spooky house of jumpscares ΠΏΠ΅ΡΡΠΎΠ½Π°ΠΆΠΈ
ΠΡΡΠ³ΠΈΠ΅ ΠΏΠ΅ΡΡΠΎΠ½Π°ΠΆΠΈ
Π‘ΠΏΠΈΡΠΎΠΊ Π½Π΅ ΡΠ²ΠΈΠ΄Π΅Π½Π½ΡΡ Π² ΠΈΠ³ΡΠ΅ ΠΏΠ΅ΡΡΠΎΠ½Π°ΠΆΠ΅ΠΉ, ΠΊΠΎΡΠΎΡΡΠ΅ ΡΠ²ΡΠ·Π°Π½Ρ (Π»ΠΈΠ±ΠΎ Π½Π΅ ΡΠ²ΡΠ·Π°Π½Ρ) Ρ ΠΈΠ³ΡΠΎΠΊΠΎΠΌ.
Π‘ΠΎΠ΄Π΅ΡΠΆΠ°Π½ΠΈΠ΅
Π ΠΎΠΌΠ°Π½ΡΠΈΠΊ [ ]
Π ΠΈΡΠΎΠ³Π΅ ΡΠ΅ΡΡΠ΅ΡΡΡ, ΠΏΡΠ΅Ρ ΡΠ΅ΡΠ½ΠΈΠ»Π°, ΡΠ΅ΡΡΠ΅Ρ ΡΠΎΠ·Π½Π°Π½ΠΈΠ΅ ΠΈ Π½Π°Ρ ΠΎΠ΄ΠΈΡ Π±ΡΡΡΠ»ΠΊΡ ΡΠΎΠΌΠ°Π½ΡΠΈΡΠ½ΠΎΠ³ΠΎ ΠΊΡΠ°ΡΠ½ΠΎΠ³ΠΎ Π²ΠΈΠ½Π°. Π ΠΈΡΠΎΠ³Π΅ ΠΎΠΊΠ°Π·Π°Π»ΠΎΡΡ ΡΡΠΎ ΡΠ°ΠΌ Π±ΡΠ»Π° ΠΊΡΠΎΠ²Ρ.
Π ΠΠ΅ΡΠΊΠΎΠ½Π΅ΡΠ½ΠΎΠΌ ΡΠ΅ΠΆΠΈΠΌΠ΅ Π΅ΡΡΡ ΠΏΡΠΎΠ΄ΠΎΠ»ΠΆΠ΅Π½ΠΈΠ΅ Π·Π°ΠΏΠΈΡΠΎΠΊ. ΠΠ°ΠΊΠΈΠΌ-ΡΠΎ ΡΡΠ΄ΠΎΠΌ Π ΠΎΠΌΠ°Π½ΡΠΈΠΊ Π²ΡΠΆΠΈΠ», ΠΏΠ΅ΡΠ΅ΡΡΠ°Π» ΡΡΠ²ΡΡΠ²ΠΎΠ²Π°ΡΡ ΠΆΠ°ΠΆΠ΄Ρ ΠΈ Π³ΠΎΠ»ΠΎΠ΄, Π° ΠΌΠΎΠ½ΡΡΡΡ ΠΏΠ΅ΡΠ΅ΡΡΠ°Π»ΠΈ Π½Π° Π½Π΅Π³ΠΎ Π½Π°ΠΏΠ°Π΄Π°ΡΡ. Π§Π΅ΡΠ΅Π· ΠΊΠ°ΠΊΠΎΠ΅-ΡΠΎ Π²ΡΠ΅ΠΌΡ Π΅Π³ΠΎ ΠΊΠΎΠΆΠ° ΡΠΌΠ΅Π½ΠΈΠ»Π° ΡΠ²Π΅Ρ, Π° Π·Π°ΡΠ΅ΠΌ Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΎ ΡΠ°Π· ΠΏΡΠΈΡ ΠΎΠ΄ΠΈΠ»Π° Π‘ΠΏΡΠΊΠΈ, ΠΊΠΎΡΠΎΡΠ°Ρ Π·Π°ΡΠ²Π»ΡΠ»Π°, ΡΡΠΎ ΠΎΠ½ «Π½Π΅ Π²ΡΠΏΠΎΠ»Π½ΡΠ΅Ρ ΡΠ²ΠΎΡ ΡΠ°Π±ΠΎΡΡ». ΠΠ°Π»ΡΠ½Π΅ΠΉΡΠ°Ρ ΡΡΠ΄ΡΠ±Π° Π ΠΎΠΌΠ°Π½ΡΠΈΠΊΠ° Π½Π΅ΠΈΠ·Π²Π΅ΡΡΠ½Π°. ΠΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎ, ΡΡΠΎ ΠΎΠ½ ΠΈ ΡΡΠ°Π» ΠΠ±ΡΠ°Π·ΡΠΎΠΌ 2.
ΠΠΎΠΌΠΎΡΠ½ΠΈΠΊΠΈ Generic Lab [ ]
ΠΠΎΠΌΠΎΡΠ½ΠΈΠΊΠΈ Generic Lab, ΠΎΡΠ΅Π²ΠΈΠ΄Π½ΠΎ, ΡΠ°Π±ΠΎΡΠ°ΡΡ Π² GL Labs ΠΈ ΠΏΡΠΎΠ²ΠΎΠ΄ΡΡ ΡΠ΅ΡΡΡ Π½Π° ΡΠ°Π·Π»ΠΈΡΠ½ΡΡ ΠΎΠ±ΡΠ°Π·ΡΠ°Ρ .
Π£ΡΠΈΡΡΠ²Π°Ρ ΠΈΡ ΡΠΎΡΡΠΎΡΠ½ΠΈΠ΅ Π΄ΠΎ ΡΠΌΠ΅ΡΡΠΈ ΡΠΎΡΡΡΠ΄Π½ΠΈΠΊΠΈ Π½Π°ΠΏΠΈΡΠ°Π»ΠΈ Π±ΠΈΠ±Π»ΠΈΠΎΡΠ΅ΠΊΡ-ΡΠΈΡΡΠ΅ΠΌΡ CAT-DOS ΠΈ ΠΏΠΎΠΌΠ΅ΡΡΠΈΠ»ΠΈ Π²ΡΡ ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΡ ΠΎ ΠΎΠ±ΡΠ°Π·ΡΠ°Ρ ΡΡΠ΄Π°.
ΠΠ°ΡΡΡΠΈ [ ]
Π―ΠΏΠΎΠ½ΡΠΊΠΈΠΉ ΡΡΡΠ΄Π΅Π½Ρ ΠΆΠ΅Π½ΡΠΊΠΎΠ³ΠΎ ΠΏΠΎΠ»Π°, ΠΊΠΎΡΠΎΡΠ°Ρ ΠΊΡΠ°Π»Π°ΡΡ Π² Π΅Π΅ ΠΊΠ»Π°ΡΡ ΠΏΠΎΡΠ»Π΅ Π·Π°ΠΊΡΡΡΠΈΡ, Π½Π΅ΡΠΌΠΎΡΡΡ Π½Π° ΡΠ»ΡΡ ΠΈ, ΡΡΠΎ Π² ΡΠΊΠΎΠ»Π΅ ΠΎΠ±ΠΈΡΠ°Π΅Ρ ΠΏΡΠΈΠ·ΡΠ°ΠΊ, ΠΊΠΎΡΠΎΡΡΠΉ Π΅ΡΡ Π΄Π΅ΡΠ΅ΠΉ.
Π ΡΠΎΠΆΠ°Π»Π΅Π½ΠΈΡ Π΄Π»Ρ Π½Π΅Π΅ ΡΡΠΈ ΡΠ»ΡΡ ΠΈ ΠΎΠΊΠ°Π·Π°Π»ΠΎΡΡ Π²Π΅ΡΠ½Ρ, ΠΈ ΠΎΠ½Π° Π±ΡΠ»Π° ΠΎΠ±ΡΡΠ²Π»Π΅Π½Π° ΠΏΡΠΎΠΏΠ°Π²ΡΠ΅ΠΉ Π±Π΅Π· Π²Π΅ΡΡΠΈ, Π±ΡΠ΄ΡΡΠΈ ΡΡΠ΅Π΄Π΅Π½Π½ΠΎΠΉ ΠΏΡΠΈΠ·ΡΠ°ΠΊΠΎΠΌ.
ΠΠ±ΡΠ°Π·ΡΡ 4 Π΄Π°Π»ΠΈ ΡΠΎΡΠ½ΡΡ ΠΊΠΎΠΏΠΈΡ ΡΡΠΎΠΉ ΡΠΊΠΎΠ»Ρ, ΡΡΠΎΠ±Ρ ΠΎΡ ΠΎΡΠΈΡΡΡ, Π²ΠΊΠ»ΡΡΠ°Ρ ΠΏΠΈΡΡΠΌΠ°, Π½Π°ΠΏΠΈΡΠ°Π½Π½ΡΠ΅ ΠΎΠ΄Π½ΠΈΠΌ ΠΈΠ· ΠΎΠ΄Π½ΠΎΠΊΠ»Π°ΡΡΠ½ΠΈΠΊΠΎΠ² ΠΠ°ΡΡΡΠΈ ΠΎΠ±ΡΡΡΠ½ΡΡΡΠΈΡ Π΅Π΅ ΡΡΠ΄ΡΠ±Ρ.
