stop Π² Π΄Π°Π»ΡΠ½Π΅ΠΉΡΠ΅ΠΌ), Π½ΠΎ Ρ Π½ΠΈΡ Π½Π΅Π΄ΠΎΡΡΠ°ΡΠΎΡΠ½ΠΎ Π΄ΠΎΠΊΠ°Π·Π°ΡΠ΅Π»ΡΡΡΠ² Π΄Π»Ρ ΠΏΡΠ΅Π΄ΡΡΠ²Π»Π΅Π½ΠΈΡ ΠΎΡΠ΄Π΅ΡΠ°. ΠΠΆΠ΅ΠΊΠ΅Ρ ΠΏΠ΅ΡΠ΅ΠΆΠΈΠΌΠ°Π΅Ρ Π ΠΈΡ ΡΠ΅ΡΡ ΡΠΎΠ½Π½ΡΡ Π°ΡΡΠ΅ΡΠΈΡ, ΡΠΎΡ ΡΠ΅ΡΡΠ΅Ρ ΡΠΎΠ·Π½Π°Π½ΠΈΠ΅ (Π»ΠΈΠ±ΠΎ ΡΠΌΠΈΡΠ°Π΅Ρ), ΠΈ ΠΠΆΠ΅ΠΊΠ΅Ρ ΡΠ΅Π·ΠΆΠ°Π΅Ρ.
23 ΠΈΡΠ»Ρ. ΠΠΆΠ΅ΠΊΠ΅Ρ ΡΠ°Π΄ΠΈΡΡΡ Π² Acado GT ΠΈ Π΅Π΄Π΅Ρ Π² ΠΊΠ»ΡΠ± Golden Truck Stop. ΠΠ΅ΡΡΠΎ ΡΠΊΡΠ°ΡΠ΅Π½ΠΎ Π·ΠΎΠ»ΠΎΡΠΎΠΌ ΠΈ Π½Π° ΠΎΡΠ΄Π΅Π»ΡΠ½ΠΎΠΌ ΡΡΠ°ΠΆΠ΅ Π±ΡΠ»ΠΈ ΠΌΠΎΠ½ΡΡΡ-ΡΡΠ°ΠΊΠΈ ΠΈ, ΠΊΠΎΠ½Π΅ΡΠ½ΠΎ ΠΆΠ΅, ΠΊΠ»ΡΠ± Π±ΡΠ» ΠΏΠΎΠ΄ ΠΎΡ ΡΠ°Π½ΠΎΠΉ ΡΡΡΡΠΊΠΈΡ Π³Π°Π½Π³ΡΡΠ΅ΡΠΎΠ². ΠΠ»Π°Π΄Π΅Π»Π΅Ρ ΠΊΠ»ΡΠ±Π° Π² Π³Π»Π°Π²Π½ΠΎΠΌ ΠΎΡΠΈΡΠ΅ ΠΎΡΠΊΡΡΠ²Π°Π΅Ρ ΡΠ΅ΠΉΡ Π΄Π»Ρ ΠΠΆΠ΅ΠΊΠ΅ΡΠ° ΠΈ ΠΏΡΠΎΡΠΈΡ Π½Π΅ ΡΠ±ΠΈΠ²Π°ΡΡ Π΅Π³ΠΎ. ΠΠ½ Π³ΠΎΠ²ΠΎΡΠΈΡ, ΡΡΠΎ Π΅Π³ΠΎ Π±ΠΎΡΡΠ° Π·Π΄Π΅ΡΡ Π½Π΅Ρ, ΠΈ Π΄Π°ΡΡ ΠΠΆΠ΅ΠΊΠ΅ΡΡ Π΅Π³ΠΎ Π°Π΄ΡΠ΅Ρ. ΠΠ»Π°Π΄Π΅Π»Π΅Ρ Π΄Π²ΠΈΠΆΠ΅ΡΡΡ ΠΊ ΡΡΠΎΠ»Ρ Ρ ΠΎΡΠΊΡΡΡΡΠΌ ΡΡΠΈΠΊΠΎΠΌ, Π³Π΄Π΅ Π±ΡΠ» ΠΌΠ°Π³Π½ΡΠΌ, Π½ΠΎ ΡΠΏΠΎΡΡΠΊΠ°Π΅ΡΡΡ ΠΈ ΠΏΠ°Π΄Π°Π΅Ρ. ΠΠ΅Π·Π°Π²ΠΈΡΠΈΠΌΠΎ ΠΎΡ ΡΡΠΎΠ³ΠΎ, ΠΠΆΠ΅ΠΊΠ΅Ρ Π΄ΠΎ ΡΠΌΠ΅ΡΡΠΈ ΠΈΠ·Π±ΠΈΠ²Π°Π΅Ρ Π΅Π³ΠΎ.
ΠΡΠΉΠ΄Ρ Π½Π° Π±Π°Π»ΠΊΠΎΠ½, ΠΎΠ½ ΡΠΊΠΈΠ΄ΡΠ²Π°Π΅Ρ Π² ΡΡΠΎΡΠΎΠ½Ρ ΠΌΠ°ΡΠΊΡ ΠΈ Π·Π°ΠΊΡΡΠΈΠ²Π°Π΅Ρ ΡΠΈΠ³Π°ΡΠ΅ΡΡ. ΠΠ· ΠΊΠ°ΡΠΌΠ°Π½Π° ΠΎΠ½ Π΄ΠΎΡΡΠ°ΡΡ ΡΠΎΡΠΎΠ³ΡΠ°ΡΠΈΡ ΠΈ Π±ΡΠΎΡΠ°Π΅Ρ Π΅Ρ Π²Π½ΠΈΠ·. ΠΠ΅ΡΠ΅Ρ ΡΠ½ΠΎΡΠΈΡ Π΅Ρ Π²Π΄Π°Π»Ρ.