ΠΡΠ»ΡΡ [ ]
Π’Π°ΠΈΠ½ΡΡΠ²Π΅Π½Π½Π°Ρ Π³ΡΡΠΏΠΏΠ° Π»ΡΠ΄Π΅ΠΉ, ΠΊΠΎΡΠΎΡΡΠ΅ Π²ΡΠΏΠΎΠ»Π½ΠΈΠ»ΠΈ Π½Π΅ΠΎΠΏΡΠ΅Π΄Π΅Π»Π΅Π½Π½ΡΠ΅ ΡΠΈΡΡΠ°Π»Ρ, ΡΡΠΎΠ±Ρ ΡΡΠΏΠΎΠΊΠΎΠΈΡΡ «Π’ΡΠΌΡ».
Π ΠΈΡΡΠ°Π», Π²ΠΎΠ²Π»Π΅ΠΊΠ°ΡΡΠΈΠΉ Π΄Π΅Π²ΠΎΡΠΊΡ ΠΊΠΎΡΠΎΡΠ°Ρ Π½Π΅ Π±ΡΠ»Π° «ΡΠΈΡΡΠ°», Π±ΡΠ» ΠΏΡΠΎΠ²Π΅Π΄Π΅Π½. ΠΠΎ Π·Π°ΡΠ΅ΠΌ «Π’ΡΠΌΠ°» Ρ ΠΎΡΠ΅Π»Π° Π±ΠΎΠ»ΡΡΠ΅. ΠΡΠ»ΡΡ ΠΏΡΠΎΠ²ΠΎΠ΄ΠΈΠ» Π΅ΡΠ΅ Π±ΠΎΠ»ΡΡΠ΅ ΡΠΈΡΡΠ°Π»ΠΎΠ², Π½ΠΎ Π² ΠΈΡΠΎΠ³Π΅ Π² Π·Π°ΠΏΠΈΡΠΊΠ°Ρ ΠΎΡΠ²Π΅ΡΠ³Π»ΠΈ Π²ΡΠ΅ ΠΏΠΎΡΠ»Π΅Π΄ΡΡΠ²ΠΈΡ ΠΈ Π²Π΅ΡΠΎΡΡΠ½Π΅Π΅ Π²ΡΠ΅Π³ΠΎ Π²ΡΠ±ΡΠ°Π»ΠΈΡΡ ΠΈΠ· Π·Π΄Π°Π½ΠΈΡ.
ΠΠ±ΡΠ°Π·Π΅Ρ 5, Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎ, Π»ΠΈΠ±ΠΎ ΠΏΡΠΎΡΠ²Π»Π΅Π½ΠΈΠ΅ «Π’ΡΠΌΡ», Π»ΠΈΠ±ΠΎ ΡΠ° ΡΠ°ΠΌΠ°Ρ Π΄Π΅Π²ΠΎΡΠΊΠ°, Π»ΠΈΠ±ΠΎ «ΠΠ°ΡΡ».
ΠΡ ΠΎΡΠ½ΠΈΠΊ [ ]
ΠΡ ΠΎΡΠ½ΠΈΠΊ Π² ΠΊΠΎΠ½Π΅ΡΠ½ΠΎΠΌ ΡΡΠ΅ΡΠ΅ ΠΏΠΎΠ΄Π²Π΅ΡΠ³ΡΡ Π½Π°ΠΏΠ°Π΄Π΅Π½ΠΈΡ ΠΈ Π±ΡΠ» Π²ΡΠ½ΡΠΆΠ΄Π΅Π½ Π·Π°Π±ΠΈΡΡ ΡΠ²ΠΎΠΈ Π΄Π²Π΅ΡΠΈ. ΠΠ³ΠΎ ΡΠ°ΡΡΠ΅ΡΠ½Π½ΡΠ΅ ΠΊΠΎΡΡΠΈ ΠΏΠΎΠ·ΠΆΠ΅ Π·Π°ΠΌΠ΅ΡΠ΅Π½Ρ Π² Π»Π°ΡΡΠ³Π΅, ΠΏΠΎΠ΄ΡΠ°Π·ΡΠΌΠ΅Π²Π°Ρ, ΡΡΠΎ ΠΎΠ½ Π½ΠΈΠΊΠΎΠ³Π΄Π° Π½Π΅ ΡΠ±Π΅Π³Π°Π» ΠΈ Π±ΡΠ» ΡΠ±ΠΈΡ ΠΎΠ»Π΅Π½ΡΠΌΠΈ Π² ΠΊΠΎΠ½ΡΠ΅.
Π Π°Π±ΠΎΡΠΈΠΉ ΡΠ΅ΡΡΠΎΡΠ°Π½Π° Π±ΡΡΡΡΠΎΠ³ΠΎ ΠΎΠ±ΡΠ»ΡΠΆΠΈΠ²Π°Π½ΠΈΡ [ ]
Π ΡΠ΅ΡΡΠΎΡΠ°Π½Π΅ Π±ΡΡΡΡΠΎΠ³ΠΎ ΠΏΠΈΡΠ°Π½ΠΈΡ ΠΈΠ³ΡΠΎΠΊ Π½Π°Ρ ΠΎΠ΄ΠΈΡ ΠΏΡΠΈΠΌΠ΅ΡΠ°Π½ΠΈΡ ΠΎΡΡΠ°Π²Π»Π΅Π½Π½ΡΠ΅ ΡΠΊΡ-ΡΠ°Π±ΠΎΡΠΈΠΌ ΠΌΠ΅ΡΡΠ°.
Π ΠΏΡΠΈΠΌΠ΅ΡΠ°Π½ΠΈΡΡ Π½Π°ΠΏΠΈΡΠ°Π½ΠΎ, ΡΡΠΎ ΡΠ°Π±ΠΎΡΠΈΠΉ, ΠΏΠΎΠ»ΡΡΠΈΠ² ΡΠ°Π±ΠΎΡΡ Π² ΡΡΠΎΠΌ ΡΠ΅ΡΡΠΎΡΠ°Π½Π΅, Π΄Π΅Π½Ρ Π·Π° Π΄Π½Π΅ΠΌ Π½Π°ΡΠ°Π» Π²ΠΈΠ΄Π΅ΡΡ, ΠΊΠ°ΠΊ ΡΠ²Π΅ΡΡ ΡΠ΅ΡΡΠ΅ΡΡΠ²Π΅Π½Π½ΡΠ΅ Π΄Π΅ΠΉΡΡΠ²ΠΈΡ ΠΏΡΠΎΠΈΡΡ ΠΎΠ΄ΠΈΠ»ΠΈ Ρ ΠΊΠ»ΠΈΠ΅Π½ΡΠ°ΠΌΠΈ ΡΠ΅ΡΡΠΎΡΠ°Π½Π° (Π² ΡΠ°ΡΡΠ½ΠΎΡΡΠΈ Ρ ΠΌΡΠΆΡΠΈΠ½ΠΎΠΉ, ΠΊΠΎΡΠΎΡΡΠΉ «ΠΏΡΠΎΠ΄ΠΎΠ»ΠΆΠ°Π» Π·Π°ΠΊΠ°Π·ΡΠ²Π°ΡΡ ΡΡ ΠΆΠ΅ ΡΠ°ΠΌΡΡ Π΅Π΄Ρ Π² ΡΠ΅ΡΠ΅Π½ΠΈΠ΅ ΠΊΠ°ΠΆΠ΄ΡΡ 10 ΠΌΠΈΠ½ΡΡ»), ΠΈ, Π²ΡΠΊΠΎΡΠ΅ ΠΏΠΎΡΠ»Π΅ ΡΡΠΎΠ³ΠΎ, Π²ΡΠ΅ ΠΏΠΎΡΠ΅ΡΠΈΡΠ΅Π»ΠΈ ΡΡΠ΅Π»ΠΈ Π²ΡΠ΅ Π³Π°ΠΌΠ±ΡΡΠ³Π΅ΡΡ, ΠΏΠΎΠ΄Π°Π²Π°Π΅ΠΌΡΠ΅ ΡΠ°ΠΌ. ΠΠΎΡΠ»Π΅ ΡΠ°Π±ΠΎΡΠΈΠΉ Π½Π΅ Π²ΡΠ΄Π΅ΡΠΆΠ°Π», ΡΠ΅ΡΠΈΠ» ΠΎΡΡΠ°Π²ΠΈΡΡ ΡΠ°Π±ΠΎΡΡ ΠΈ ΠΏΠΎΠΊΠΈΠ½ΡΡΡ ΡΠ΅ΡΡΠΎΡΠ°Π½ Π½Π°Π²ΡΠ΅Π³Π΄Π°, Π½ΠΎ ΠΏΠΎΠ·ΠΆΠ΅ Π±ΡΠ» ΡΠ±ΠΈΡ ΠΠ±ΡΠ°Π·ΡΠΎΠΌ 11.