1991 Π³ΠΎΠ΄
ΠΠΆΠ΅ΠΊΠ΅ΡΠ° ΡΡΠ΄ΡΡ ΡΠΆΠ΅ Π²ΡΠΎΡΠΎΠΉ Π³ΠΎΠ΄. ΠΠΆΠ΅ΠΊΠ΅Ρ Π·Π°ΠΏΡΡΡΠ²Π°Π΅Ρ ΡΠ»Π΅Π΄ΡΡΠ²ΠΈΠ΅, Π³ΠΎΠ²ΠΎΡΡ ΡΡΠΎ ΡΠ°ΠΌΠ° ΡΡΡΡΠΊΠ°Ρ ΠΌΠ°ΡΠΈΡ ΠΈΠ· ΠΊΠ°Π·ΠΈΠ½ΠΎ The Golden Truckstop ΠΎΡΡΠ°Π²Π»ΡΠ»Π° ΡΠΎΠΎΠ±ΡΠ΅Π½ΠΈΡ Π½Π° Π°Π²ΡΠΎΠΎΡΠ²Π΅ΡΡΠΈΠΊ Ρ Π·Π°Π²ΡΠ°Π»ΠΈΡΠΎΠ²Π°Π½Π½ΡΠΌΠΈ ΠΏΠΎΡΡΠ»Π°ΠΌΠΈ Π²ΡΡΠ΅Π·Π°ΡΡ ΡΠ»Π΅Π½ΠΎΠ² ΡΡΡΡΠΊΠΎΠΉ ΠΌΠ°ΡΠΈΠΈ. Π ΡΡΠ΄Π΅ ΡΠ°ΠΊΠΆΠ΅ ΠΏΡΠΈΡΡΡΡΡΠ²ΡΠ΅Ρ ΠΆΡΡΠ½Π°Π»ΠΈΡΡ ΠΠ²Π°Π½ Π Π°ΠΉΡ, ΠΊΠΎΡΠΎΡΡΠΉ ΡΠ°Π½Π΅Π΅ Π±ΡΠ» Π²ΠΎΠ΅Π½Π½ΡΠΌ ΠΊΠΎΡΡΠ΅ΡΠΏΠΎΠ½Π΄Π΅Π½ΡΠΎΠΌ ΠΈ ΡΠ΄Π΅Π»Π°Π» ΡΠ½ΠΈΠΌΠΎΠΊ ΠΠΆΠ΅ΠΊΠ΅ΡΠ° Ρ ΠΠΎΡΠΎΠ΄ΠΎΠΉ, Π° ΡΠ΅ΠΉΡΠ°Ρ ΠΎΠ½ ΡΠΎΠ±ΠΈΡΠ°Π΅Ρ ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΡ Π΄Π»Ρ Π΅Π³ΠΎ ΠΊΠ½ΠΈΠ³ΠΈ ΠΏΡΠΎ ΡΠ±ΠΈΠΉΡΡ Π² ΠΌΠ°ΡΠΊΠ΅. ΠΠΎ Π²Π΅ΡΠΎΡΡΠ½ΠΎΠΉ Π²Π΅ΡΡΠΈΠΈ ΠΠΆΠ΅ΠΊΠ΅Ρ ΠΏΠΎΠ³ΠΈΠ±Π°Π΅Ρ Π² ΡΡΡΡΠΌΠ΅ Π²ΠΎ Π²ΡΠ΅ΠΌΡ Π±ΠΎΠΌΠ±Π°ΡΠ΄ΠΈΡΠΎΠ²ΠΊΠΈ ΠΠ°ΠΉΠ°ΠΌΠΈ (ΠΈΠ»ΠΈ, Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎ Π²ΡΠΆΠΈΠ»).
ΠΠΎΠ»ΠΈΡΠ΅ΡΡΠ²ΠΎ ΠΆΠ΅ΡΡΠ²
ΠΠΈΠΆΠ΅ ΠΏΡΠΈΠ²Π΅Π΄Π΅Π½ΠΎ ΠΌΠΈΠ½ΠΈΠΌΠ°Π»ΡΠ½ΠΎΠ΅ ΠΊΠΎΠ»ΠΈΡΠ΅ΡΡΠ²ΠΎ ΠΆΠ΅ΡΡΠ² β Π±Π΅Π· ΡΡΡΡΠ° ΡΠ±ΠΈΡΡΡ ΡΠΎΠ»Π΄Π°Ρ.
ΠΠ°ΠΊ Hotline Miami ΠΏΠΎΠ³ΡΡΠΆΠ°Π΅Ρ Π² ΡΠΎΠ»Ρ ΠΠΆΠ΅ΠΊΠ΅ΡΠ° ΠΈ Π·Π°ΡΡΠ°Π²Π»ΡΠ΅Ρ ΠΏΠ΅ΡΠ΅ΠΆΠΈΠ²Π°ΡΡ Π·Π° Π½Π΅Π³ΠΎ
ΠΠ»ΠΈ ΠΏΠ΅ΡΠ²Π°Ρ ΠΌΠΎΡ ΠΏΠΎΠΏΡΡΠΊΠ° Π² ΠΊΠ°ΠΊΠΎΠΉ-ΡΠΎ Π°Π½Π°Π»ΠΈΠ·.
ΠΠΎΠΎΠ±ΡΠ΅ ΡΠΏΠΎΠ΄Π²ΠΈΠ³Π½ΡΡΡ Π½Π°ΠΏΠΈΡΠ°ΡΡ ΡΡΠΎ-ΡΠΎ ΠΏΠΎΠ΄ΠΎΠ±Π½ΠΎΠ΅ ΡΡΠ°Π»ΠΎ ΡΠΎ, ΡΡΠΎ ΠΎΠ± ΡΡΠΎΠΌ ΠΏΠΎΡΡΠΈ Π½ΠΈΠΊΡΠΎ Π½Π΅ Π³ΠΎΠ²ΠΎΡΠΈΠ». Π Π΄Π°, Hotline Miami β ΡΡΠΎ ΠΏΡΠΎ ΠΆΠ΅ΡΡΠΎΠΊΠΎΡΡΡ, ΠΏΡΠΎ ΡΠ΅ΡΡΠΎΠ²Π΅ΠΉΠ², ΠΏΡΠΎ ΡΡ Π°ΡΠΌΠΎΡΡΠ΅ΡΡ, ΠΈ Π½Π°ΡΡΠ°ΡΠΈΠ² ΡΠ°ΠΌ Π½Π° Π²ΡΠΎΡΠΎΠΌ ΠΏΠ»Π°Π½Π΅, Π½ΠΎ ΡΠ΅ΠΌ Π½Π΅ ΠΌΠ΅Π½Π΅Π΅ ΡΡΠΎ ΠΈΠΌΠ΅Π½Π½ΠΎ ΡΠΎ, ΡΡΠΎ ΠΌΠ½Π΅ Π·Π°ΠΏΠΎΠΌΠ½ΠΈΠ»ΠΎΡΡ Π² ΠΈΠ³ΡΠ΅ Π±ΠΎΠ»ΡΡΠ΅ Π²ΡΠ΅Π³ΠΎ β ΡΠ°ΡΠΊΡΡΡΠΈΠ΅ ΠΈ ΠΎΡΠ΅Π»ΠΎΠ²Π΅ΡΠΈΠ²Π°Π½ΠΈΠ΅ ΠΏΠ΅ΡΡΠΎΠ½Π°ΠΆΠ° Π½Π΅ ΡΠΎΠ»ΡΠΊΠΎ ΡΠ΅ΡΠ΅Π· Π½Π°ΡΡΠ°ΡΠΈΠ², Π½ΠΎ ΠΈ ΡΠ΅ΡΠ΅Π· Π³Π΅ΠΉΠΌΠΏΠ»Π΅ΠΉ. ΠΠΎ ΡΡΠΎ ΡΠΆΠ΅ ΡΠΏΠΎΠΉΠ»Π΅ΡΡ.
ΠΠΆΠ΅ΠΊΠ΅Ρ β Π² ΠΊΠ°ΠΊΠΎΠΉ-ΡΠΎ ΡΡΠ΅ΠΏΠ΅Π½ΠΈ ΠΎΠ±ΡΡΠ½ΡΠΉ, ΠΏΡΠΎΡΡΠΎΠΉ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊ. ΠΠ½ Π½ΠΎΡΠΈΡ ΠΎΠ±ΡΡΠ½ΡΡ ΠΎΠ΄Π΅ΠΆΠ΄Ρ, ΠΊΠΎΡΠΎΡΠ°Ρ Π±ΡΠ»Π° ΠΏΠΎΠΏΡΠ»ΡΡΠ½Π° Π² ΡΠΎ Π²ΡΠ΅ΠΌΡ, ΠΎΠ½ Π·Π°Π΅Π·ΠΆΠ°Π΅Ρ Π·Π° ΠΏΠΈΡΡΠ΅ΠΉ, Π±Π΅ΡΠ΅Ρ ΠΊΠ°ΡΡΠ΅ΡΡ ΠΈΠ· VHS Π²ΠΈΠ΄Π΅ΠΎΠΏΡΠΎΠΊΠ°ΡΠ°, Π΅ΠΌΡ Π»Π΅Π½Ρ Π²ΡΠ½ΠΎΡΠΈΡΡ ΠΌΡΡΠΎΡ ΠΈ ΠΆΠΈΠ²Π΅Ρ ΠΎΠ½ Π² ΡΠ°ΠΌΠΎΠΉ ΠΎΠ±ΡΡΠ½ΠΎΠΉ ΠΊΠ²Π°ΡΡΠΈΡΠ΅, ΠΊΡΠ΄Π° Π²ΠΎΠ·Π²ΡΠ°ΡΠ°Π΅ΡΡΡ Π½Π° ΡΠ²ΠΎΠ΅ΠΉ ΠΌΠ°ΡΠΈΠ½Π΅ ΠΊΠ°ΠΆΠ΄ΡΡ ΠΌΠΈΡΡΠΈΡ. Π Π²ΠΎΡ ΡΠ°ΠΊΠΈΠ΅ ΠΌΠ΅Π»ΠΎΡΠΈ ΡΠΎΠ΄Π½ΡΡ Π΅Π³ΠΎ Ρ Π½Π°ΠΌΠΈ ΠΈ Π·Π°ΡΡΠ°Π²Π»ΡΡΡ ΡΠΎΠΏΠ΅ΡΠ΅ΠΆΠΈΠ²Π°ΡΡ, Π²Π΅Π΄Ρ ΠΏΠΎΠ½ΡΡΠ½ΠΎΠΌΡ ΠΎΠ±ΡΠ°Π·Ρ ΠΈ ΠΏΡΠΎΠ½ΠΈΠΊΠ½ΡΡΡΡΡ Π»Π΅Π³ΡΠ΅.
Π£ ΠΠΆΠ΅ΠΊΠ΅ΡΠ° ΡΠ°ΠΊΠΆΠ΅ ΡΡΠ°Π³ΠΈΡΠ½Π°Ρ ΠΈΡΡΠΎΡΠΈΡ. ΠΠ½ β Π²Π΅ΡΠ΅ΡΠ°Π½ Π²ΠΎΠΉΠ½Ρ, Π²ΡΠΊΠΎΡΠ΅ ΠΏΠΎΡΠ»Π΅ Π½Π΅Π΅ ΠΏΠΎΡΠ΅ΡΡΠ» Π»ΡΡΡΠ΅Π³ΠΎ Π΄ΡΡΠ³Π°. ΠΠ΄ΠΈΠ½ΡΡΠ²Π΅Π½Π½ΠΎΠ³ΠΎ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠ°, ΠΊΠΎΡΠΎΡΡΠΉ ΡΡΠΎ-ΡΠΎ Π·Π½Π°ΡΠΈΠ» Π΄Π»Ρ Π½Π΅Π³ΠΎ. ΠΠΌΠ΅Π½Π½ΠΎ ΠΏΠΎΡΡΠΎΠΌΡ Π² ΡΠ²ΠΎΠ΅ΠΌ Π±ΡΠ΅Π΄Ρ Π² ΠΊΠΎΠΌΠ΅ ΠΎΠ½ Π²ΠΈΠ΄ΠΈΡ Π΅Π³ΠΎ, Π³ΠΎΡΠΎΠ²ΠΎΠ³ΠΎ Π·Π° ΠΏΡΠΎΡΡΠΎ ΡΠ°ΠΊ Π΄Π°ΡΡ ΠΏΠΈΡΡΡ/ΠΊΠ°ΡΡΠ΅ΡΡ/Π²ΡΠΏΠΈΠ²ΠΊΡ. Π Π·Π° Π²ΡΠ΅ ΡΠ΅ Π³ΠΎΠ΄Ρ ΠΎΠ½ ΡΠ°ΠΊ ΠΈ Π½Π΅ ΡΠΌΠΎΠ³ Π½Π°ΠΉΡΠΈ ΡΠ΅Π±Π΅ ΡΠΎΠ΄ΡΡΠ²Π΅Π½Π½ΡΡ Π΄ΡΡΡ. ΠΠΎ Π½Π΅Π΄Π°Π²Π½ΠΈΡ ΠΏΠΎΡ.
ΠΠΎ Π²ΡΠ΅ΠΌΡ ΠΎΡΠ½ΠΎΠ²Π½ΡΡ ΡΠΎΠ±ΡΡΠΈΠΉ ΠΎΠ½ Π²ΠΏΡΡΠΊΠ°Π΅Ρ Π² ΡΠ²ΠΎΡ ΠΆΠΈΠ·Π½Ρ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠ°, ΠΊΠΎΡΠΎΡΡΠΉ ΠΏΡΠΈΠ²ΠΎΠ΄ΠΈΡ Π² ΠΏΠΎΡΡΠ΄ΠΎΠΊ Π΅Π³ΠΎ Π΄ΠΎΠΌ ΠΈ Π²ΠΌΠ΅ΡΡΠ΅ Ρ ΡΡΠΈΠΌ, ΠΌΠ΅ΡΠ°ΡΠΎΡΠΈΡΠ΅ΡΠΊΠΈ, ΠΏΠΎΠΊΠΎΠΉ Π½Π° Π΄ΡΡΠ΅, Π½ΠΎ Π΄Π°ΠΆΠ΅ ΡΡΠΎΠ³ΠΎ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠ° Ρ Π½Π΅Π³ΠΎ Π·Π°Π±ΠΈΡΠ°ΡΡ.
Π Π² ΠΏΡΠΎΡΠ΅ΡΡΠ΅ ΡΡΠΎΠΉ ΠΌΠ΅ΡΡΠΈ ΡΡ Π²ΡΡΡΠ½ΡΠ΅ΡΡ Π΅ΡΠ΅ ΠΎΠ΄Π½Ρ Π²Π΅ΡΡ. ΠΠΆΠ΅ΠΊΠ΅Ρ β Π²ΡΠ΅Π³ΠΎ Π»ΠΈΡΡ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊ. Π ΠΎΠ½ ΡΠΌΠ΅ΡΡΠ΅Π½, ΡΠ°ΠΊ ΠΆΠ΅ ΡΠΌΠ΅ΡΡΠ΅Π½ ΠΊΠ°ΠΊ ΠΈ ΠΌΠ°ΡΠΈΡ, ΠΊΠΎΡΠΎΡΡΡ ΠΎΠ½ ΠΈΡΡΡΠ΅Π±Π»ΡΠ΅Ρ. Π§ΡΠΎ Ρ ΠΈΠΌΠ΅Ρ Π²Π²ΠΈΠ΄Ρ? ΠΠ±ΡΡΠ½ΠΎ Π² ΠΈΠ³ΡΠ°Ρ ΡΠ²ΠΎΠΉ ΠΏΠ΅ΡΡΠΎΠ½Π°ΠΆ β ΡΡΠΎ ΡΡΠ»ΠΎΠ²Π½ΡΠΉ ΡΠ΅ΡΠΌΠΈΠ½Π°ΡΠΎΡ, ΠΊΠΎΡΠΎΡΡΠΉ Π²ΡΠ΄Π΅ΡΠΆΠΈΠ²Π°Π΅Ρ Π΄Π΅ΡΡΡΠΊΠΈ ΠΏΡΠ»Ρ, ΠΌΠΎΠΆΠ΅Ρ ΠΌΠ³Π½ΠΎΠ²Π΅Π½Π½ΠΎ ΠΎΠΏΡΠ°Π²ΠΈΡΡΡΡ ΠΎΡ ΠΌΠ½ΠΎΠ³ΠΎΡΠΈΡΠ»Π΅Π½Π½ΡΡ ΡΠ°Π½ ΠΈ ΠΏΠ΅ΡΠ΅Π»ΠΎΠΌΠΎΠ² ΠΈ ΡΠ΄. Π Π΄Π°, ΡΡΠΎ ΠΈΠ³ΡΠΎΠ²ΡΠ΅ ΡΡΠ»ΠΎΠ²Π½ΠΎΡΡΠΈ, Ρ Π·Π½Π°Ρ.