ΠΡΠΎ ΠΏΠΎΠΊΠ°Π·ΡΠ²Π°Π΅Ρ, ΡΡΠΎ ΠΊΠΎΠΌΠΏΠ°Π½ΠΈΡ ΠΏΡΡΠ°Π»Π°ΡΡ ΡΠΊΡΡΡΡ ΠΏΡΠ°Π²Π΄Ρ (ΠΎ ΠΏΡΠΎΠΈΡΡ ΠΎΠΆΠ΄Π΅Π½ΠΈΠΈ ΠΌΡΡΠ° ΠΈ Π΅Π³ΠΎ ΡΡΡΠ΅ΠΊΡΠ΅ Π½Π° Π»ΡΠ΄ΡΡ ) ΠΎΡ ΠΎΠ±ΡΠ΅ΡΡΠ²Π΅Π½Π½ΠΎΠ³ΠΎ Π²Π½ΠΈΠΌΠ°Π½ΠΈΡ. ΠΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎ, ΡΡΠΎ Π΄ΠΈΡΠ΅ΠΊΡΠΎΡ ΠΊΠΎΠΌΠΏΠ°Π½ΠΈΠΈ Π·Π°ΠΊΠ»ΡΡΠΈΠ» ΡΠ΄Π΅Π»ΠΊΡ Ρ Π΄Π΅ΠΌΠΎΠ½ΠΎΠΌ (ΠΠ±ΡΠ°Π·ΡΠΎΠΌ 11), ΡΡΠΎΠ±Ρ ΠΊ Π΅Π³ΠΎ ΡΠ΅ΡΡΠΎΡΠ°Π½Ρ ΠΏΡΠΈΡΡΠ» ΡΡΠΏΠ΅Ρ .
Π§Π΅Π»ΠΎΠ²Π΅ΠΊ ΠΈΠ· ΡΠ΅Π»Π΅ΡΠΎΠ½Π° [ ]
Π ΡΠ»ΡΡΠ°ΠΉΠ½ΠΎΠΉ ΠΊΠΎΠΌΠ½Π°ΡΠ΅ ΠΈΠ³ΡΠΎΠΊ Π½Π°ΠΉΠ΄Π΅Ρ ΡΡΠΎΠ» Π½Π° ΠΊΠΎΡΠΎΡΠΎΠΌ Π»Π΅ΠΆΠ°Ρ Π²Π΅Π½ΡΠΈΠ»ΡΡΠΎΡ ΠΈ ΡΠ΅Π»Π΅ΡΠΎΠ½. Π§Π΅ΡΠ΅Π· Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΎ ΡΠ΅ΠΊΡΠ½Π΄ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊ ΠΈΠ· ΡΠ΅Π»Π΅ΡΠΎΠ½Π° Π½Π°ΡΠ½Π΅Ρ ΡΠ°Π·Π»ΠΈΡΠ½ΡΠΌΠΈ ΡΠΏΠΎΡΠΎΠ±Π°ΠΌΠΈ ΠΏΡΠΈΠ²Π΅ΡΡΡΠ²ΠΎΠ²Π°ΡΡ, ΠΈ ΠΎΠ΄ΠΈΠ½ ΡΠ°Π· Π³ΠΎΠ²ΠΎΡΠΈΡ ΠΈΠ³ΡΠΎΠΊΡ Π½Π΅ΠΏΠΎΡΡΠ΅Π΄ΡΡΠ²Π΅Π½Π½ΠΎ ΡΠΌΠΎΡΡΠ΅ΡΡ Π½Π° Π²Π΅Π½ΡΠΈΠ»ΡΡΠΎΡ. ΠΡΠΎ ΠΌΠΎΠ³Π»ΠΎ Π±ΡΡΡ Π»ΠΎΠ²ΡΡΠΊΠΎΠΉ, ΡΠ°ΠΊ ΠΊΠ°ΠΊ Π΅ΡΠ»ΠΈ ΠΈΠ³ΡΠΎΠΊ ΠΏΡΠΎΡΡΠ°ΠΈΠ²Π°Π΅Ρ ΡΠ»ΠΈΡΠΊΠΎΠΌ Π΄ΠΎΠ»Π³ΠΎ, ΠΠ±ΡΠ°Π·Π΅Ρ 9 ΠΏΠΎΡΠ²ΠΈΡΡΡ ΠΈ, ΡΠΊΠΎΡΠ΅Π΅ Π²ΡΠ΅Π³ΠΎ, ΡΠ±ΡΡΡ ΠΈΠ³ΡΠΎΠΊΠ°.
Π‘ΠΏΡΠΊΠΈ
Π‘ΠΏΡΠΊΠΈ
Π‘ΠΎΠ΄Π΅ΡΠΆΠ°Π½ΠΈΠ΅
ΠΠ½Π΅ΡΠ½ΠΈΠΉ Π²ΠΈΠ΄ [ ]
ΠΠΎΡΠ²Π»Π΅Π½ΠΈΠ΅ [ ]
ΠΠΏΠΈΡΠ½Π°Ρ Π‘ΠΏΡΠΊΠΈ Π·Π° Π°Π²ΡΠΎΡΡΡΠ²ΠΎΠΌ StylishKira.ΠΠΎΡΡΡΠ΅Ρ Π²ΠΈΡΠΈΡ Π² ΠΊΠΎΠΌΠ½Π°ΡΠ΅ 250.
Π‘ΠΏΡΠΊΠΈ ΠΏΠΎΡΠ²Π»ΡΠ΅ΡΡΡ Π² ΡΠ°ΠΌΠΎΠΌ Π½Π°ΡΠ°Π»Π΅ ΠΈΠ³ΡΡ (ΠΊΠΎΠΌΠ½Π°ΡΠ΅ 0) ΠΈ ΠΏΡΠΎΠ²ΠΎΠ΄ΠΈΡ ΠΈΠ½ΡΡΡΡΠΊΡΠ°ΠΆ ΠΎ ΡΠΎΠΌ, ΡΡΠΎ ΠΈΠ³ΡΠΎΠΊΡ Π½ΡΠΆΠ½ΠΎ Π΄ΠΎΠΉΡΠΈ Π΄ΠΎ 1000 ΠΊΠΎΠΌΠ½Π°ΡΡ, ΡΡΠΎΠ±Ρ ΡΠ·Π½Π°ΡΡ Π²ΡΠ΅ ΡΠ°ΠΉΠ½Ρ Π΄ΠΎΠΌΠ°:
And this is my home.
Can you, humble player, make it through a thousand rooms?
Can you find, what lies at the end?
Or is there even an end?
Cuz I don’t really know.
Anyway, just. just go.
(ΡΡΡ. «ΠΡΠΈΠ²Π΅Ρ, Ρ Π‘ΠΏΡΠΊΠΈ!
Π‘ΠΌΠΎΠΆΠ΅ΡΡ Π»ΠΈ ΡΡ, ΡΠΌΠΈΡΠ΅Π½Π½ΡΠΉ ΠΈΠ³ΡΠΎΠΊ, ΠΏΡΠΎΠΉΡΠΈ ΡΠ΅ΡΠ΅Π· ΡΡΡΡΡΡ ΠΊΠΎΠΌΠ½Π°Ρ?
Π‘ΠΌΠΎΠΆΠ΅ΡΡ Π»ΠΈ Π½Π°ΠΉΡΠΈ ΡΠΎ, ΡΡΠΎ Π½Π°Ρ ΠΎΠ΄ΠΈΡΡΡ Π² ΠΊΠΎΠ½ΡΠ΅?
Π Π΅ΡΡΡ Π»ΠΈ ΡΠ°ΠΌ Π²ΠΎΠΎΠ±ΡΠ΅ ΠΊΠΎΠ½Π΅Ρ?
ΠΠΎΡΠΎΠΌΡ ΡΡΠΎ Ρ ΠΈ ΡΠ°ΠΌΠ° Π½Π΅ Π·Π½Π°Ρ.
Π Π»ΡΠ±ΠΎΠΌ ΡΠ»ΡΡΠ°Π΅, ΠΈΠ΄ΠΈ. ΠΏΡΠΎΡΡΠΎ ΠΈΠ΄ΠΈ.»)
ΠΠ°ΡΠ΅ΠΌ Π‘ΠΏΡΠΊΠΈ ΠΏΠΎΡΠ²Π»ΡΠ΅ΡΡΡ ΡΠ΅ΡΠ΅Π· ΠΊΠ°ΠΆΠ΄ΡΠ΅ 250 ΠΊΠΎΠΌΠ½Π°Ρ.
Π 250 ΠΊΠΎΠΌΠ½Π°ΡΠ΅ ΠΎΠ½Π° Π²ΡΡΡΠ°Π΅Ρ ΠΈΠ³ΡΠΎΠΊΡ «ΡΡΡΠ°ΡΠ½ΡΠΉ» ΠΏΠΎΠ΄Π°ΡΠΎΠΊ:
So, you made it this far.
That’s, uh. that’s great!
I shall grant you a gift!
So uh. So just keep going.
(ΡΡΡ. «Π§ΡΠΎ ΠΆ, ΡΡ Π΄ΠΎΠ±ΡΠ°Π»ΡΡ ΡΠ°ΠΊ Π΄Π°Π»Π΅ΠΊΠΎ.
ΠΡΠΎ, ΡΠΌ. ΠΡΠΎ Π·Π΄ΠΎΡΠΎΠ²ΠΎ!
Π― Π΄Π°ΠΌ ΡΠ΅Π±Π΅ ΠΏΠΎΠ΄Π°ΡΠΎΠΊ!
Π’Π°ΠΊ ΡΡΠΎ, ΡΠΌ. ΠΡΠΎΠ΄ΠΎΠ»ΠΆΠ°ΠΉ Π² ΡΠΎΠΌ ΠΆΠ΅ Π΄ΡΡ Π΅.»)
Π 500 ΠΊΠΎΠΌΠ½Π°ΡΠ΅ ΠΎΠ½Π° Π³ΠΎΠ²ΠΎΡΠΈΡ, ΡΡΠΎ Π΄Π²Π΅ΡΡ, ΠΊΠΎΡΠΎΡΠ°Ρ, ΡΠΊΠΎΡΠ΅Π΅ Π²ΡΠ΅Π³ΠΎ, Π±ΡΠ»Π° ΡΠ»ΠΎΠΌΠ°Π½Π½ΠΎΠΉ, ΠΏΠΎΡΠΈΠ½ΠΈΠ»ΠΈ ΡΠΏΠ΅ΡΠΈΠ°Π»ΡΠ½ΠΎ Π΄Π»Ρ ΠΈΠ³ΡΠΎΠΊΠ°:
Alive, and. still here.
You just keep on going, don’t you?
Well the next door has been fixed up for you.
So enjoy, and keep moving on!
You little. fleshy, live one.
ΠΠΈΠ²ΠΎΠΉ, ΠΈ. Π²ΡΡ Π΅ΡΡ Π·Π΄Π΅ΡΡ.
Π’Ρ ΠΏΡΠΎΡΡΠΎ ΠΈΠ΄ΡΡΡ Π²ΠΏΠ΅ΡΡΠ΄, Π½Π΅ ΡΠ°ΠΊ Π»ΠΈ?
Π§ΡΠΎ ΠΆ, ΡΠ»Π΅Π΄ΡΡΡΡΡ Π΄Π²Π΅ΡΡ ΡΠΏΠ΅ΡΠΈΠ°Π»ΡΠ½ΠΎ ΠΏΠΎΡΠΈΠ½ΠΈΠ»ΠΈ Π΄Π»Ρ ΡΠ΅Π±Ρ.
Π’Π°ΠΊ ΡΡΠΎ Π½Π°ΡΠ»Π°ΠΆΠ΄Π°ΠΉΡΡ ΠΈ ΠΏΡΠΎΠ΄ΠΎΠ»ΠΆΠ°ΠΉ ΠΈΠ΄ΡΠΈ!
Π’Ρ, ΠΌΠ°Π»Π΅Π½ΡΠΊΠΈΠΉ. ΠΊΠΎΠΆΠ°Π½ΡΠΉ, ΠΆΠΈΠ²ΡΡΠΈΠΉ ΡΠ΅Π»ΠΎΠ²Π΅ΡΠ΅ΠΊ.»)
Π 750 Π΄Π°Π΅Ρ «ΠΠ΅ΡΠΊΠΎΠ½Π΅ΡΠ½ΡΡ ΡΠ½Π΅ΡΠ³ΠΈΡ», ΠΏΡΠΈ ΠΊΠΎΡΠΎΡΠΎΠΉ ΠΈΠ³ΡΠΎΠΊ Π½Π΅ ΡΠΌΠΎΠΆΠ΅Ρ Π±Π΅Π³Π°ΡΡ, Π½ΠΎ ΡΠΌΠΎΠΆΠ΅Ρ Π±Π΅ΡΠΊΠΎΠ½Π΅ΡΠ½ΠΎ Π±ΠΈΡΡ ΡΠΎΠΏΠΎΡΠΎΠΌ, ΠΈ Π‘ΠΏΡΠΊΠΈ ΡΡΠ²Π΅ΡΠΆΠ΄Π°Π΅Ρ, ΡΡΠΎ ΠΎΠ½Π° «Π½ΠΈΠΊΠΎΠ³Π΄Π° Π½Π΅ Π·Π°ΠΊΠΎΠ½ΡΠΈΡΡΡ», Π½ΠΎ ΡΠ΅ΡΠ΅Π· 15 ΠΊΠΎΠΌΠ½Π°Ρ ΡΡΠΎΡ ΡΡΡΠ΅ΠΊΡ ΡΠ½ΠΈΠΌΠ°Π΅ΡΡΡ (Π² Spooky JumpScare Mansion ΠΈ SJSM: HD Renovation ΡΡΡΠ΅ΠΊΡ ΡΠ½ΠΈΠΌΠ°Π΅ΡΡΡ ΡΠ΅ΡΠ΅Π· 10 ΠΊΠΎΠΌΠ½Π°Ρ):
O Hai, I didn’t think you’d make it this far.
And you got an axe?
Your just about there. I think.
Well I didn’t really have a gift ready so. uh.
There you go, unlimited stamina.
It’ll never ever run out.
(ΡΡΡ. «Π, ΠΏΡΠΈΠ²Π΅ΡΠΈΠΊ, Π½Π΅ Π΄ΡΠΌΠ°Π»Π°, ΡΡΠΎ ΡΡ Π·Π°ΠΉΠ΄ΡΡΡ ΡΠ°ΠΊ Π΄Π°Π»Π΅ΠΊΠΎ.
Π Ρ ΡΠ΅Π±Ρ Π΅ΡΡΡ ΡΠΎΠΏΠΎΡ?
Π’Ρ ΠΏΠΎΡΡΠΈ Π΄ΠΎΠ±ΡΠ°Π»ΡΡ. Ρ ΠΏΠΎΠ»Π°Π³Π°Ρ.
Π, Π΅ΡΠ»ΠΈ ΡΠ΅ΡΡΠ½ΠΎ, Ρ Π½Π΅ ΠΏΠΎΠ΄Π³ΠΎΡΠΎΠ²ΠΈΠ»Π° Π΄Π»Ρ ΡΠ΅Π±Ρ ΠΏΠΎΠ΄Π°ΡΠΎΠΊ, ΡΠ°ΠΊ ΡΡΠΎ. ΡΠΌ.
ΠΠΎΡ, Π±Π΅ΡΠΊΠΎΠ½Π΅ΡΠ½Π°Ρ Π²ΡΠ½ΠΎΡΠ»ΠΈΠ²ΠΎΡΡΡ.
ΠΠ½Π° Π½ΠΈΠΊΠΎΠ³Π΄Π° Π½Π΅ Π·Π°ΠΊΠΎΠ½ΡΠΈΡΡΡ.
Π 1000 ΠΊΠΎΠΌΠ½Π°ΡΠ΅ Π‘ΠΏΡΠΊΠΈ Ρ ΠΏΡΠ΅Π·ΡΠ΅Π½ΠΈΠ΅ΠΌ ΠΏΠΎΠ·Π΄ΡΠ°Π²Π»ΡΠ΅Ρ ΠΈΠ³ΡΠΎΠΊΠ° Ρ ΠΏΡΠΎΡ ΠΎΠΆΠ΄Π΅Π½ΠΈΠ΅ΠΌ Π²ΡΠ΅Ρ ΠΊΠΎΠΌΠ½Π°Ρ, Π½ΠΎ ΠΏΠΎΡΠΎΠΌ ΡΠΎΠΎΠ±ΡΠ°Π΅Ρ, ΡΡΠΎ Π½ΡΠΆΠ½ΠΎ ΠΏΡΠΎΠΉΡΠΈ ΠΏΠΎΡΠ»Π΅Π΄Π½Π΅Π΅ ΠΈΡΠΏΡΡΠ°Π½ΠΈΠ΅, ΠΈ ΠΈΡΡΠ΅Π·Π°Π΅Ρ:
So, you must now pass one final test to prove your.
Fortitude or dedication.
(ΡΡΡ. «Π§ΡΠΎ ΠΆ, ΡΡ ΡΠΏΡΠ°Π²ΠΈΠ»ΡΡ.
Π’Π΅ΠΏΠ΅ΡΡ ΡΡ Π΄ΠΎΠ»ΠΆΠ΅Π½ ΠΏΡΠΎΠΉΡΠΈ ΠΏΠΎΡΠ»Π΅Π΄Π½Π΅Π΅ ΠΈΡΠΏΡΡΠ°Π½ΠΈΠ΅, ΡΡΠΎΠ±Ρ Π΄ΠΎΠΊΠ°Π·Π°ΡΡ ΡΠ²ΠΎΡ.
Π‘ΡΠΎΠΉΠΊΠΎΡΡΡ ΠΈ ΡΠ΅Π»Π΅ΡΡΡΡΠ΅ΠΌΠ»ΡΠ½Π½ΠΎΡΡΡ.»)
ΠΠ³ΡΠΎΠ²ΠΎΠΉ ΠΏΡΠΎΡΠ΅ΡΡ [ ]
Π‘ΠΏΡΠΊΠΈ Π½ΠΈΠΊΠ°ΠΊΠΈΠΌ ΠΎΠ±ΡΠ°Π·ΠΎΠΌ Π½Π΅ Π²Π»ΠΈΡΠ΅Ρ Π½Π° ΠΈΠ³ΡΠΎΠ²ΠΎΠΉ ΠΏΡΠΎΡΠ΅ΡΡ, ΡΠ°ΠΊ ΠΊΠ°ΠΊ ΡΠ²Π»ΡΠ΅ΡΡΡ ΡΠΊΡΠΈΠΏΡΠΎΠ²ΡΠΌ ΠΏΠ΅ΡΡΠΎΠ½Π°ΠΆΠ΅ΠΌ.
ΠΠ½Π° ΠΌΠΎΠΆΠ΅Ρ Π»ΠΈΡΡ Π½Π°ΠΏΡΠ³Π°ΡΡ Π³Π»Π°Π²Π½ΠΎΠ³ΠΎ Π³Π΅ΡΠΎΡ ΡΠ²ΠΎΠΈΠΌ ΠΏΠΎΡΠ²Π»Π΅Π½ΠΈΠ΅ΠΌ.