ΠΠΆΠ΅ΠΊΠ΅Ρ ΠΆΠ΅ ΡΠΌΠΈΡΠ°Π΅Ρ ΠΎΡ ΠΎΠ΄Π½ΠΎΠΉ ΠΏΡΠ»ΠΈ, ΠΎΡ ΠΎΠ΄Π½ΠΎΠ³ΠΎ ΡΠ΄Π°ΡΠ°, Π½ΠΎ ΠΈ Π²ΡΠ°Π³ΠΈ ΡΠ°ΠΊ ΠΆΠ΅, ΡΡΠΎ Π΅ΡΠ΅ ΡΠΈΠ»ΡΠ½Π΅Π΅ ΠΏΠΎΠ΄ΠΊΡΠ΅ΠΏΠ»ΡΠ΅Ρ Π²Π΅ΡΡ Π² ΡΠΎ, ΡΡΠΎ ΠΠΆΠ΅ΠΊΠ΅Ρ β ΡΡΠΎ Π»ΠΈΡΡ ΠΏΡΠΎΡΡΠΎΠΉ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊ. ΠΠ°, ΠΎΠ½ Π²ΡΠ΅ Π΅ΡΠ΅ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊ-Π°ΡΠΌΠΈΡ, ΠΆΠ΅ΡΡΠΎΠΊΠΎ ΡΠ±ΠΈΠ²Π°ΡΡΠΈΠΉ ΡΠ²ΠΎΠΈΡ ΠΏΡΠΎΡΠΈΠ²Π½ΠΈΠΊΠΎΠ², Π½ΠΎ Π΅Π³ΠΎ ΡΠΌΠ΅ΡΡΠ½ΠΎΡΡΡ Π²ΡΠ΅ ΠΆΠ΅ Π΄Π΅Π»Π°Π΅Ρ Π΅Π³ΠΎ Π±ΠΎΠ»Π΅Π΅ ΡΠ΅Π»ΠΎΠ²Π΅ΡΠ½ΡΠΌ.
ΠΠΎ Π΄Π°ΠΆΠ΅ Π½Π΅ ΡΠΌΠΎΡΡΡ Π½Π° ΡΠΎ, ΡΡΠΎ ΠΎΠ½ ΠΆΠ΅ΡΡΠΎΠΊΠΈΠΉ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊ-Π°ΡΠΌΠΈΡ, ΠΎΠ½ Π²ΡΠ΅ ΠΆΠ΅ Π½Π΅ ΡΠ±ΠΈΠ²Π°Π΅Ρ ΠΏΡΠΎΡΡΡΡ Π»ΡΠ΄Π΅ΠΉ. ΠΠ·-Π·Π° ΡΠ±ΠΈΡΠΎΠ³ΠΎ Π±ΠΎΠΌΠΆΠ° Π² Π½Π°ΡΠ°Π»Π΅ ΠΈΠ³ΡΡ ΠΎΠ½ Π±Π»ΡΠ΅Ρ, ΠΏΠΎΡΠΎΠΌΡ ΡΡΠΎ ΠΏΠΎ-Ρ ΠΎΡΠΎΡΠ΅ΠΌΡ ΡΠΎΡ Π±ΡΠ» Π½ΠΈ Π² ΡΠ΅ΠΌ Π½Π΅ Π²ΠΈΠ½ΠΎΠ²Π°Ρ, ΠΎΠ½ ΡΠΏΠ°ΡΠ°Π΅Ρ ΡΡ Π΄Π΅Π²ΡΡΠΊΡ ΠΈ Π΄Π°Π΅Ρ Π΅ΠΉ ΠΊΡΡΡΡ Π½Π°Π΄ Π³ΠΎΠ»ΠΎΠ²ΠΎΠΉ, Ρ ΠΎΡΡ ΠΌΠΎΠ³ ΠΏΡΠΎΡΡΠΎ ΠΎΡΡΠ°Π²ΠΈΡΡ Π΅Π΅, (ΠΏΠΎ ΠΊΠ°Π½ΠΎΠ½Ρ) ΠΎΠ½ Π½Π΅ ΡΠ±ΠΈΠ²Π°Π΅Ρ Π ΠΈΡ ΡΠ΅ΡΠ°, ΠΏΠΎΡΠΎΠΌΡ ΡΡΠΎ Π΅Π³ΠΎ ΡΠ°Π½ΡΠ°ΠΆΠΈΡΠΎΠ²Π°Π»ΠΈ ΠΈ ΠΎΠ½ Π½Π΅ Ρ ΠΎΡΠ΅Π» Π½ΠΈΠΊΠΎΠΌΡ Π·Π»Π°, Π° Π·Π°ΡΠ΅ΠΌ ΠΏΡΠΎΡΡΠΎ ΡΠ΄Π°Π΅ΡΡΡ ΠΏΠΎΠ»ΠΈΡΠΈΠΈ, ΠΏΠΎΡΠΎΠΌΡ ΡΡΠΎ Π΅Π³ΠΎ ΠΊΡΠΎΠ²Π°Π²Π°Ρ ΠΌΠ΅ΡΡΡ Π·Π°Π²Π΅ΡΡΠΈΠ»Π°ΡΡ.
Π‘Π»ΠΎΠΆΠ½ΡΠΉ Π³Π΅ΠΉΠΌΠΏΠ»Π΅ΠΉ Hotline Miami Π·Π°ΡΡΠ°Π²Π»ΡΠ΅Ρ ΡΠ΅Π±Ρ ΡΠΌΠΈΡΠ°ΡΡ ΡΠ°ΡΡΠΎ. Π ΠΌΠ½ΠΎΠ³ΠΎ. Π ΠΏΠΎΡΠΎΠΉ ΡΡΠΎ Π΄Π°ΠΆΠ΅ ΡΡΡΡΡΡΠΈΡΡΠ΅Ρ. Π¦ΠΈΠΊΠ» ΠΏΠΎΠΏΡΡΠ°Π»ΡΡ > ΡΠΌΠ΅Ρ > ΠΏΠΎΠΏΡΡΠ°Π»ΡΡ ΡΠ½ΠΎΠ²Π° ΠΎΡΠ»ΠΈΡΠ½ΠΎ ΡΠΎΠ΄Π½ΠΈΡ ΠΈΠ³ΡΠΎΠΊΠ° Ρ ΠΠΆΠ΅ΠΊΠ΅ΡΠΎΠΌ, ΠΏΠΎΠΊΠ°Π·ΡΠ²Π°Ρ Π΅Π³ΠΎ ΡΠ΅Π»ΠΎΠ²Π΅ΡΠ½ΠΎΡΡΡ Π² ΡΠΈΠ·ΠΈΡΠ΅ΡΠΊΠΎΠΌ ΠΏΠ»Π°Π½Π΅. ΠΠ΅Π΄Ρ ΠΎΠ΄Π½Π° Π½Π΅Π·Π½Π°ΡΠΈΡΠ΅Π»ΡΠ½Π°Ρ ΠΎΡΠΈΠ±ΠΊΠ° β ΠΈ Π²ΡΠ΅, Π½Π°ΡΠΈΠ½Π°ΠΉ Π·Π°Π½ΠΎΠ²ΠΎ. Π’Ρ ΡΠ°ΡΡΠΎ ΠΏΡΠΎΠΈΠ³ΡΡΠ²Π°Π΅ΡΡ, ΡΠ°ΡΡΠΎ ΡΠΌΠΈΡΠ°Π΅ΡΡ, ΠΈ ΠΈΠ·-Π·Π° ΡΡΠΎΠ³ΠΎ ΠΏΡΠΎΠΉΠ΄Π΅Π½Π½ΡΠΉ ΡΡΠΎΠ²Π΅Π½Ρ Π΄ΠΎΡΡΠ°Π²Π»ΡΠ΅Ρ Π±ΠΎΠ»ΡΡΠ΅ ΡΠ΄ΠΎΠ²ΠΎΠ»ΡΡΡΠ²ΠΈΡ. ΠΡΠΎΠ±Π΅Π½Π½ΠΎ Π΅ΡΠ»ΠΈ ΡΡ ΡΠΌΠ΅Ρ ΡΠ°Π· 40 ΠΏΠΎΠ΄ΡΡΠ΄ ΠΈ Π½Π°ΠΊΠΎΠ½Π΅Ρ Π΄ΠΎΠ±ΠΈΠ» ΠΏΠΎΡΠ»Π΅Π΄Π½Π΅Π³ΠΎ Π²ΡΠ°Π³Π°.
Π£ ΠΈΠ³ΡΠΎΠΊΠ° ΡΠ°ΠΊΠΆΠ΅ ΡΡΠ°ΡΠ°ΡΡΡΡ Π·Π°Π±ΡΠ°ΡΡ ΠΊΠ°ΠΊ ΠΌΠΎΠΆΠ½ΠΎ ΠΌΠ΅Π½ΡΡΠ΅ ΠΊΠΎΠ½ΡΡΠΎΠ»Ρ Π½Π°Π΄ ΠΏΠ΅ΡΡΠΎΠ½Π°ΠΆΠ΅ΠΌ. ΠΠΎΠ΄Π½ΡΡΡ ΡΡΡΠ±ΠΊΡ ΡΠ΅Π»Π΅ΡΠΎΠ½Π°, Π΄ΠΎΠΉΡΠΈ Π΄ΠΎ ΠΌΠ°ΡΠΈΠ½Ρ, ΡΡ ΠΎΠ΄ΠΈΡΡ Π·Π° ΠΏΠΈΡΡΠ΅ΠΉ ΠΈ ΠΏΡΠΎΡΠΈΠ΅ ΠΏΠΎΠ΄ΠΎΠ±Π½ΡΠ΅ ΡΡΡΠΈΠ½Π½ΡΠ΅ Π΄Π΅ΠΉΡΡΠ²ΠΈΡ Π½ΡΠΆΠ½ΠΎ Π΄Π΅Π»Π°ΡΡ Π²ΡΡΡΠ½ΡΡ. ΠΠ°ΠΆΠ΅ Π²ΠΎ Π²ΡΠ΅ΠΌΡ ΠΊΠ°ΡΡΡΠ΅Π½ ΠΌΠΎΠΆΠ½ΠΎ Π²Π΅ΡΡΠ΅ΡΡΡΡ. Π’ΠΎ Π΅ΡΡΡ ΡΡ ΠΌΠ°ΠΊΡΠΈΠΌΠ°Π»ΡΠ½ΠΎ Π΄Π»ΠΈΡΠ΅Π»ΡΠ½ΠΎΠ΅ ΠΊΠΎΠ»ΠΈΡΠ΅ΡΡΠ²ΠΎ Π²ΡΠ΅ΠΌΠ΅Π½ΠΈ ΠΏΡΠΎΠ²ΠΎΠ΄ΠΈΡΡ Ρ ΠΠΆΠ΅ΠΊΠ΅ΡΠΎΠΌ Π½Π΅ ΡΠΎΠ»ΡΠΊΠΎ Π² ΡΠΎΠ»ΠΈ Π½Π°Π±Π»ΡΠ΄Π°ΡΠ΅Π»Ρ, Π½ΠΎ ΠΈ Π² ΡΠΎΠ»ΠΈ Π½Π΅ΠΏΠΎΡΡΠ΅Π΄ΡΡΠ²Π΅Π½Π½ΠΎΠ³ΠΎ ΡΡΠ°ΡΡΠ½ΠΈΠΊΠ°, ΡΡΠΎ ΡΠ°ΠΊ ΠΆΠ΅ Π²Π»ΠΈΡΠ΅Ρ Π½Π° ΠΏΠΎΠ³ΡΡΠΆΠ΅Π½ΠΈΠ΅.
Π ΠΏΠΎ ΠΈΡΠΎΠ³Ρ ΡΠΎΠ²ΠΎΠΊΡΠΏΠ½ΠΎΡΡΡ Π²ΡΠ΅Ρ ΡΡΠΈΡ ΡΠ°ΠΊΡΠΎΡΠΎΠ² ΠΈ Π·Π°ΡΡΠ°Π²Π»ΡΠ΅Ρ ΠΌΠ΅Π½Ρ ΡΠΎΠΏΠ΅ΡΠ΅ΠΆΠΈΠ²Π°ΡΡ ΡΡΠΎΠΌΡ ΠΏΠ΅ΡΡΠΎΠ½Π°ΠΆΡ. ΠΠ½Π΅ Π½ΡΠ°Π²ΠΈΡΡΡ ΠΠΆΠ΅ΠΊΠ΅Ρ. ΠΠ½ ΠΏΠΎΠΆΠ°Π»ΡΠΉ ΠΎΠ΄ΠΈΠ½ ΠΈΠ· ΡΠ°ΠΌΡΡ ΡΠ΅Π»ΠΎΠ²Π΅ΡΠ½ΡΡ ΠΏΠ΅ΡΡΠΎΠ½Π°ΠΆΠ΅ΠΉ Π² Π²ΠΈΠ΄Π΅ΠΎΠΈΠ³ΡΠ°Ρ , ΠΏΡΡΡΡ Π΄Π°ΠΆΠ΅ ΠΎΠ½ Π½Π΅ ΠΏΡΠΎΠΈΠ·Π½Π΅Ρ Π½ΠΈ Π΅Π΄ΠΈΠ½ΠΎΠ³ΠΎ ΡΠ»ΠΎΠ²Π° Π·Π° Π²ΡΡ ΠΈΠ³ΡΡ. Π ΠΌΠ½ΠΎΠ³ΠΈΠΌ Π»ΡΠ΄ΡΠΌ ΠΠΆΠ΅ΠΊΠ΅Ρ ΡΠ°ΠΊΠΆΠ΅ Π·Π°ΠΏΠ°Π» Π² Π΄ΡΡΡ. Π― Π½Π΅ ΡΠΎΠ²ΡΠ΅ΠΌ ΡΠ²Π΅ΡΠ΅Π½, ΡΠΏΠ΅ΡΠΈΠ°Π»ΡΠ½ΠΎ Π»ΠΈ Ρ ΠΎΡΠ΅Π»ΠΈ ΡΠ°Π·ΡΠ°Π±ΠΎΡΡΠΈΠΊΠΈ ΡΠΎΠ·Π΄Π°ΡΡ ΡΠ°ΠΊΠΎΠ΅ ΡΡΠ²ΡΡΠ²ΠΎ ΠΈΠ»ΠΈ Π½Π΅Ρ, Π½ΠΎ Π²ΡΡΠ»ΠΎ ΡΠΎ, ΡΡΠΎ Π²ΡΡΠ»ΠΎ.