ΠΡΠ°Π³ΠΈ
ΠΠ΄Π½Π° ΠΈΠ· ΡΠΊΠΎΠ»ΡΠ½ΡΡ ΡΠ΅Π½Π΅ΠΉ
Π‘ΠΎΠ΄Π΅ΡΠΆΠ°Π½ΠΈΠ΅
ΠΠ½Π΅ΡΠ½ΠΈΠΉ Π²ΠΈΠ΄ [ ]
ΠΡΠ³Π»ΡΠ΄ΡΡ ΠΊΠ°ΠΊ ΡΠ΅Π½ΠΈ Π΄Π΅ΡΠ΅ΠΉ ΠΆΠ΅Π½ΡΠΊΠΎΠ³ΠΎ ΠΈ ΠΌΡΠΆΡΠΊΠΎΠ³ΠΎ ΠΏΠΎΠ»Π°.
ΠΠ³ΡΠΎΠ²ΠΎΠΉ ΠΏΡΠΎΡΠ΅ΡΡ [ ]
Π¨ΠΊΠΎΠ»ΡΠ½ΡΠ΅ ΡΠ΅Π½ΠΈ ΠΏΠΎΡΠ²ΡΡΡΡ, ΡΠΎΠ»ΡΠΊΠΎ Π΅ΡΠ»ΠΈ ΠΈΠ³ΡΠΎΠΊ Π½Π°ΠΏΡΠ°Π²ΠΈΡ Π½Π° Π½ΠΈΡ ΡΠΎΠ½Π°ΡΠΈΠΊ. ΠΠ½ΠΈ Π±Π΅Π·Π²ΡΠ΅Π΄Π½Ρ Π΄ΠΎ ΡΠ΅Ρ ΠΏΠΎΡ, ΠΏΠΎΠΊΠ° ΠΈΠ³ΡΠΎΠΊ Π½Π΅ ΠΏΠΎΠ΄ΠΎΠΉΠ΄ΡΡ ΡΠ»ΠΈΡΠΊΠΎΠΌ Π±Π»ΠΈΠ·ΠΊΠΎ, ΠΏΠΎΡΠ»Π΅ ΡΠ΅Π³ΠΎ ΠΎΠ½ΠΈ Π½Π°ΠΏΠ°Π΄ΡΡ ΠΈ Π½Π°Π½Π΅ΡΡΡ 20 ΡΡΠΎΠ½Π°. ΠΡ ΠΌΠΎΠΆΠ½ΠΎ ΠΈΠ·Π±Π΅ΠΆΠ°ΡΡ, Π΅ΡΠ»ΠΈ ΠΈΠ³ΡΠΎΠΊ Π½Π΅ Π±ΡΠ΄Π΅Ρ ΡΠ²Π΅ΡΠΈΡΡ Π½Π° Π½ΠΈΡ ΡΠΎΠ½Π°ΡΠΈΠΊΠΎΠΌ ΠΈΠ»ΠΈ Π½Π΅ Π±ΡΠ΄Π΅Ρ ΠΊ Π½ΠΈΠΌ Π±Π»ΠΈΠ·ΠΊΠΎ ΠΏΠΎΠ΄Ρ ΠΎΠ΄ΠΈΡΡ.
ΠΠ½ΠΈ ΡΠ°ΠΊΠΆΠ΅ ΠΏΠΎΡΠ²Π»ΡΡΡΡΡ Π² Π₯ΠΎΡΠΎΡΠ΅ΠΉ ΠΊΠΎΠ½ΡΠΎΠ²ΠΊΠ΅, Π³Π΄Π΅ Π‘ΠΏΡΠΊΠΈ Π½Π°Π·ΡΠ²Π°Π΅Ρ ΠΈΡ ΡΠ²ΠΎΠΈΠΌΠΈ «Π²ΠΎΠΉΡΠΊΠ°ΠΌΠΈ».
ΠΠΎΠ²Π°ΡΠ΄ (aka ΠΡΠΎΠ½Π·ΠΎΠ²ΡΠΉ ΠΠ±ΡΠ°Π·Π΅Ρ) β Π²ΡΠ°Π³, ΠΏΠΎΡΠ²Π»ΡΡΡΠΈΠΉΡΡ Π² ΡΠ»ΡΡΠ°ΠΉΠ½ΠΎ ΡΠ³Π΅Π½Π΅ΡΠΈΡΠΎΠ²Π°Π½Π½ΠΎΠΉ ΠΊΠΎΠΌΠ½Π°ΡΠ΅.
ΠΠ½Π΅ΡΠ½ΠΈΠΉ Π²ΠΈΠ΄ [ ]
ΠΠ³ΡΠΎΠ²ΠΎΠΉ ΠΏΡΠΎΡΠ΅ΡΡ [ ]
ΠΠΎΠ²Π°ΡΠ΄ Π²ΡΡΡΠ΅ΡΠ°Π΅ΡΡΡ Π² ΡΠ»ΡΡΠ°ΠΉΠ½ΠΎ ΡΠ³Π΅Π½Π΅ΡΠΈΡΠΎΠ²Π°Π½Π½ΠΎΠΉ ΠΊΠΎΠΌΠ½Π°ΡΠ΅ Π±Π΅Π· ΠΎΡΠΈΡΠΈΠ°Π»ΡΠ½ΠΎΠ³ΠΎ Π½Π°Π·Π²Π°Π½ΠΈΡ, ΠΏΡΠΈ ΡΡΠ»ΠΎΠ²ΠΈΠΈ, ΡΡΠΎ Π²Ρ ΠΏΡΠΎΡΠ»ΠΈ Π² ΠΎΡΠΊΡΡΡΡΡ Π΄Π²Π΅ΡΡ. ΠΡΠΈ Π²Ρ ΠΎΠ΄Π΅ Π² ΠΊΠΎΠΌΠ½Π°ΡΡ ΠΈΠ³ΡΠΎΠΊΡ ΠΏΡΠ΅Π΄ΡΡΠΎΠΈΡ ΠΏΡΠΎΠΉΡΠΈ ΠΊΠΎΡΠΎΡΠΊΠΈΠΉ ΠΊΠΎΡΠΈΠ΄ΠΎΡ, ΠΊΠΎΡΠΎΡΡΠΉ ΠΏΡΠΈΠ²Π΅Π΄Π΅Ρ ΠΊ Π½Π΅Π±ΠΎΠ»ΡΡΠΎΠΉ ΠΊΠΎΠΌΠ½Π°ΡΠ΅ Ρ Π·Π°ΠΏΠ΅ΡΡΠΎΠΉ Π΄Π²Π΅ΡΡΡ ΡΠ»Π΅Π²Π° ΠΈ Π΄Π²ΡΠΌΡ ΡΡΠΎΠ»Π°ΠΌΠΈ, Π½Π°Ρ ΠΎΠ΄ΡΡΠΈΠΌΠΈΡΡ ΡΠΏΡΠ°Π²Π° ΠΈ Π·Π°ΠΏΠΈΡΠΊΠΎΠΉ Π½Π° ΠΎΠ΄Π½ΠΎΠΌ ΠΈΠ· Π½ΠΈΡ . ΠΡΠ° ΠΊΠΎΠΌΠ½Π°ΡΠ° ΠΈ ΠΊΠΎΡΠΈΠ΄ΠΎΡ Π±ΡΠ΄ΡΡ ΠΏΠΎΠ²ΡΠΎΡΡΡΡΡΡ, ΠΏΠΎΠΊΠ° Π΄Π²Π΅ΡΡ ΡΠ»Π΅Π²Π° Π½Π΅ ΠΎΡΠΊΡΠΎΠ΅ΡΡΡ. Π ΡΠ»ΡΡΠ°ΠΉΠ½ΡΠΉ ΠΌΠΎΠΌΠ΅Π½Ρ ΠΠΎΠ²Π°ΡΠ΄ ΠΏΠΎΡΠ²ΠΈΡΡΡ ΠΈ Ρ ΠΆΡΡΠΊΠΈΠΌ Π²ΠΎΠΏΠ»Π΅ΠΌ Π½Π°Π»Π΅ΡΠΈΡ Π½Π° ΠΈΠ³ΡΠΎΠΊΠ°, ΠΏΡΠΈ ΡΡΠΎΠΌ ΡΠΊΡΠ°Π½ Π½Π° ΠΊΠΎΡΠΎΡΠΊΠΎΠ΅ Π²ΡΠ΅ΠΌΡ Π·Π°ΡΠ΅ΠΌΠ½ΠΈΡΡΡ. ΠΠ½ Π½Π΅ Π½Π°Π½ΠΎΡΠΈΡ ΡΡΠΎΠ½, Π° ΠΏΡΠΎΡΡΠΎ ΠΏΡΠ³Π°Π΅Ρ.
ΠΠ΅Π»ΠΎΡΠΈ [ ]
ΠΠΎΠ»ΡΡΠ³Π°Π½Π³ ΠΠΌΠ°Π΄Π΅ΠΉ ΠΠΎΡΠ°ΡΡ (aka Π.Π.Π) β ΡΠ΅ΠΌΠ½Π°Ρ ΡΠΈΠ³ΡΡΠ°, ΠΊΠΎΡΠΎΡΠ°Ρ ΠΏΠΎΡΠ²Π»ΡΠ΅ΡΡΡ Π² ΠΊΠΎΠΌΠ½Π°ΡΠ΅ 557 Π·Π° ΠΈΠ³ΡΠΎΠΊΠΎΠΌ ΠΏΠΎΡΠ»Π΅ ΠΎΡΡΠ°Π½ΠΎΠ²ΠΊΠΈ ΠΏΡΠΎΠΈΠ³ΡΡΠ²Π°ΡΠ΅Π»Ρ.