Π§ΡΠΎ ΠΆ. Π‘ΠΏΠ°ΡΠΈΠ±ΠΎ Π·Π° ΠΏΡΠΎΡΡΠ΅Π½ΠΈΠ΅. ΠΠ° ΡΠΈΠΌ ΠΏΡΠΎΡΠ°ΡΡΡ. ΠΡΠ΅ΠΌ Π΄ΠΎΠ±ΡΠ°.
Jacket
«So this is what the end looks like. Beautiful.»
Jacket
Position
50 Blessings Hitman (1989, unwilling)
Status
Eye colour
Hair colour
Levels
Cutscenes
His jacket, as it appears in Hotline Miami.
Jacket, also referred to in game files as Player or P, is the main protagonist and player character of Hotline Miami, and a side character in Hotline Miami 2: Wrong Number. His name started out as a fan nickname due to his distinctive letterman jacket. Developer Dennis Wedin took to using the name in various interviews, and in Hotline Miami 2 all assets related to him refer to him as Jacket.
Over the course of the first game, he dons various animal masks (leading to other fan nicknames) and performs a number of brutal assassinations in response to cryptic messages left on his answering machine.
The second game explores the causes and consequences of his massacres, with Jacket himself making brief appearances in several cutscenes.
His community assets can be found here.
Contents
Events of Hotline Miami [ ]
| Do you really want me to reveal who you are? This article contains plot details and other information that can be classified as spoilers. |
PART ONE: PHONE CALLS [ ]
The game opens with a Tutorial sequence with Jacket in a pig mask being trained by a Bum. He kills three unarmed Russian Mafia enemies when the surreal setting changes to a dimly lit bathroom. Jacket exits and is confronted by a living room featuring a coffee table with a vinyl record player on it, and three comfy chairs each with their own lighting and animal-masked occupant.
The blue-lit woman in a horse mask, Don Juan, cordially greets Jacket, realizes he doesn’t know who she is, and comments that maybe he should leave it that way as he’s done some terrible things. The red-lit man in mobster garb and a piercing glare owl mask, Rasmus, says he doesn’t know Jacket and treats him with hostility. The sickly-yellow lit man in Jacket’s clothes and a rooster mask, Richard, tells Jacket that he knows him, and that they met on April 3rd (the date of both Jacket’s first masked job, and of San Francisco). Richard sees that Jacket is starting to remember his life, and the setting becomes Jacket’s apartment.
April 1989 [ ]
Jacket wakes up on April 3rd in his dirty and notably two-bed apartment. He receives a call from «Tim’s Bakery» telling him a package of ingredients has been sent to him. The package contains the Richard rooster mask and instructions to pick up a package at a metro and deliver it to a dumpster at «point F-32.» Jacket dons the mask and does so, killing several Russian mafia enforcers on the scene, but at F-32 he is confronted by the tutorial bum, who attacks him for interfering with the dumpster and is promptly killed. This provokes Jacket to vomit at the scene.
Jacket drives to a local convenience store where Beard is the cashier. Beard greets him and says he hasn’t seen him in a long time and was worried about him. He comments that the last time they talked Jacket told him about his girlfriend dumping him. He quickly switches the topic and gives Jacket a midnight snack «on the house».
On April 8th, Jacket’s kitchen table features several 50 Blessings newsletters from a patriotic organization he’s subscribed to. He gets a call from «Linda» to discipline naughty kids. He arrives at the given address to find it’s a Russian mobster hangout and kills them. He proceeds to a local pizzeria, where Beard is the cashier. Beard gives Jacket his desired pizza before Jacket orders, telling him it’s «on the house.»
On April 25th, Jacket’s apartment is cluttered with empty pizza boxes and more news clippings. Hotline Miami’s dating service worker «Kate» tells Jacket they’ve set up a date for him. He arrives at the address to find it’s an expensive villa guarded by several Russian mobsters and many security cameras. After dispatching them, the owner, a movie producer wearing a bullet proof vest, attacks Jacket, who retaliates by gouging his eyes out. In the media room Jacket finds a drugged Girl surrounded by cameras who begs him to kill her (or if it’s done so by the player, Jacket starts to leave and the girl yells at him from the room, calling him an «asshole» and harshly encourages him to «finish the job.» the player cannot leave until he goes to the girl). He instead takes her to his car. Jacket heads to a bar, where Beard comments that he looks sick. He makes him a custom drink for free.
PART TWO: QUESTIONS [ ]
Jacket returns to the dirtied animal living room, now noticeably more littered with broken things. Don Juan comments that Jacket’s been busy. She says that a picture is starting to form and that she doesn’t like the way it looks; Rasmus berates Jacket’s return and says he’s not a nice person and that he makes him sick; Richard comments that Jacket still doesn’t understand his connection to Richard and asks four questions:
1) Do you like hurting other people?
2) Who is leaving messages on your answering machine?
3) Where are you right now?
4) Why are we having this conversation?
At this stage, Jacket can’t remember the answers to any of these questions, but respectively: 1) To a degree, yes he does as it’s cathartic; 2) 50 Blessings (Jacket never fully learns this, blaming the Russian Mafia); 3) A local Miami hospital; and 4) To get Jacket to wake up.
May 1989 [ ]
On May 11th, Jacket’s newspaper clippings and empty pizza boxes have been moved out of the living room and into the kitchen (away from where Girlfriend sleeps), as has the vomit bucket. Girlfriend is in the bathroom, looking in the mirror. «Dave» from pest control sends Jacket to a large house full of Russian mobsters. After killing them, Jacket inspects a nearby manhole cover and finds the mutilated dying body of a alligator-masked killer, Jones. Jones tells him that he finally understands that it’s all a dream and dies. Jacket visits Beard’s pizzeria, and Beard comments that Jacket looks worried and that business has dried up, saying «maybe they’ve lost their taste for pizza. maybe it’s time to close up shop after all.» As always, Beard gives him his order for free.
On May 13th, The Girl is taking a bath, and pizza crumbs are present on her sheets on the couch. Jacket has further tidied up, moving all his newspaper clippings save the most recent onto the spare bed. «Don» from the Hotel Blue calls Jacket to come in as a back up receptionist, because their other one «went home due to stomach problems» (Biker instead uses May 13th to investigate the phone calls). On his way downstairs he meets a suspicious Janitor (Dennis) but continues to his car. The Hotel Blue is full of armed waiters, Russian mafia guards, and mafia-affiliated pro-Russian politicians connected to the Russo-American Coalition, all of which Jacket kills, but he spares yet another suspicious Janitor monitoring the job (Jonatan).
Jacket visits Beard’s customer-less VHS store, where Beard excitedly asks him if he’s following the news of the killings, and says that a friend of his in the police force told him about a rumor that there’s a full group of masked killers. Beard comments that it fascinates him, like something from a movie. He tells Jacket to take whatever he wants on the house, because «that’s what friends are for.»
On May 23rd, all kitchen clutter and clippings has been either thrown away or moved onto Jacket’s spare bed. The Girl sits upright on her couch. «Harry» from condo management tells Jacket about a huge mess he needs to clean up. He arrives at a series of several Russian occupied condos, which he quickly clears out. Before returning to his car, the phone of the top level condo rings, informing Jacket that a prank caller needs to be dealt with at the phone company, Phone Hom.
Jacket arrives at Phone Hom headquarters to find a motorcycle parked outside and all the employees inside dead. In the manager’s office he confronts a Biker hacking the manager’s computer, who tells him he’s «dead meat» and attacks him with a meat cleaver. After a long fight and multiple hits with a golf club Jacket apparently defeats Biker, seemingly destroying Biker’s entire head with the golf club.
Afterward, Jacket visits Beard’s customer-less bar. Beard comments that Jacket doesn’t look happy, and admits he feels pretty bad himself, «something in the air, like something terrible has happened tonight,» and comments that he «hasn’t felt this way since San Francisco». This foreshadows that Jacket’s failure to actually kill Biker will have repercussions for him that will lead to loss of someone he cares about.
PART THREE: VISITATIONS [ ]
A blood drenched Jacket emerges from the bathroom into an utterly trashed animal living room, blood trail leading to Rasmus. Don Juan says Jacket looks ill and should see a doctor, get some rest, and relax. Rasmus says that if Jacket insists on returning, he’ll leave. Richard gives no answers, but tells Jacket this is their second to last meeting, and offers three predictions:
1) Someone you know is not who you think he is.
2) Something will soon be taken from you.
3) On July 21st you will wake up in a bigger house.
At this stage, and for the rest of his life, Jacket believes Richter to be under orders from the Russian mafia. He later learns that Richter is a masked killer just like him, but he never fully realizes (but possibly suspects) that the masked killer movement actually isn’t angled from within the mob itself.
Late May, Early June 1989 [ ]
On May 27th, Jacket’s apartment is completely free of pizza boxes and newspaper clippings, and The Girl has moved to sleeping on his spare bed instead of the couch. «Pat» from the Club calls Jacket in as a spare DJ. Notably the phone call says beer «is on the house.» Jacket arrives at the dance club to find the body of the grasshopper-masked killer Carl and several Russian mobsters, one of which has a cell phone.
Jacket visits Beard’s customer-less convenience store, which is now marked in the same manner as all other targeted locations. Beard says he has to tell Jacket something important, gesturing to the exploded-head corpse of Biker and saying «that did not happen» and that all of this «is not happening.» He sees that Jacket doesn’t believe him, and demonstrates as the screen turns to surreal static. The corpse of Biker is gone, but a blood stain remains, revealing that Jacket merely wounded Biker. A mysterious man, Richter, appears in the bathroom of the convenience store. Beard seems to «reset» and tells Jacket it’s nice to see him, that friendly faces are «few and far between these days» and to help himself to whatever he wants. The surreal static intermittently continues as Jacket leaves.
On May 31st, The Girl is nowhere to be seen. Jacket’s kitchen table has a new cloth, his NES system is gone, and his TV has been moved from his bedroom into the living room. «Rick» from the real estate office calls Jacket about an apartment showing. Jacket arrives to find the apartment full of Russian mobsters packaging cocaine. Halfway through dispatching them, the place is raided by a SWAT team and Jacket is forced to flee the scene. Jacket visits Beard’s pizzeria, which has a zombie Russian and zombie guard dog out front who are hostile to Jacket. Behind the counter is the corpse of Beard with the new cashier being the mysterious Richter, wiping Beard’s blood off his jacket. Richter tells Jacket to hurry up as they’re closing soon, and Jacket leaves.
On June 3rd, The Girl is again nowhere to be seen, but pink and teal couch pillows are on Jacket’s couch in the living room, as is a potted plant. «Thomas» from Downtown Relaxation Spa calls Jacket to come in as a back up receptionist, mentioning that another «employee» has «called in sick» (alluding to Jake’s assassination in the spa). Jacket arrives at the spa and clears out the Russian mobsters in it, finding a cobra-masked killer corpse, Jake. Jacket visits Beard’s VHS store, where again Beard’s corpse is behind the counter, Richter toying with the hammer he apparently used to crush Beard’s skull. Richter rudely asks what Jacket’s looking at, and then seems to recognize Jacket and asks if he’s seen him before. Jacket leaves.
On June 8th, an untampered newspaper is open on Jacket’s kitchen table, and a zombie bouncer is looking through his fridge. The two beds are now pushed together. Girlfriend is in the living room, watching TV. «Jim» from the office asks Jacket for his report, and hangs up the phone fourteen times. Jacket arrives at the office to see it full of Russian mobsters, which he dispatches largely with a silenced pistol. As he heads out of the lobby a van crashes through the entrance and disgorges several Russian mobsters and bouncers while a teal-haired Richter lookalike throws Molotov cocktails at Jacket. The surreal dream static returns as Jacket slowly mutilates and sets fire to the Van Driver. Jacket goes to Beard’s bar to find a blood trail leading from the cashier, Richter, to the back room. Richter tells Jacket «VIPs only tonight, I think you’d better leave.» In lieu of customers Russian mobster zombies are being served, implying that Jacket associates Richter as a servant of Russians.
PART FOUR: CONNECTIONS [ ]
Jacket in his apartment, facing two beds that belong to him and Girlfriend.
Jacket arrives back to his home from his June 8th job to find it tagged for a hit. He sees The Girl’s corpse riddled with gunshot wounds in the bathroom. He enters the living room where Richter is watching TV with a silenced submachine gun resting on his lap. For the first time, he’s wearing an animal mask, revealing him to be a masked killer just like Jacket. Richter says «Well, let’s get this over with then. » and shoots Jacket.
The dream static returns as Jacket wakes up in his own apartment and walks over to his body. Richter has been replaced on the couch by Richard. Don Juan and Rasmus have gone and Jacket is left alone with Richard. Richard tells Jacket none of this will have a happy ending, that what he does upon waking up will have no consequences, that Jacket will never see the full picture and it’s his own fault. Jacket exits the apartment and his outfit changes into a hospital gown and head bandages; he opens the door to the apartment across the hall to find himself in a hospital bed, his head then explodes. The dream static erases his headless body, much like Biker’s in Push It’s outro.
July 21st and July 23rd [ ]
At some point during his coma, Jacket drowsily overhears a conversation between a nurse and a cop, informing him that he’s recently out of surgery, The Girl’s dead, and Richter’s in the local precinct. The cop mentions Jacket is the prime suspect in a major case, and that Richter isn’t talking.
On July 21st, Jacket wakes up in his hospital room. He shimmies out the window and dodges several nurses and guards to escape the hospital. He drowsily returns home, finding it a gang-trashed former crime scene. There seems to be blood near the fridge, implying Jacket walked over there or was dragged by Richter after being shot in the head, potentially explaining the June 8th fridge zombie in his dreams. Moving to the laundry basket in the bathroom, Jacket gets another burst of dream static before donning his clothes, implying he fell asleep and some time has passed, making it either July 22nd or July 23rd as he heads downstairs.
Jacket proceeds to his trashed Acado GT and drives it to the local precinct, where he proceeds to kill around thirty cops and a Police Chief to get to Richter and the evidence room. Richter confirms that he takes orders from the same mysterious phone messages as Jacket, prompting Jacket to spare him and turn to the police file on the case for clues (the player has the option of strangling Richter, but this has no bearing on subsequent events, as Richter is still alive in Hotline Miami 2). The police have traced some of the calls to a club of suspected Russian mafia ties (deemed the Golden Truck Stop in the sequel), but have insufficient evidence for a warrant.