ΠΠ½Π΅ΡΠ½ΠΈΠΉ Π²ΠΈΠ΄ [ ]
ΠΠ°ΠΏΠΎΠΌΠΈΠ½Π°Π΅Ρ ΡΠ΅Π»ΠΎΠ²Π΅ΡΠ΅ΡΠΊΡΡ ΡΠΈΠ³ΡΡΡ, ΠΎΠΊΡΡΠ°Π½Π½ΡΡ ΡΡΠΌΠΎΠΉ. ΠΠ° Π½Π΅ΠΌ, ΠΊΠ°ΠΆΠ΅ΡΡΡ, Π½Π΅Ρ ΠΎΠ΄Π΅ΠΆΠ΄Ρ. ΠΠ° Π»ΡΡΠΎΠΉ Π³ΠΎΠ»ΠΎΠ²Π΅ Ρ Π΄Π»ΠΈΠ½Π½ΡΠΌ Π½ΠΎΡΠΎΠΌ Π½Π΅Ρ Π²ΠΈΠ΄ΠΈΠΌΠΎΠ³ΠΎ ΡΡΠ°, Π² Π³Π»Π°Π·Π°Ρ Π²ΠΈΠ΄Π½Ρ ΡΠ΅ΡΡΠ΅ Π·ΡΠ°ΡΠΊΠΈ.
ΠΠ³ΡΠΎΠ²ΠΎΠΉ ΠΏΡΠΎΡΠ΅ΡΡ [ ]
Π§Π΅ΡΠ΅Π· ΠΊΠ°ΠΊΠΎΠ΅-ΡΠΎ Π²ΡΠ΅ΠΌΡ ΠΏΠΎΡΠ»Π΅ Π²ΠΊΠ»ΡΡΠ΅Π½ΠΈΡ ΠΏΡΠΎΠΈΠ³ΡΡΠ²Π°ΡΠ΅Π»Ρ Π² ΠΠΎΠΌΠ½Π°ΡΠ΅ 557 ΠΎΠ½ ΠΎΡΡΠ°Π½ΠΎΠ²ΠΈΡΡΡ. ΠΡΠ»ΠΈ ΠΈΠ³ΡΠΎΠΊ ΠΎΠ±Π΅ΡΠ½Π΅ΡΡΡ, Π.Π.Π. ΠΏΠΎΡΠ²ΠΈΡΡΡ ΠΈ ΡΡΡ ΠΆΠ΅ ΠΈΡΡΠ΅Π·Π½Π΅Ρ. ΠΡΠΎ Π±ΡΠ΄Π΅Ρ ΠΏΡΠΎΠΈΡΡ ΠΎΠ΄ΠΈΡΡ ΠΊΠ°ΠΆΠ΄ΡΠΉ ΡΠ°Π·, ΠΊΠΎΠ³Π΄Π° ΠΈΠ³ΡΠΎΠΊ ΡΠ½Π°ΡΠ°Π»Π° ΠΏΠΎΡΠΌΠΎΡΡΠΈΡ Π½Π° ΠΏΡΠΎΠΈΠ³ΡΡΠ²Π°ΡΠ΅Π»Ρ, Π° ΠΏΠΎΡΠΎΠΌ ΠΎΠ±Π΅ΡΠ½ΡΡΡΡ.
Π HD Renovation Π.Π.Π. Π΄Π΅ΠΉΡΡΠ²ΡΠ΅Ρ ΠΈΠ½Π°ΡΠ΅: ΠΎΠ½ ΠΈΡΡΠ΅Π·Π°Π΅Ρ, Π΅ΡΠ»ΠΈ ΠΈΠ³ΡΠΎΠΊ ΠΏΠΎΠ΄ΠΎΠΉΠ΄ΡΡ Π±Π»ΠΈΠ·ΠΊΠΎ ΠΊ ΠΏΡΠΎΠΈΠ³ΡΡΠ²Π°ΡΠ΅Π»Ρ, ΠΈ ΠΏΠΎΡΠ²Π»ΡΠ΅ΡΡΡ, ΠΊΠΎΠ³Π΄Π° ΠΈΠ³ΡΠΎΠΊ ΡΡ ΠΎΠ΄ΠΈΡ.
ΠΠ΅Π»ΠΎΡΠΈ [ ]
ΠΠ»Π΅Π½ΠΈ-ΡΠ±ΠΈΠΉΡΡ β ΠΏΡΠΎΡΠΈΠ²Π½ΠΈΠΊΠΈ, ΠΊΠΎΡΠΎΡΡΠ΅ ΠΏΠΎΡΠ²Π»ΡΡΡΡΡ ΡΠΎΠ»ΡΠΊΠΎ Π² ΠΊΠΎΠΌΠ½Π°ΡΠ°Ρ 552-556.
ΠΠ½Π΅ΡΠ½ΠΈΠΉ Π²ΠΈΠ΄ [ ]
ΠΠ·Π½Π°ΡΠ°Π»ΡΠ½ΠΎ Π²ΡΠ³Π»ΡΠ΄ΡΡ ΠΊΠ°ΠΊ ΠΎΠ±ΡΡΠ½ΡΠ΅ ΠΎΠ»Π΅Π½ΠΈ. ΠΡΠ»ΠΈ ΠΈΠ³ΡΠΎΠΊ ΠΏΠΎΠ΄ΠΎΠΉΠ΄Π΅Ρ ΠΊ ΠΎΠ»Π΅Π½Ρ ΡΠ»ΠΈΡΠΊΠΎΠΌ Π±Π»ΠΈΠ·ΠΊΠΎ, ΡΠΎ ΠΎΠ½ ΠΏΠΎΠΊΠ°ΠΆΠ΅Ρ ΡΠ²ΠΎΡ Π½Π°ΡΡΠΎΡΡΡΡ ΡΡΡΠ½ΠΎΡΡΡ ΠΈ Π½Π°ΠΏΠ°Π΄Π΅Ρ Π½Π° ΠΈΠ³ΡΠΎΠΊΠ°.
ΠΠ³ΡΠΎΠ²ΠΎΠΉ ΠΏΡΠΎΡΠ΅ΡΡ [ ]
ΠΠ³ΡΠΎΠΊ ΠΌΠΎΠΆΠ΅Ρ Π»ΠΈΠ±ΠΎ Π±ΡΡΡΡΠΎ ΠΏΠΎΠΊΠΈΠ½ΡΡΡ ΠΊΠΎΠΌΠ½Π°ΡΡ, Π»ΠΈΠ±ΠΎ Π°ΡΠ°ΠΊΠΎΠ²Π°ΡΡ ΠΎΠ»Π΅Π½Ρ ΡΠΎΠΏΠΎΡΠΎΠΌ. ΠΡΠΈ Π°ΡΠ°ΠΊΠ΅ ΠΌΠΎΠΆΠ΅Ρ ΠΏΠΎΡΠ²ΠΈΡΡΡ ΡΠΊΡΠΈΠΌΠ΅Ρ Ρ Π»ΠΈΡΠΎΠΌ ΠΠ±ΡΠ°Π·ΡΠ° 8.
Π ΠΎΡΠΈΠ³ΠΈΠ½Π°Π»ΡΠ½ΠΎΠΉ ΠΈΠ³ΡΠ΅ ΡΠΌΠΈΡΠ°Π»ΠΈ ΠΎΡ 2-3 ΡΠ΄Π°ΡΠΎΠ², Π½ΠΎ Π² HD Renovation ΠΏΠΎΠ³ΠΈΠ±Π°ΡΡ ΠΎΡ ΠΎΠ΄Π½ΠΎΠ³ΠΎ ΡΠ΄Π°ΡΠ°.
ΠΠ΅Π»ΠΎΡΠΈ [ ]
ΠΠ½Π΅ΡΠ½ΠΈΠΉ Π²ΠΈΠ΄ [ ]
ΠΠ³ΡΠΎΠ²ΠΎΠΉ ΠΏΡΠΎΡΠ΅ΡΡ [ ]
Π ΡΡΠ°Π»Π΅ΡΠ΅ Π½Π°Ρ ΠΎΠ΄ΠΈΡΡΡ Π΄Π²Π΅ΡΡ Ρ Π½Π°Π΄ΠΏΠΈΡΡΡ Β«Out of orderΒ». ΠΠ±ΡΡΠ½ΠΎ ΡΡΠ° Π΄Π²Π΅ΡΡ Π·Π°ΠΏΠ΅ΡΡΠ°, Π½ΠΎ Π² ΠΠΎΠ²ΠΎΠΉ ΠΈΠ³ΡΠ΅+ Π΅Π΅ ΠΌΠΎΠΆΠ½ΠΎ ΠΎΡΠΊΡΡΡΡ. ΠΠ° Π΄Π²Π΅ΡΡΡ Π½Π°Ρ ΠΎΠ΄ΠΈΡΡΡ ΠΎΠΊΡΠΎΠ²Π°Π²Π»Π΅Π½Π½ΡΠΉ ΡΠ½ΠΈΡΠ°Π·. ΠΡΠ»ΠΈ Π½Π°ΠΆΠ°ΡΡ Π½Π° ΠΊΠ½ΠΎΠΏΠΊΡ ΡΠΌΡΠ²Π°, ΠΠ°ΡΠ» Π²ΡΠ»Π΅Π·Π΅Ρ ΠΈΠ· ΡΠ½ΠΈΡΠ°Π·Π°, ΠΏΠΎΠΊΡΠΈΡΠΈΡ Π² ΡΠ΅ΡΠ΅Π½ΠΈΠ΅ Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΈΡ ΡΠ΅ΠΊΡΠ½Π΄, Π° Π·Π°ΡΠ΅ΠΌ ΠΈΡΡΠ΅Π·Π½Π΅Ρ.