On July 23rd, Jacket again heads out of his apartment and takes his Acado GT to the Golden Truck Stop. The place is lavishly decorated with golden floors and monster trucks and of course guarded by several Russian mobsters. A Russian mafia associate in the main office has opened the safe for Jacket and begs him not to kill him. He tells Jacket his boss isn’t here today, and gives Jacket his address. He moves toward the desk with an open drawer with a magnum in it, but stumbles and falls over well out of reach of it. Regardless, Jacket bashes his head in for a solid minute and proceeds to the Russian kingpin’s house.
Now at what he assumes is the source of the calls, Jacket kills his way through the Russian Father’s home. In the main room, the Father remarks that Jacket is one of the assholes who’s been killing his men, but then commends Jacket for his senseless bloodlust and looks forward to seeing his face. Jacket beats the Father’s attack panthers and ninja body guard to death with nearby trophies, and uses the dead ninja’s throwing knives to maim the Father from a distance. The Father, realizing he is defeated, denies Jacket catharsis by killing himself with the boss gun.
A dejected Jacket then hears the phone on the Father’s desk ring. Jacket answers, and the elderly Grandfather asks what the noise down there is. When there’s no reply, the Grandfather says «Goddamn phones! I hate these things!» Jacket takes the Father’s revolver and heads upstairs, following the ever more tenuous idea that the phone-hating voice is behind the calls, where he finds a wheelchair-bound and unarmed Grandfather, who briefly wonders who Jacket is before deciding it doesn’t matter. He expresses regret for all the wrongs he’s committed and is resigned to his fate. «Nothing really seems to matter anymore, does it?» he asks before Jacket shoots him in the face with the Father’s suicide pistol, killing him.
Stepping outside onto the balcony, Jacket throws off his mask and removes from his pocket the picture alluded to in the animal room in his coma dream. He lights a cigarette and throws it to the wind as the credits roll.
PART FIVE: ANSWERS [ ]
Answers rewinds to the events between May 13th and May 24th, this time from Biker’s perspective. Biker backs out of the May 13th political job assigned to him, likely due to the associated political heat (or due to the fact that Clean Hit actually can’t be completed with Biker’s default layout of meat cleaver and 3 darts), becoming frustrated and bored. He quickly finds that the nationalistic 50 Blessings newsletter that both he and Jacket are subscribed to is using Phone Hom to screen calls and frame The Golden Truck Stop, making Jacket’s post-coma actions effectively meaningless (as Jacket slightly understood).
Biker also has a warped view of the events at Phone Hom on May 23rd, and imagines giving Jacket a fair chance to leave («Get out of here if you don’t want to die,» as opposed to simply «You’re dead meat.»), and also imagines killing Jacket easily and completely destroying his head. On May 24th he meets the Janitors and confronts them about their goals, but when he finds out the political nature of their operation and its goal to end the Russo-American Coalition, he flees Miami, saying they’ve «wasted enough of his time,» leaving the operation intact to call Jacket again on May 27th.
Events in Hotline Miami 2 [ ]
| Do you really want me to reveal who you are? This article contains plot details and other information that can be classified as spoilers. |
Following the events of Jacket’s massacre, a slasher film is inspired by the story, but instead features an actor named Martin Brown as a cold-blooded serial killer called the «Pig Butcher». The levels are set up as scenes for the film Midnight Animal, in which the Pig Butcher «kills his victims» while under the orders of a pink phone that’s implied by the movie to not exist, showing that society views Jacket and his claims as completely nuts.
Jacket’s «adventures» have also inspired a group of new protagonists called The Fans, who share similar anti-Russian sentiment and try to recreate his actions. In absence of Russians, they make do patrolling the streets for criminals and using loose gang connections to raid gang controlled locations.
Jacket speaking to his attorney at a prison phone booth.
It is revealed that Jacket is sent to jail for his crimes. He is nearly always seen playing with a small green ball to keep himself occupied. He is first referred to in an October 25th, 1991 newspaper on his abnormally calm temperament during his trial. On November 5th, he’s shown at his trial where his lawyer reveals Jacket believed he was acting on orders from the Russian mafia in 1989. A flashback to June 20th, 1990 shows Jacket speaking to an attorney while Richter is threatened by the Janitors nearby.
It is eventually revealed that, prior to the events of the first game, Jacket was fighting a war against Soviet troops in Hawaii alongside Beard in the US Special Forces, part of an elite squad consisting of him, Beard, Barnes, and Daniels, led by a US Army Colonel. The group uses code names and metaphors to convey tactical information, much like the 50 Blessings calls in 1989. Jacket is consistently portrayed in Hawaii as being extremely laid back as well as a habitual smoker (traits shared with a nearby Alex in the Ambush intro). He seems prone to base pleasures like sunbathing as opposed to actual human interaction, but the intro to Ambush establishes a friendship with Beard, and they take a commemorative Polaroid together for Evan. He’s also regularly seen immediately next to Barnes, and has an unused sprite of using Barnes’ radio.
During an assault on a Russian power plant, Jacket was severely injured in an elevator explosion that left Barnes slowly dying, leading Daniels to stay with his friend as the plant entered a meltdown. The bleeding out Jacket was carried out by Beard, who urgently radios for evac. As they wait, Beard hands Jacket the Polaroid, saying «No need to thank me, kid, it’s on the house. You’d do the same for me, right?»
Jacket in prison moments before his death.
As Miami is nuked, the final shot of the game is Jacket in his sparse jail cell (the items on the desk are randomized), playing with his ball as he’s obliterated. Like all characters at the instant of nuking, this strongly resembles his entire approach to life: alone, focusing in on «games» and low-level tasks, ignoring the larger scale of things.
In the Level Editor, sprites released in the 1.04 patch reveal that his appearance has changed drastically from the first game, but still maintains the same base appearance. His Varsity Jacket is now partially opened (revealing a white shirt instead of the Teal in Payday 2/Hotline Miami Artwork) the off neon style is no longer seen on him either, revealing a pair of dark blue skinny jeans from the Gang enemy type, instead of the light blue denim of the first game, and a dark yellow-brown version of his varsity jacket, he still however has the same hair style, and dark blue and white sneakers.
Playstyle [ ]
Jacket performing his standing execution.
Aside from Jacket being able to wear the most Masks out of any character in the series, Jacket has two unique combat abilities shared by no other player characters:
In the first game, Jacket also swings melee weapons faster than any character, executes enemies with melee weapons the fastest, and has a much higher rate of fire with firearms. The sequel’s Level Editor slows his movements down to the default character speed of that game, except when wearing the Graham Mask or Brandon Mask.
Jacket’s assets in the level editor.
Usable Weapons [ ]
These are the weapons, Jacket will be able to use throughout the two games.
Jacket has the most amount of usable weapons out of any character in the series at 37 weapons
Jacket’s Personality [ ]
Jacket sunbathing on his military gear in the Stronghold intro.
There are numerous cues to what kind of personality Jacket has, one being the constantly-changing conditions in his apartment.
List of killed victims [ ]
This is a compiled list of how many kills Jacket has performed in the series. Kills in Italics are ambiguous kills that Wrong Number assumes didn’t happen. Kills in Bold are kills determined by the player’s choice:
Overall, Jacket killed 399 enemies in the series (401 if you count Biker and Richter, and 404 if you count the Russian prisoners of war.)
