ΠΡΡΠΎΡΠΈΡ [ ]
Π Π½Π°ΡΠ°Π»Π΅ ΡΠ²ΠΎΠ΅ΠΉ ΠΆΠΈΠ·Π½ΠΈ ΠΠ°ΡΠ» Π±ΡΠ» ΠΏΡΠΎΠ΄Π°Π²ΡΠΎΠΌ Π³ΠΎΠ΄Π°, Π½Π°Π³ΡΠ°ΠΆΠ΄Π΅Π½Π½ΡΠΌ Π·Π° Ρ ΠΎΡΠΎΡΠΈΠ΅ ΠΏΡΠΎΠ΄Π°ΠΆΠΈ «Thunderstrike Volcano Mixer». ΠΠΊΠ°Π·Π°Π»ΠΎΡΡ, ΡΡΠΎ Π½Π° ΡΠ°ΠΌΠΎΠΌ Π΄Π΅Π»Π΅ ΡΡΠΎ Π±ΡΠ» Π²Π°ΠΊΡΡΠΌ Ρ Π·ΡΠ±ΡΠ°ΡΡΠΌΠΈ Π»Π΅Π·Π²ΠΈΡΠΌΠΈ Π²Π½ΡΡΡΠΈ, ΡΡΠΎ ΠΎΡΠ΅Π½Ρ Π·Π°ΡΡΡΠ΄Π½ΡΠ»ΠΎ ΡΠ΄Π°Π»Π΅Π½ΠΈΠ΅ ΠΊΡΡΠΎΡΠΊΠΎΠ² ΠΏΠ΅ΡΠ΅ΡΠ°Π±ΠΎΡΠ°Π½Π½ΠΎΠΉ ΠΏΠΈΡΠΈ. Π ΡΠΎΠΆΠ°Π»Π΅Π½ΠΈΡ, Π΅Π³ΠΎ ΡΠ²ΠΎΠ»ΠΈΠ»ΠΈ, ΠΊΠΎΠ³Π΄Π° Π½Π°ΡΠ°Π»ΡΠ½ΠΈΠΊ ΡΠ·Π½Π°Π», ΡΡΠΎ ΠΠ°ΡΠ» ΠΊΠΎΠ½ΡΡΠ°Π±Π°Π½Π΄ΠΎΠΉ Π²ΡΠ²ΠΎΠ·ΠΈΠ» Π½Π° ΡΠ°Π±ΠΎΡΡ Π±ΠΎΠ»ΡΡΠΎΠ΅ ΠΊΠΎΠ»ΠΈΡΠ΅ΡΡΠ²ΠΎ ΡΠΈΡ ΠΌΠ½ΠΎΠ³ΠΎΠ½ΠΎΠΆΠΊΠΈ ΠΈ ΠΏΡΡΡΠ°Π» ΠΈΡ ΠΏΠΎΠ΄ ΠΏΠΎΡΠΎΠ»ΠΊΠΎΠΌ. Π Π½Π°ΡΡΠΎΡΡΠ΅Π΅ Π²ΡΠ΅ΠΌΡ ΠΠ°ΡΠ» Π²ΠΎΠ΄ΠΎΠΏΡΠΎΠ²ΠΎΠ΄ΡΠΈΠΊ.
ΠΠ΅Π»ΠΎΡΠΈ [ ]
ΠΠ³ΡΠΎΠ²ΠΎΠΉ ΠΏΡΠΎΡΠ΅ΡΡ [ ]
Π£Π½ΠΈΡΡΠΎΠΆΠ΅Π½ΠΈΠ΅ ΠΠΈΡΡΡΠ° ΠΏΠΎΠ·Π²ΠΎΠ»ΡΠ΅Ρ ΠΈΠ³ΡΠΎΠΊΡ ΠΎΠ±ΠΎΠΉΡΠΈ ΠΊΠΎΡΠΈΠ΄ΠΎΡ ΠΠΎΠ½ΡΡΡΠ° 1.
ΠΠ΅Π»ΠΎΡΠΈ [ ]
ΠΠ³ΡΠΎΠ²ΠΎΠΉ ΠΏΡΠΎΡΠ΅ΡΡ [ ]
ΠΠΎΠ·Π³ ΠΏΠΎΠ³ΡΡΠΆΡΠ½ Π² ΡΡΠ΅ΠΊΠ»ΡΠ½Π½ΡΠΉ ΡΠ΅Π·Π΅ΡΠ²ΡΠ°Ρ Ρ Π²ΠΎΠ΄ΠΎΠΉ Π² ΡΠ»ΡΡΠ°ΠΉΠ½ΠΎ ΡΠ³Π΅Π½Π΅ΡΠΈΡΠΎΠ²Π°Π½Π½ΠΎΠΉ ΠΊΠΎΠΌΠ½Π°ΡΠ΅. Π HD Renovation, Π΅ΡΠ»ΠΈ Ρ ΠΈΠ³ΡΠΎΠΊΠ° Π΅ΡΡΡ ΡΠΎΠΏΠΎΡ ΠΈΠ»ΠΈ ΠΌΠ΅Ρ, ΠΈ ΠΎΠ½ Π΄Π²Π°ΠΆΠ΄Ρ ΡΠ΄Π°ΡΡΠ΅Ρ ΠΏΠΎ ΡΠ΅Π·Π΅ΡΠ²ΡΠ°ΡΡ, ΠΌΠΎΠ·Π³ ΠΎΡΠ²ΠΎΠ±ΠΎΠΆΠ΄Π°Π΅ΡΡΡ ΠΈ ΠΌΠ³Π½ΠΎΠ²Π΅Π½Π½ΠΎ ΡΠ±ΠΈΠ²Π°Π΅Ρ ΠΈΠ³ΡΠΎΠΊΠ°.
ΠΠ΅Π»ΠΎΡΠΈ [ ]
ΠΠ½Π΅ΡΠ½ΠΈΠΉ Π²ΠΈΠ΄ [ ]
ΠΠ³ΡΠΎΠ²ΠΎΠΉ ΠΏΡΠΎΡΠ΅ΡΡ [ ]
ΠΡΠΈΡΠΏΠ΅ΡΠ½ΠΈΠΊ ΠΏΠΎΡΠ²Π»ΡΠ΅ΡΡΡ ΡΠΎΠ»ΡΠΊΠΎ Π² ΡΠΈΠ½Π°Π»ΡΠ½ΠΎΠΉ Π±ΠΈΡΠ²Π΅ Ρ Π±ΠΎΡΡΠΎΠΌ. ΠΠ±ΡΠ°Π·Π΅Ρ 9 Π±ΡΠ΄Π΅Ρ ΠΏΡΠΈΠ·ΡΠ²Π°ΡΡ ΠΈΡ ΡΠ΅ΡΠ΅Π· ΠΊΠ°ΠΆΠ΄ΡΠ΅ 2-3 Π°ΡΠ°ΠΊΠΈ. Π‘Π½Π°ΡΠ°Π»Π° ΠΎΠ½ ΠΏΡΠΈΠ·ΠΎΠ²ΡΡ 2-ΡΡ ΠΏΡΠΈΡΠΏΠ΅ΡΠ½ΠΈΠΊΠΎΠ², ΠΏΠΎΡΠ»Π΅ ΡΠ΅Π³ΠΎ ΠΈΡ ΠΊΠΎΠ»ΠΈΡΠ΅ΡΡΠ²ΠΎ Π±ΡΠ΄Π΅Ρ ΡΠ°ΡΡΠΈ Π² Π°ΡΠΈΡΠΌΠ΅ΡΠΈΡΠ΅ΡΠΊΠΎΠΉ ΠΏΡΠΎΠ³ΡΠ΅ΡΡΠΈΠΈ. ΠΠ°Π½ΠΎΡΡΡ ΠΎΠΊΠΎΠ»ΠΎ 20 ΡΡΠΎΠ½Π° ΠΈ ΠΏΠΎΠ³ΠΈΠ±Π°ΡΡ ΠΎΡ 1-ΠΎΠ³ΠΎ ΡΠ΄Π°ΡΠ° ΡΠΎΠΏΠΎΡΠΎΠΌ.
Minor Characters
This page contains spoilers about the game. Read with caution.
Minor Characters consist of mostly unseen, but relevant characters for the game’s backstory and plot. One can learn from them by the notes left behind by some of them that explain such things as their experiences, thoughts, and sometimes their demise within the mansion.
Contents
Romantic Victim
The Romantic Victim is an ill-fated traveler who came to Spooky’s house seeking some romance. Quickly becoming hopelessly lost, they started leaving a trail of short journal-like notes as breadcrumbs to document while lamenting their unromantic situation, and to also mark their path so they could figure out whether or not they were just going in circles.
These notes reveal their turmoil as they began to suffer from dehydration, and started to drink the ink they were writing with out of desperation. They later passed out and woke up to find someone has kindly left them an unlabeled bottle of «red wine», which is heavily implied to be blood. In their last note they find solace in the fact that while they did not find an escape from the manor, it did give them an escape from everything else, and concluded that in the end, their death turned out to be romantic after all.
As revealed in Endless Mode, they had died but hadn’t noticed that they were dead, believing that ‘I have been granted immortality as a romantic artist’ and at the twelfth note, the Romantic Victim notices they haven’t required sustenance in what they assume to be two weeks, and at the thirteenth note they then notice that their skin color has changed to a transparent color. The Romantic Victim meets Spooky in the eleventh note and she is upset that they are not doing their job, they boldly state that they have no commander and they go where the wind takes them. Spooky floats into the floor, confused at the Romantic Victim’s statement. She then returns in the final and fourteenth note, yet again angry at the Romantic Victim for not doing their job. They yet again deny this, saying that whatever job that they have doesn’t sound very romantic, Spooky becomes angrier at them stating that if they don’t stop she will take their pen. Apparently, the victim continued to do this causing Spooky to take away the pen, leaving the Romantic Victim’s fate unknown.
Tropes Victim
Another one of the victims of Spooky’s mansion, this character writes notes to fill the role of the «main protagonist» to survive the mansion, all the while hoping they aren’t some «side character». They seem to last a fairly long time, as they notice the monsters are getting stronger and more dangerous as they progress. They conclude that the purpose of the monsters seems to be some form of soul-harvesting and that the monsters’ effectiveness is based on it. They eventually realize, however, that they lack major protagonist attributes and are therefore likely doomed.
Survivalist Victim
The last victim leaving notes in regular rooms, the Chronicler has all their entries specifying the day, starting from the start of their journey. It’s implied they lasted at least a week, but progressively ran out of food and battery life.
Generic Labs Assistants
The Generic Lab Assistants apparently work in GL Labs (the manor’s laboratory) conducting tests on the various specimens.
In the first lab’s facility, according to the notes left behind, they ran out of the sedatives needed to keep Specimen 3 (whom they called «Subject 5») docile enough to safely work with. They voiced their concerns to «Spook» about this, only to be laughed at and ignored. Soon after, Specimen 3 inevitably escaped and killed them.
In the second facility, the player will find out that a team of GL Labs Assistants has been assigned by Spooky to retrieve something (most likely a loose Specimen), with a tragic aftermath: a member of the team was infected by Specimen 10, followed by the abandonment of the facility.
Given their position as lab workers, it is possible that the Generic Lab Assistants and/or their co-workers created the CAT-DOS and wrote its entries.
In The Doll House, notes in the form of logs can be found throughout the place. They describe their discoveries regarding the Doll Project, such as the creation of The Clown to keep the dolls happy, which fails; one of the lab assistants is forced to remove their eyes to deal with the Hooked Doll.
Matsuri
A female Japanese student who snuck into her class after hours, despite rumors that the school was haunted by a ghost who eats children.
Unfortunately for Matsuri, these rumors proved to be true, and she was declared missing, having been eaten by the ghost.
Specimen 4 was given a replica of this school to haunt, including letters written by one of Matsuri’s classmates explaining her fate.
The Cult
A mysterious group that performed rituals to appease «The Darkness», as instructed by someone they call «Mother».
An incident involving a girl who was not «pure» occurred, which caused «The Darkness» to consume them. Based on what is hinted at, it is possible that the rituals they performed involved some form of virgin sacrifice, hence the line «the girl wasn’t pure». It is also noteworthy that the cult comically denies responsibility for their actions in their writings.
Specimen 5 could be the physical manifestation of «The Darkness» itself, the vengeful spirit of the girl who was sacrificed, or even «Mother», however, this is all speculation; and, given that The Cult is an obvious reference to The Order from Silent Hill, deems this theory unlikely.
The Hunter
In the Forest rooms, there are notes written by someone who mentioned escaping the rooms but then chose to stay and hunt down the deer for food. They also noted the strange sounds made by them.
The hunter was eventually attacked and was forced to board up the doors of the rooms. Their scattered bones are later seen in a shack.
The Fast Food Worker
At the fast food restaurant, the player will find notes left by an ex-worker of the place.
The notes tell the player that the worker was getting a job at this restaurant. Day by day, they started seeing and experiencing abnormal behavior in the restaurant, such as a frequent male customer who «kept ordering the exact same meals for every 10 minutes», and the manager acting extremely violent. After experiencing too many abnormalities, they decided to quit the job and leave the restaurant for good.
Marine Biologist
This character was studying the mysterious deaths of whales in a particular area. He eventually came to the conclusion that some form of parasite was killing the whales from the inside, but was unable to identify it, until part of his lab was flooded and Specimen 13 killed most of his team.
They were the last one left alive, stuck inside a locked off area while the Specimen tried to lure them into opening the door.
Karamari Hospital Staff
Through notes, it is revealed that they were slowly losing their grip, forgetting things, carrying out actions they weren’t even aware that they approved, always ending in the death of multiple patients.
Some of them describe things like «something sinister is beating on the wall of my subconscious» or feeling «like there is a monster inside my head and it’s pushing me away while it works on something».
One of the nurses even goes as far as to dose their head with radiation to stop the things in her head from controlling her.
Demon Child
This character appears in Karamari Hospital. She appears at the end of the game and delivers a message to the player: «You seem different from the others. I’ve been here so long. I’ve forgotten so much. This place. It needs to be shut down. I know you can do it, just hurry. You’re so close now.«
In New Game+, if the player gets the sword and kills all the monsters, the demon child will instead say: «Please don’t hurt me! Just leave me alone!«
The Child Victim
The child goes into the mansion thinking their parents were throwing a party but to their surprise, their parents are not there.
The child keeps going through the mansion, until they fall down a hole, getting hurt, falling asleep and later waking up to what they thought was their dad approaching, which just seems to be one of the Specimens.
The Spelling Errors Victim
An unfortunate soul that ends up in the mansion, easily recognizable by their repeated spelling and grammatical errors.
They seem to be an internet dweller, evident by their vocabulary and general writing, and the fact that the scariest thing to them is not being able to check their online profile or post their daily thoughts due to the lack of Wi-Fi inside the mansion.
They’re inevitably killed by one of the Specimens.
Jasper Midnight
Jasper Midnight is a character similar to the Romantic Victim. At first, Jasper thinks the house is just a carnival attraction but is soon driven mad by the monsters lurking in the mansion’s depths.
The fate of Jasper Midnight is currently a mystery. If he followed the same fate as the Romantic Victim, it can be assumed that Jasper had died. However, with no remains having been found that can be identified as Jasper’s, it is possible that Jasper could still be wandering around until his inevitable demise.
Contrary to most other victims, Jasper seems to enjoy his time in the mansion, despite the Specimens chasing him.
Monica
Known to be Spooky’s mother, information about her is limited. She is first mentioned in the notes at the end of Karamari Hospital, which were written by Spooky’s Father.
In The Doll House, her name is revealed and her grave can be found in The Garden, revealing her to be 39 years old at the time of her death. She’s once again mentioned in notes written by her husband expressing how much he misses her and how he’s still working towards bringing Spooky back.
Characters / Spooky’s Jump Scare Mansion
Edit Locked
Although it’s a simple and cute indie horror game, Spooky’s Jump Scare Mansion has quickly been become known for its characters, namely the Specimens that are featured throughout the house.
Main Characters
Voiced by: Akuma Kira
The ghost of a 12 year old girl. She owns the house the game takes place in. She cheerfully invites guests to traverse her house and try to reach the 1000 floor of the house, which she might not even know herself if it’s the end. She worked with GL Labs to gather the Specimens to the house. Might possibly be a hologram.
Specimens
Specimen 1 takes the form of a cardboard cutout that pops out of the wall. Usually it manifests as simplistic, cute drawings of things like a green tentacle monster, a blue ghost, a purple cloud, a pumpkin, skeleton, tree stump, purple spider, brown cup, toast or ice cream, among many others, with cutesy faces each. However, sometimes a version of the tentacle monster that is horrifically distorted will appear, or a bloody skull, usually later on in the game. They are harmless for the most part, and are really only harmful to those that have heart problems.
An eyeless, black-and-green specter with one long hand and no legs, its mass hovering over the ground. It kills its victims by clawing them apart and can create puddles of black tar that slow the player down.
An insectoid creature that resembles a cross between a spider and a centipede. Specimen 3 was a creation of GL Labs, referred to as Subject 5, that broke out of confinement and attacked the staff there. It attacks with venomous bites and can ambush the player through holes in the ceiling.
Specimen 4 is a 14th century ghost who resided in a Japanese school, which was since moved to the facility. She hunts the player with the intent of eating them alive, seemingly to keep them «safe» within her.
A humanoid monster, female in appearance, wielding a large blade fused to her right arm. It was found inside a church in a small town, and has the ability to distort the room textures in order to disorient the player.
A large puppet resembling a smiling man with blank white eyes. It remains still until you stop looking at it, at which point it attacks from behind. According to the lore, it might have once been a puppeteer who drowned with his puppets after they were tossed in the river by jealous shopkeeper villagers, and got his revenge by turning the children of the village into puppets.
It’s one of the possible Specimens that can chase the player one final time in the Dollhouse DLC in order to seal the Hellgate.
Specimen 7 is a large, moving, shifting wall of corpses and skeletons. Supposedly only effective on subjects with «past traumas and a history of psychological issues», it attacks the player in what seems to be a mental area after a brief section of relative calm with a talking cat giving cryptic advice.
HD Renovation gives it a chance of appearing in Endless Mode, but only once per playthrough.
Voiced by: Jessie N.
A humanoid, ethereal entity with a deer skull for a head, wearing a cloak covering its body, hiding screaming faces underneath its visible rib-cage. Specimen 8 resides in a cabin deep within a forest where it watches over man-eating deer. Although it doesn’t exclusively target them, Specimen 8 seems to primarily target those who have backgrounds of violence.
It makes an appearance in the Dollhouse DLC as one of the possible Specimens the player can lure back into the Hellgate.




















